The University of South Carolina Department of Theatre and Dance will once again welcome eight of the world's top ballet talents for the 15th Annual Ballet Stars of New York Gala Performance March 29 at the Koger Center for the Arts.
What happens when a choreographer goes off the beaten path? This past Friday's New Combinations program at The New York City Ballet staged unique works in the repertory of four icons of the field: Wheeldon, Peck, Robbins, and Ratmansky. The four choreographers taken together offer ballets that we can view as academic curiosities, forgettable B-Sides, or explosive new dance visions.
I think I've seen Jewels at least 200 times in my life. Notwithstanding all the performances-excellent, good, mediocre, or just beyond mention, the ballet always yields rewards in its seemingly abundant outpouring of music and dance. We all know Stravinsky and Tchaikovsky from so many Balanchine ballets. Who would have thought of Gabriel Fauré?
This past year, while attending an extraordinary program at Paris's Opéra Garnier which featured the Paris Opera Ballet tackling, among other works, Pina Bausch's Rite of Spring, I wondered to myself, 'Why is New York still the house of Balanchine?' Sure, it could be argued other choreographers have made their mark on the company, from Robbins to Wheeldon to Peck, but the basic machinery of the pieces and their executions is consistently Balanchine in a way that Paris isn't Nureyev. Lincoln Center is nearly as synonymous with Balanchine as Bayreuth is with Wagner. Happily, this past Tuesday's four-part 'All Balanchine' program was an excellent justification for the company's conservation of the choreographer's composition and indelible flair.
SHARE is thrilled to announce the 15th Anniversary of A Second Helping of Life, the annual tasting benefit where famous female chefs serve their signature tastes in support of women facing ovarian and breast cancers, to be held on Monday, September 17th, at Chelsea Piers.
Five principal dancers from the New York City Ballet, including 2017 Tony nominee Robert Fairchild, will grace the Koger Center stage April 15, as the University of South Carolina Department of Theatre and Dance presents the 13th Annual Ballet Stars of New York Gala Performance.
On March 1, 2018, I saw one of the final performances of New York City Ballet's Winter 2018 season (ending March 4th). The Stravinsky/ Balanchine program presents some of Balanchine's most appreciated ballets, which is exciting to experience. Over the years, many dancers have had the opportunity to perform these ballets. Now, many years since the death of the choreographer/artistic director, April 30, 1983, the NYCB company continues to thrive. While a number of the older dancers take on the style of the Master, many of the corps de ballet members seem to be dancing without the full comprehension of the spirit, even the technique, which created these works. This, of course, can be explained in part by the changes in the world in which they live. We can hope for evolution in a positive direction.
As reported on Broadwayworld.com and elsewhere in December 2017, the New York City Ballet Board of Directors appointed an interim artistic team in the wake of the leave of absence and subsequent resignation of longtime NYCB Ballet Master in Chief Peter Martins following accusations against him of sexual harassment.
The David H. Koch Theater on Saturday January 27, 2018 during the matinee of the New York City Ballet featured three works choreographed by George Balanchine. These included Apollo, Mozartiana, and Cortege Hongrois.
An announcement was made by principal dancers Jared Angle and Megan Fairchild that the matinee performances were being dedicated to George Balanchine. It was mentioned that Apollo was the first ballet choreographed by Mr. B at the age of 24.
The holidays simply aren't complete without a delightful Hawaiian-style production of The Nutcracker. Ballet Hawaii celebrates the imaginary adventures of a young girl and a prince with its 40th Anniversary Season and this unforgettable performance.
Directed by Mois s Kaufman, Torch Song officially opened last night, October 19, at Second Stage's Tony Kiser Theater (305 West 43rd Street). BroadwayWorld was there on the red carpet and brings you photos from opening night below!
Paper Mill Playhouse, by special arrangement with Jeffrey Finn, presents the world-premiere production of the new musical comedy The Honeymooners, based on the CBS television series, with book by Dusty Kay and Bill Nuss, music by Stephen Weiner, and lyrics by Peter Mills.
The evening of Thursday, October 5, 2017 was an All Balanchine program of the New York City Ballet. At the Koch Theater, the repertoire consisted of Square Dance, La Valse, and Cortege Hongrois. These three dances featured just a small range of the choreography that its founder, George Balanchine, created decades ago and to this day are staples of the company.
On November 12, 2017, the Auditorium Theatre, The Theatre for the People, commemorates the 50th anniversary of its grand re-opening with A Golden Celebration of Dance, a one-night-only mixed repertory program featuring dancers from the world's premier dance companies: Alvin Ailey American Dance Theater, American Ballet Theatre, Dutch National Ballet, Eifman Ballet of St. Petersburg, Hubbard Street Dance Chicago, The Joffrey Ballet, MOMIX, New York City Ballet, Parsons Dance, The Suzanne Farrell Ballet, and The Washington Ballet. In addition, the evening will feature special performances by finalists from the Youth America Grand Prix, the next generation of great dancers.
Winners for the 2017 Chita Rivera Awards were announced just last night at The Al Hirschfeld Theatre. Following the show, guests celebrated at Sardi's and BroadwayWorld was on hand for the festivities!