The Muny's current production of Rodgers & Hammerstein's Cinderella is definitely not Walt Disney's Cinderella. It is nothing like Perrault's or the Grimm Brothers' Cinderella. It's not even pure Rodgers & Hammerstein, but rather a 2013 adaptation based on Rodgers & Hammerstein with a new book by Douglas Carter Beane. This musical holds the essence of your beloved fairytale but is infused (I must warn you upfront) with complicating new characters, a clumsy reordering of the original songs, and a conspicuous political subplot. Essentially, this adaptation, which tries to be everything simultaneously - old fashioned and new-fangled, traditional and progressive - is mostly just...
The Muny announced today its complete cast, design and production team for Rodgers + Hammerstein's Cinderella, the fourth show of its second century, July 8 - 16. Rodgers + Hammerstein's Cinderella is proudly sponsored by Edward Jones.
The Stage Directors and Choreographers Foundation (SDCF), the not-for-profit foundation of Stage Directors and Choreographers Society (SDC), will host a conversation entitled 'Producing Theatre for an Ageless Audience', moderated by Linda Hartzell, SDC Foundation Trustee and Artistic Director Emerita of Seattle Children's Theatre, with luminary directors Mark Brokaw and Marcia Milgrom Dodge and playwright Timothy Allen McDonald on Monday May, 20, 2019 from 6:00-8:00 PM at SDC, 321 W. 44th St., Suite 804.
The Stage Directors and Choreographers Foundation (SDCF), the not-for-profit foundation of Stage Directors and Choreographers Society (SDC), will host a conversation entitled "Producing Theatre for an Ageless Audience', moderated by Linda Hartzell, SDC Foundation Trustee and Artistic Director Emerita of Seattle Children's Theatre, with luminary directors Mark Brokaw and Marcia Milgrom Dodge and playwright Timothy Allen McDonald on Monday May, 20, 2019 from 6:00-8:00 PM at SDC, 321 W. 44th St., Suite 804.
Ebner-Page Productions today annonuced the New York Premiere Off-Broadway run of Siegmund Fuchs' IN THE CLOSET, a stirring dramedy about ageism in the gay community that will begin a limited Off-Broadway engagement Wednesday, May 29, 2019 continuing through June 16, 2019 at Theatre Row's Studio Theatre, (410 West 42nd Street). Eli Carpenter will direct. Mr. Fuchs lives in Washington, D.C., is an attorney for the United States Department of Justice, and his academic work focuses on abuse victims.
Ragtime is a deeply moving musical based on E.L. Doctorow's powerful book about immigrants and the fight for the American soul in the early twentieth century.
RAGTIME is a vivid portrait of America in the early 20th century, when worlds and cultures collided on issues of race, class, gender equality, and politics. This deeply moving musical features a Tony award-winning score, book, and original Broadway orchestrations. This spectacular production of RAGTIME holds a mirror up to America, and the reflection isn't always pretty. But it is imperative and important that we see ourselves, our past, and our potential future in that mirror, for those who do not learn from history, are doomed to repeat it.
We got the chance to chat with Tony-nominated director and choreographer Marcia Milgrom Dodge about RAGTIME -- its relevance to the current U.S. political climate and what makes it one of the best musicals of the 20th (and 21st century).
Today The Cape Playhouse announced principal casting for the theatre's historic 93rd season, which includes an impressive list of Broadway and television stars.
Michael Rader, Producing Artistic Director of The Cape Playhouse, today announced the creative teams for the 2019 summer season. The six-play season features three plays and three musicals- and includes directors Hunter Foster, Marcia Milgrom Dodge, Matt Lenz, Joyce Chittick and more.
Artistic Director Blake Robison announced Cincinnati Playhouse in the Park's 2019-20 season today, which includes plays from Karen Zacarias and Anna Ziegler, a new stage adaptation of a Margaret Atwood novel, a recent Broadway comedy hit and a world premiere from the award-winning, multi-cultural performance ensemble Universes.
My mind kept turning these quotes over after I saw Riverside Theatre's spectacular production of Andrew Lloyd Weber and Time Rice's EVITA, running through Sunday, Jan. 27 in Vero Beach. With its supremely talented cast, phenomenal production values, and shining star, there is no doubt that the musical is engaging. So, in that respect - at least by Albee's definition - the production is political. However, I couldn't help but feel as though the inherent politics had been boiled out of this EVITA. That certainly didn't hamper my enjoyment or appreciation for the production, but it did leave me thinking that perhaps the very point of the show had been missed.