Portland Center Stage will bring Portland audiences the Woolly Mammoth Theatre Company production of Madeline Sayet's profoundly affecting and breathtaking solo show Where We Belong, presented in association with Folger Shakespeare Library.
Woolly Mammoth Theatre Company will host A Mammoth Showcase: An Interdisciplinary Gathering of Native Artists on January 29 from 6:00-10:00 p.
Park Avenue Armory announces the full schedule of public events Symposium: Sound & Color - The Future of Race in Design, an interdisciplinary forum exploring how race matters in creative design for live performance, especially in the current moment of creative, technological, and cultural unrest.
Soho Rep and the NAATCO National Partnership Project will present Public Obscenities, a bilingual play performed in Bangla and English from writer-director Shayok Misha Chowdhury, co-commissioned and produced by the two organizations, February 15-March 26, 2023.
Park Avenue Armory will begin its 2023 Season with Symposium: Sound & Color - The Future of Race in Design, an interdisciplinary forum exploring how race matters in creative design for live performance, especially in the current moment of creative, technological, and cultural unrest.
The New York Premiere of Where We Belong, written and performed by Madeline Sayet and directed by Mei Ann Teo, is the latest stop in a nationwide tour produced by Woolly Mammoth Theatre Company in association with Folger Shakespeare Library.
Hudson Valley Shakespeare Festival has announced that Kendra Ekelund will join HVSF as the new Managing Director of the company.
Page 73 and Working Theater have announced the cast of Bleu Beckford-Burrell’s La Race (November 21–December 23 at the McGinn/Cazale Theater at WP Theater.
The Public Theater will begin performances for the New York premiere of WHERE WE BELONG, written and performed by Madeline Sayet and directed by Mei Ann Teo, with a Joseph Papp Free Performance on Friday, October 28.
Special Offer: WHERE WE BELONG Journeys to The Public
National Alliance for Musical Theatre has announced additional casting for their 34th Annual FESTIVAL OF NEW MUSICALS, which returns in person and takes place on Thursday, October 20 and Friday, October 21, 2022 at New World Stages.
National Alliance for Musical Theatre has announced preliminary casting and additional programming for their 34th Annual FESTIVAL OF NEW MUSICALS, which returns in person and takes place on Thursday, October 20 and Friday, October 21, 2022, at New World Stages (340 West 50th Street, between 8th and
Page 73, along with Working Theater, will presents Bleu Beckford-Burrell’s La Race, directed by Taylor Reynolds (Man Cave, Tambo & Bones), November 21–December 23 at the McGinn/Cazale Theater at WP Theater.
During A RAISIN IN THE SUN’s preview performances through Opening Night, theatergoers will be able to visit To Sit A While, a statue of Lorraine Hansberry by sculptor Alison Saar, at Astor Place.
The Public Theater and Elevator Repair Service will begin previews for the New York premiere production of BALDWIN AND BUCKLEY AT CAMBRIDGE with a Joseph Papp Free Performance on Saturday, September 24 in the Anspacher Theater.
The history of colonization of indigenous lands in this country and other countries is a sensitive subject that many shy away from.
The Public Theater has announced complete casting for the world premiere of PLAYS FOR THE PLAGUE YEAR, written by and featuring Pulitzer Prize winner and Public Theater Writer-in-Residence Suzan-Lori Parks and directed by Bessie Award winner Niegel Smith.
National Alliance for Musical Theatre has announced this year's directors and music directors for the 34th Annual FESTIVAL OF NEW MUSICALS, which returns in person and takes place on Thursday, October 20 and Friday, October 21, 2022, at New World Stages.
The Fine Arts Center Theatre Company has announced its lineup for the 2022–2023 performing arts season.
The Public Theater and Elevator Repair Service will kick off The Public’s 55th anniversary season with the New York premiere production of BALDWIN AND BUCKLEY AT CAMBRIDGE.
.jpg?format=auto&width=365)
