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ESPEJOS: CLEAN Comes to Syracuse Stage Next Month

Next up at Syracuse Stage is Espejos: Clean, written by Christine Quintana and performed in both English and Spanish with respective supertitles simultaneously, running February 15 to March 5, 2023. In cooperation with Hartford Stage, Espejos: Clean is directed by Syracuse Stage Associate Artistic Director Melissa Crespo both in Hartford, CT and Syracuse, NY.

Creative Teams and Casts Announced For 2022 Oregon Shakespeare Festival

The imminent start of the 2022 Oregon Shakespeare Festival season—Artistic Director Nataki Garrett’s first full season—marks a celebratory return to repertory producing. The 2022 lineup features eight on-stage plays and musicals, from classic Shakespeare to works by some of today’s most exciting playwrights.

Portland Opera Presents The Pulitzer Prize-Winning Opera THE CENTRAL PARK FIVE

Portland Opera continues the 2021/22 season with The Central Park Five, composed by Anthony Davis with a libretto by Richard Wesley. Winner of the Pulitzer Prize for Music in 2020, The Central Park Five is set in New York City in the late 80s—when five Black and Latino teenagers were falsely accused of rape and assault and coerced into confession. Their high-profile case spiraled out of control, turning the accused, and their families, into victims of prejudice and grave injustice.  

Waterwell Announces JUNE RITES !! On Governors Island

Waterwell has announced the world premiere of June Rites !!, an outdoor dance-theater piece celebrating the arrival of summer. Co-created by Lee Sunday Evans, Ásta Bennie Hostetter and Mariana Sanchez, June Rites !! will be performed at Picnic Point on Governors Island from June 18 to June 27, 2021.

BWW Review: THIS IS WHO I AM at Woolly Mammoth Theatre Company

This Is Who I Am is a compelling emotional tale, defying our expected limits of technology to bring us a deep, profound human connection over a video call. With clever, layered uses of language and deeply poignant discussions, Amir Nizar Zuabi’s play shows us that human connection isn’t just possible under these circumstances, but able to thrive.

Soho Rep in Association with Ma-Yi Theater Company Will Present Hansol Jung's WOLF PLAY

Soho Rep., in association with Ma-Yi Theater Company, will present Hansol Jung's mischievous and affecting new work, Wolf Play, directed by Dustin Wills, March 17-April 19. When a young South Korean boy-represented onstage as a puppet operated by a 'wolf'-is 're-homed' via a website chat room, he and his brand-new parents (a professional boxer, Ash, and Ash's wife, Robin) undergo the strange, fraught process of becoming a family.

BWW Review: MANHATTA at Yale Rep

Manahatta,' the impressive world premiere from Mary Kathryn Nagle at the Yale Repertory Theatre in New Haven, CT, history repeats itself with devastating consequences in lower Manhattan as the violent removal of the indigenous Delaware Lenape people in colonial times is echoed by the heartless destruction of the nation's economy by Wall Street four centuries later.

Yale Repertory Theatre to Present MANAHATTA

Yale Repertory Theatre (James Bundy, Artistic Director; Victoria Nolan, Managing Director) will present MANAHATTA by Mary Kathryn Nagle, directed by Laurie Woolery, January 24-February 15, 2020, at Yale Repertory Theatre (1120 Chapel Street).

BWW Review: THE NICETIES at Geva Theatre Center

For thousands of years the theatre has been a place where storytellers go to evaluate the world around them and the people who inhabit it. Every period in history, every noteworthy event, near every moment of import has theatrical representation in one form or another, from Jesus to the Salem Witch Trials, the Nixon impeachment to the smartphone. The polarized and divisive times in which we're all currently living have been no exception, with playwrights and artists of all stripes stepping up and trying to make sense of the calamity of our politics and culture. 'The Niceties', currently playing at Geva Theatre Center, takes a sharp and assertive stance on the issues of race and class that have become a powder keg since 2016 (and long before), in one of the most searing and provocative commentaries written in recent years.

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