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Review: THE MOUSETRAP at Berkshire Theatre Group

In the vernacular of the production, everything about it is quite satisfactory. Solid performances, handsome and functional staging, etc. It is all quite lovely. This production overall, however, fails to breakthrough. Christie’s script and characters are, as many of her works multifaceted and deliciously intertwined. As we get to know more about each of them over the course of the just short of two and a half hours (with one 15-minute intermission) information that makes all potential suspects much in the way the popular 1974 film Murder On The Orient Express did. This production is flat and rather two dimensional. Although the audience laughed in all the right places, we were never really drawn in. We watched the action play out before us, but the multitude of wait-what, and a-ha moments seemed to fall short not crossing the proscenium to connect with the audience members in the way they should. I will say that for me personally, , Matt Sullivan’s performance as Mr. Paravicini achieved the level of mysterious particularly well.

Interview: Theatre Life with Jeanine Tesori

Today’s subject Jeanine Tesori is a two-time Tony Award winning composer whose work spans the gamut from large scale and chamber musicals for Broadway to grand opera and beyond. Her holiday children’s opera The Lion, The Unicorn and Me premiered ten years ago at Kennedy Center as a commission for Washington National Opera (WNO). The work will be returning to Kennedy Center’s Terrace Theater for a one weekend four performance engagement on December 8th through 10th.

Review: DRACULA at Berkshire Theatre Group

As is often the case the BTG production is a high-quality production where seemingly everyone involved has played their role and done their work well. There is, however, one aspect I certainly did not expect. Laughter. At several points throughout the three acts in 2-hours, audience members responded with giggles, which I found rather confusing

Photos: First Look At The Colonial's DRACULA

Professor Van Helsing investigates the mysterious illness of a young woman, Lucy Seward, whose father is the doctor in charge of an English sanitorium.

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