The New York Philharmonic will continue its Sound On series this spring with Sound On: Nathalie Joachim in the Wu Tsai Theater at David Geffen Hall. Learn more here!
There’s an old expression, “A lawyer who defends himself has a fool for a client.” While John Adams didn’t decide to take on the libretto for his latest opera, Monday night’s Met premiere, ANTONY AND CLEOPATRA, all on his own, I wonder whether he might have bypassed the one resource that might have been most useful: Arrigo Boito.
Osvaldo Golijov’s AINADAMAR, which made its Met debut this week, with a libretto translated by the composer from the English original by David Henry Hwang, isn’t the first Spanish language opera at the Met, but it’s certainly the first to sound that way. Read the review.
Osvaldo Golijov and David Henry Hwang’s Grammy Award–winning first opera has opened at the Met in a new production by Deborah Colker. Find out what the critics thought of the opera, starring Angel Blue, Elena Villalón, and Daniela Mack. Miguel Harth-Bedoya conducts.
Get a first video look at Osvaldo Golijov and librettist David Henry Hwang’s Grammy Award–winning first opera at the Met in a stunning new production by Deborah Colker, starring Angel Blue, Elena Villalón, and Daniela Mack. Miguel Harth-Bedoya conducts.
Argentine composer Osvaldo Golijov and librettist David Henry Hwang’s Grammy Award–winning opera, Ainadamar, has its company premiere in October. Sung in Spanish to a libretto translated by its composer, Ainadamar—literally “Fountain of Tears”—dramatizes the life and work of poet-playwright Federico García Lorca. Learn how to purchase tickets.
Back in December, I saw the chamber version of John Adams’s EL NINO—dubbed EL NINO: NATIVITY RECONSIDERED—at the Cathedral of St. John the Divine. Pared down to its essence, it was wonderful, starred two of the singers who made their debuts in the premiere at the Met, soprano Julia Bullock and bass-baritone Davone Tines plus countertenor Anthony Roth Costanzo, who were at their best. It was a somber evening in a dramatic setting—a far cry from the oratorio/opera’s over-the-top welcome to Lincoln Center last night, in Lileana Blain-Cruz’s production that made me wonder what Franco Zeffirelli might have done with it. Think the Parisian throngs in Act II of the Met’s LA BOHEME (which, of course, is one of the Met’s most popular productions with audiences).
Pulitzer Prize–winning composer-conductor John Adams will return to the Met for the company premiere of his acclaimed opera-oratorio El Niño, opening on April 23.
Experience the legendary music theater production 'Schick Machine' at Z Space from December 15-17. Directed by Rinde Eckert and featuring virtuoso Steven Schick, with music by Paul Dresher.
This September, Park Avenue Armory presents the world premiere of Doppelganger, a bespoke Armory commission that reimagines Franz Schubert's rarely staged song cycle Schwanengesang (“Swan Song”) as a multi-dimensional theatrical performance directed by Claus Guth, one of opera's most adventurous directors, and performed by renowned tenor Jonas Kaufmann with pianist Helmut Deutsch.
This September, Park Avenue Armory presents the world premiere of Doppelganger, a bespoke Armory commission that reimagines Franz Schubert's rarely staged song cycle Schwanengesang (“Swan Song”) as a multi-dimensional theatrical performance directed by Claus Guth, one of opera's most adventurous directors, and performed by renowned tenor Jonas Kaufmann with pianist Helmut Deutsch.
The Metropolitan Opera has announced a 2023–24 season with the most new works in the company’s modern history. See show details, performances dates, and how to purchase tickets!
San Francisco Opera today announced a cast change for the world premiere of John Adams’ Antony and Cleopatra, opening on September 10, 2022 as the first operatic presentation of the Company’s 2022–23 Centennial Season.
As only the third American opera company in history to reach this centennial milestone, the Company’s 2022–23 Season will honor San Francisco Opera’s glorious past while inviting the public into an exciting new era of musical excellence under Kim’s music directorship and a renewed commitment to innovation.
In “… (Iphigenia),” two of the most visionary and daring musical voices of our time – composer Wayne Shorter, and librettist and performer esperanza spalding, have created a modern operatic re-imagining of a powerful ancient story.
The Kennedy Center will present the co-commissioned opera, ...(Iphigenia), the collaborative work of 12-time Grammy Award–winning composer, saxophonist, and Kennedy Center Honoree Wayne Shorter, and four-time Grammy Award®–winning bassist, composer, and vocalist esperanza spalding.
In “Iphigenia,” two of the most visionary and daring musical voices of our time – composer Wayne Shorter, and librettist and performer esperanza spalding, have created a modern operatic re-imagining of a powerful ancient story.