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BWW Review: Donna McKechnie Brings Joyful SAME PLACE ANOTHER TIME to LA

Someone once asked me what the key is to a good cabaret performance. My answer? First, the performer should be an experienced actor and really know him or herself in depth. He must separate his own personality from every role played on stage. Cabaret audiences want to see something special, a glow from the inside that makes the person take hold of the moment and run with it. Nobody does this better than Donna McKechnie, Tony Award winner for A Chorus Line, whose vibrant persona adds warmth to every moment that she is in our presence. To me she is practically the same off stage as on; maybe that's the key, just being your true joyful self.

BALLROOM Receives European Premiere at Waterloo East Theatre

Waterloo East Theatre has announced the The European Premier of this Broadway musical, which has not been produced since it closed on Broadway in March 1979. Originally Directed and Choreographed by Michael Bennett, three years after A Chorus Line, it has a  book by Jerome Kass music by Billy Goldberg and lyrics by Alan & Marilyn Bergman.

BWW Review: Harvey Granat Spotlights Jimmy Van Heusen to an Enthusiastic Audience in His Latest SONGS AND STORIES at 92Y

Though all of Harvey Granat's midday events are illuminating and entertaining, his most recent SONGS AND STORIES on March 16 at 92Y could've easily continued at least another half hour buoyed by audience enthusiasm. The event's special guests, author/producer/journalist Will Friedwald (who has his own 92Y series), and President of Jimmy Van Heusen's catalog, his great nephew, Brook Babcock, were both knowledgeable, engaging raconteurs. It was also a great pleasure to watch the two men join infectiously enjoying the afternoon.

BWW Review: THAT GIRL/THAT BOY - That Amazing Charles Busch!

The award-winning playwright/drag legend/cabaret artiste Charles Busch displayed the reasons why he's such a creative force to be reckoned with as he had the Rockwell audience easily eating out of his outstretched hands in his THAT GIRL/THAT BOY cabaret show. Busch and his adoring fans most deservingly experienced a two-way love affair with each witty bon mot or sobering lyric Busch casually or dramatically tossed.

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