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BWW Review: 8 HOTELS, Minerva Theatre

BWW Review: 8 HOTELS, Minerva Theatre

by Gary Naylor — August 9, 2019

Nicholas Wright's new play, set on the road in wartime America, examines the relationships between Paul Robeson and his Othello co-stars, José Ferrer and Uta Hagen.

BWW Review: THE WORST WITCH, Vaudeville Theatre

BWW Review: THE WORST WITCH, Vaudeville Theatre

by Debbie Gilpin — July 29, 2019

Move over, Hogwarts a?' Miss Cackle's Academy for Witches is in town! Fresh from a UK tour, Emma Reeves' adaptation of Jill Murphy's The Worst Witch comes slipping and sliding into the West End for a summer residency at the Vaudeville Theatre.

BWW Review: PETER GYNT, National Theatre

BWW Review: PETER GYNT, National Theatre

by Gary Naylor — July 10, 2019

David Hare's updating of Ibsen's Peer Gynt has plenty to say about the world in 2019 - perhaps a little too much - but James McArdle's central performance and the sheer chutzpah of the concept and direction pulls it through.

BWW Review: THE POPE, Royal and Derngate, Northampton

BWW Review: THE POPE, Royal and Derngate, Northampton

by Verity Wilde — June 21, 2019

The world premiere of Anthony McCarten's (The Theory of Everything, Bohemian Rhapsody, Darkest Hour) play The Pope at Royal and Derngate looks at a turning point moment in the Catholic Church - the retirement of Pope Benedict XVI and his replacement with Pope Francis.

BWW Review: A MIDSUMMER NIGHT'S DREAM, Bridge Theatre

BWW Review: A MIDSUMMER NIGHT'S DREAM, Bridge Theatre

by Cindy Marcolina — June 13, 2019

Right in time for Pride month, Nicholas Hytner draws a curious card from his sleeve for his own Bridge Theatre, introducing A Midsummer Night's Dream as a beguiling triumph of identity.


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