Austin Playhouse has announced the titles for the 2022-2023 Season. The 4-play mainstage season includes a world premiere, a hilarious comedy, and two Austin premieres – a stunning masterpiece and a heartfelt musical at Austin Playhouse’s new interim theatre space located in the heart of Austin.
With Marina Carr's Girl on an Altar about to begin previews, Kiln Theatre announces the full cast for the world première of Zodwa Nyoni's The Darkest Part of the Night. Nancy Medina directs Brianna Douglas, Andrew French, James Clyde, Hannah Morrish, Lee Phillips and Nadia Williams.
The First National Tour has officially begun for the history-making production of To Kill a Mockingbird, Academy Award winner Aaron Sorkin's new play, directed by Tony winner Bartlett Sher and based on Harper Lee's classic novel. Read the reviews here!
Richard Thomas will play the role of Atticus Finch in the National Tour of To Kill A Mockingbird, Aaron Sorkin's new play, directed by Bartlett Sher, and based on Harper Lee's classic novel. The tour will begin performances next month at Shea's Performing Arts Center in Buffalo.
Young Audiences New York has announced that Emmy and Golden Globe Award-winning actor, Richard Thomas, will once again take the stage to emcee this year's 70th Anniversary Gala at Guastavino's (409 East 59th Street, NYC) , on Tuesday, March 1, 2022, at 6:00 pm.
'Compulsion or the House Behind' is a good show, with a strong creative team and an immensely talented cast, but it’s also a flawed one. With pacing issues and a shyness about fully facing the questions it raises, it’s often a frustrating production. But it’s a thought-provoking one for that same reason.
The Seattle Symphony's Songs of the Earth performance will be live broadcast and available to view on Seattle Symphony Live on February 10. The captured broadcast will be available online for one week. This performance brings together a poignant program of music that reflects on the end of life.
Tonya Mantooth, CEO and Artistic Director of the San Diego International Film Festival www.sdfilmfest.com announces the addition of tourism professional Andy Thomas, Senior VP, Business Development at Evans Hotels to the Board of the San Diego Film Foundation.
Beginning today at 5pm PT, LA Opera presents a new streaming presentation of Igor Stravinsky's Oedipus Rex, conducted by James Conlon, the company's Richard Seaver Music Director, and starring tenor Russell Thomas, the company's Artist in Residence, in the title role.
The Episcopal Actors' Guild has announced that the Barbour Playwrights Award is back! This festival celebrating new work for the theatre will return in June 2021 and feature virtual readings of three new plays nominated by this year's partnering company, Leviathan Lab.
Everyman Theatre has been approved for a $25,000 Grants for Arts Projects award to support CRYING ON TELEVISION, a new play by Baltimore playwright R. Eric Thomas. This project will provide for the development of Crying on Television from workshopping, to part of its 2020/21 Summer 6-Pack reading series, to a mainstage production.
LA Opera will present the first episode of its newly revived After Hours recital series with a program entitled 'Black Love' on Saturday, February 13, at 5pm (PST).
As LA Opera anticipates resuming public performances this fall, the company is continuing to look to its artistic future, welcoming the newest member of its leadership team: opera star Russell Thomas, one of today's most prominent tenors, is joining the company as Artist in Residence.
Show business powerhouse and Jack of All Trades Marty Thomas will end up with his own studio soon, if he isn't careful. Whether it is a recording studio or movie studio, well, we will have to wait and see.
Award-winning singer/songwriter Bonnie Montgomery is widely lauded as enthusiastically for her polished parlor songs as she is for her lawless country barnburners.
There is no question that R. Eric Thomas has serious things to say about the state of race in our country. In a Single Carrot press release, he is quoted, for instance, as saying that the play was written now to address a?oethe scourge of white supremacy,a?? and that the play is a?oeabout priorities for the future and a way out.a?? He calls his thoughts a?oecomplicated.a?? And complicated is fine, so long as the audience is given as concrete and coherent a map of the way through that complication as Thomas can fashion. But that work has not been done.