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Mark Hellinger News

Birth Place: New York, NY, USA

Industry Pro Newsletter: New Artistic Directors at Theater Mu and Almeida Theatre, Groban to Host 2025 Jimmy Awards

This morning, we’re looking back at Sunday’s biggest moments, from Cynthia Erivo's powerful hosting to the well-deserved wins and unforgettable performances that capped a remarkable Broadway season. Beyond the awards, we’re looking at the newly announced Gavin Creel Fellowship and Josh Groban hosting the Jimmy Awards. While we celebrated a triumphant Broadway season on Sunday, we are also looking at challenges at Dallas Children’s Theater as well as some more musical chairs of leadership positions both in the U.S. and abroad.

Industry Pro Newsletter: As The Broadway Box Office Booms, States Look at Reducing Funds

This week, we’re looking at key data on the financial health of the industry from Broadway's record-setting season to the critical role of stable real estate for smaller New York City companies, as revealed by A.R.T./NY's 'HEALTH + WEALTH' report. While we celebrate achievements like the Excellence in Theatre Education Award and the Dora Mavor Moore Award nominations, we also look at ongoing challenges in arts funding across the nation, with states like California, Wisconsin, and New Hampshire facing proposed cuts and shrinking resources.

The History of THE PIRATES OF PENZANCE

A new version of the classic, The Pirates of Penzance, is currently commanding the stage at Roundabout’s Todd Haimes Theatre on 42nd Street—formerly the American Airlines and before that, the Selwyn. This revisal of the beloved show is titled: Pirates! The Penzance Musical.

Industry Pro Newsletter: ART/NY Looks at Compensation Trends in the Off-Broadway Space

This week, we delve into the financial health of the arts, from a record-breaking Broadway Cares/Equity Fights AIDS fundraiser and new leadership at TCG, to concerning reports on theatre workforce compensation and critical investment needs for aging arts centers. We also look at exciting venue developments like the Astor Place Theater's new chapter and Lincoln Center's campus redesign, alongside insights into where grassroots theatre is truly flourishing.

Industry Pro Newsletter: The Impact of NEA Grant Cuts, Global Arts at a ‘Tipping Point’

This week's newsletter navigates a complex landscape for the theatre industry, from the immediate shockwaves of NEA grant terminations and their profound impact on individual organizations, as detailed by Cara Joy David, to A.R.T./NY's revealing 'Health + Wealth' report offering both stark realities and paths toward resilience in a challenging post-COVID environment. On Broadway, Andrew Lloyd Webber's potential acquisition of the former Mark Hellinger Theatre and the celebration of the Broadway League's latest award winners. Regionally, we see both ambitious growth with the announcement of David Rockwell's new magic theater in Chicago and concerning retrenchment as Berkeley's Aurora Theatre suspends its upcoming season.

Utopia Opera Closes JESUS CHRIST SUPERSTAR

Utopia Opera is entering its final weekend of performances of the timeless rock opera Jesus Christ Superstar, with a 36-piece orchestra at the Ida K. Lang Recital Hall at Hunter College

Which Broadway Theaters are the Biggest/Smallest?

This time, the reader question was: Which Broadway theaters are the largest and which are the smallest and our expert, Jennifer Ashley Tepper has done a deep dive on the sizes of Broadway theatres both past and present!

Review: MY FAIR LADY at BASS CONCERT HALL

MY FAIR LADY rolled into town this week, treating Austin to a classic musical of old. And by “of old” I mean lavish costuming, soaring vocals, a beautiful choral ensemble and lush orchestrations performed by a full orchestra. What a treat! In case you missed it over the last 67 years, the musical tells the story of Eliza Doolittle, a Cockney flower girl who takes speech lessons from Professor Henry Higgins, a phonetics professor, so that she might transform into a refined lady. The musical is based on George Bernard Shaw's 1913 play 'Pygmalion,' with book and lyrics by Alan Jay Lerner and music by Frederick Loewe. 

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