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Single Tickets to Queensland Theatre's 2024 Season Go On Sale Today

Single tickets to Queensland Theatre’s 2024 Season will go on sale from 4 December, meaning theatre lovers can secure their spot to any of the seven plays taking centre stage next year, including the world premiere of Round The Twist The Musical.

Ensemble Studio Theatre Reveals New Members For Youngblood Program

Ensemble Studio Theatre’s Youngblood program has announced new members for the 2023-2024 season: jose sebastian alberdi, Libby Carr, Hanna Novak, Audley Puglisi, Eliana Theologides Rodriguez, Marissa Joyce Stamps, Graham Techler and May Treuhaft-Ali.

Photos: Go Inside Opening Night of MERRY ME at NYTW

New York Theatre Workshop just celebrated opening night of Merry Me by 2050 Artistic Fellow & NYTW Usual Suspect Hansol Jung (Wolf Play), directed by NYTW Usual Suspect and Tony Award nominee Leigh Silverman. Check out photos from inside the festivities!

LEMPICKA Will Open On Broadway Spring 2024

Lempicka, the sweeping new musical portrait celebrating the gripping true story of renowned artist Tamara de Lempicka, will open on Broadway this spring at the Longacre Theatre (220 W 48th St). Eden Espinosa, who originated the titular role in critically acclaimed performances at Williamstown Theatre Festival and La Jolla Playhouse, will star in the production.

Review: SANCTUARY CITY at Steppenwolf Theatre Company

What did our critic think of SANCTUARY CITY at Steppenwolf Theatre Company? In Martyna Majok’s SANCTUARY CITY, two teenagers in Newark, New Jersey — named only B and G (presumably standing for Boy and Girl) — must contemplate the complexity of their simultaneous youthfulness and the need to make grown-up decisions well beyond their years. Both B and G are migrants in the United States; they emigrated from unnamed countries as young children, and now as they approach high school graduation, must grapple with what it means to live illegally in the United States. When G becomes a naturalized citizen, she offers B a bold proposition so that he, too, might be able to stay. Majok’s play beautifully threads this needle between youthful impulsiveness and the immense pressure on the protagonists to make weighty adult decisions.

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