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Industry Pro Newsletter: Are 8 PM Curtains Hurting Broadway? Plus: Your 2026 Tony Nominations Guide

As New York prepares for the 2026 Tony Award nominations and honors the recent Lucille Lortel winners, producers are facing tough questions about whether traditional 8 PM curtain times are driving audiences away. The business landscape is shifting heavily behind the scenes, marked by the merger of licensing giants BMG and Concord, looming strike ballots in the West End, and the Kennedy Center's controversial two-year shutdown. Despite these logistical and financial challenges—including a devastating embezzlement case at a Pennsylvania community theatre—there is plenty of positive momentum to report, from the rapid financial recoupment of the Suffs national tour to new initiatives supporting theater education and large-scale playwriting.

Go Live Theatre Announces David Shields as New Patron

David Shields, known for his Olivier-nominated role in PUNCH, has joined Go Live Theatre as a patron, supporting the charity's mission to bring live theatre to disadvantaged young people across the UK.

ONCE UPON A TIME IN SOKOTO Will Embark on UK Tour

China Plate and Fuel announced a new touring initiative, 'Touring Together,' featuring INUA ELLAMS' ONCE UPON A TIME IN SOKOTO as the inaugural production in collaboration with various UK venues.

Tiggy Bayley To Star In SQUIDGE At Riverside Studios

White Noise Theatre will present SQUIDGE by Tiggy Bayley at Riverside Studios in London. The solo play is directed by Selwin Hulme-Teague and runs in March. Tickets are now available.

Nottingham Playhouse's PUNCH Will Embark on UK Tour

On the eve of its return to Nottingham Playhouse, following its West End and Broadway success in 2025, Nottingham Playhouse has announced that Punch will go on tour across the UK in 2027.

Review: THE BEEKEEPER OF ALEPPO, Richmond Theatre

Christy Lefteri’s 2019 bestseller The Beekeeper of Aleppo is both a powerful and poetic story about the refugee experience. Her story of Nuri and his wife Afra's escape from Syria to England was inspired by time Lefteri spent working in a refugee camp in Athens. Syria may currently be seen as less newsworthy than it was, but the issue of people displaced from their homes and seeking safety elsewhere has rarely been more discussed. So why does this important and emotional story feel flat on stage?

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