Manhattan Theatre Club (Lynne Meadow, Artistic Director and Barry Grove, Executive Producer) has announced casting for the upcoming world premiere of The Best We Could (A Family Tragedy), written by the company's 2019-20 Tow Playwright-in-Residence, Emily Feldman (Three Women in Four Chairs, My Lover Joan), and directed by Daniel Aukin (Fool For Love, Fulfillment Center).
In the east coast premiere of Sharr White's very dark and powerful comedy, Chick Ford surprises his parents when he returns home from prison after serving only 14 years of a 486 year sentence. He's been released to face a possible retrial for a gruesome murder that he confessed to committing when he was a teenager. The flat-broke Ford family has tried to rebuild their lives and overcome the shame and guilt of their son's crime. Now that Chick is back they're forced to reluctantly face the consequences of the past and chose a path forward.
The Old Globe presents August Wilson's Jitney, directed by one of Wilson's foremost interpreters, Ruben Santiago-Hudson (directed Jitney on Broadway, performed in Gem of the Ocean and Seven Guitars). The American master and two-time Pulitzer Prize winner August Wilson (the American Century Cycle of 10 plays) had a close relationship with The Old Globe, where three of his plays premiered.
Theater Resources Unlimited (TRU) will present the workshop How to Write a Musical That Works Part Two: Conflicts & Obstacles on Sunday February 23, 2020 from 10am to 6pm at Studios 150, 150 W. 46th Street, 7th floor, NYC. Submission deadline is Wednesday 2/12. E-mail TRUStaff1@gmail.com or register online at https://truonline.org/events/feedback-workshop2-2020/.
Roundabout Theatre Company has just announced a line-up of all new work Off-Broadway at the Harold & Miriam Steinberg Center for Theatre.
The Old Globe presents August Wilson's Jitney, directed by one of Wilson's foremost interpreters, Ruben Santiago-Hudson (directed Jitney on Broadway, performed in Gem of the Ocean and Seven Guitars). The American master and two-time Pulitzer Prize winner August Wilson (the American Century Cycle of 10 plays) had a close relationship with The Old Globe, where three of his plays premiered.
The Morgan-Wixson Theatre in Santa Monica will present Terrence McNally's barb-filled love letter to the madness of high-stakes New York theater, It's Only a Play, playing now through Feb. 9, 2020, with performances on Fridays and Saturdays at 8 p.m. and Sundays at 2 p.m. The production is directed by Aric Martin, produced by Kalila Horwitz, and stage managed by Ashley DeFrancesco, with costume design by Kristie Mattsson and set and lighting design by William Wilday. The cast features (in alphabetical order) Chris Aruffo, Michael Bernstein, David Callander, Joanna Churgin, Justin Heller, Kelly McReynolds, and Kent Navarette.
NewYorkRep, in association with Bill DeSimone and Jenna Grossano, will present two industry readings of Just Between The All of Us, with book & lyrics by Kellen Blair (Murder For Two) and Sarah Ziegler Blair, and music by David Christensen. The reading presentation will take place Monday, February 3 at 3PM and 7PM at the Manhattan Theatre Club Studios (311 W 43rd St.) To RSVP, email GM@NewYorkRep.org.
In what has become an annual ritual, a total of 40 established and emerging composers, lyricists, and librettists will converge on the Goodspeed campus from mid-January through mid-February 2020 to participate in the Johnny Mercer Foundation Writers Colony at Goodspeed Musicals. The writing teams, representing 15 new musicals, will populate the campus, creating a truly exciting environment for discovery and inspiration.
My Name is Lucy Barton starring Laura Linney opens tonight at the Samuel J. Friedman Theatre.
The top growing current Broadway musicals were Jagged Little Pill (2.11%), Ain't Too Proud (1.47%), Hadestown (1.23%), Beetlejuice (1.19%) and Frozen (1.12%). The top growing current Broadway plays were American Utopia (3.42%), Slave Play (2.43%), The Sound Inside (2.20%), The Inheritance (1.94%) and To Kill A Mockingbird (0.73%).
Performances begin this Saturday, January 18, as The Old Globe presents August Wilson's Jitney, 2017 Tony Award winner for Best Revival of a Play, directed by one of Wilson's foremost interpreters, Ruben Santiago-Hudson (directed Jitney on Broadway, performed in Gem of the Ocean and Seven Guitars).
Arena Stage at the Mead Center for American Theater has announced the full company for the world premiere of Eduardo Machado's (Havana Is Waiting, The Cook) Celia and Fidel.
Tickets on sale now for Seattle Rep's Production of August Wilson's JITNEY, directed by Ruben Santiago-Hudson
Berkeley Repertory Theatre today announced that Bay Area natives and provocateurs, Culture Clash, are returning with their latest production, Culture Clash (Still) in America. The play, written and performed by Culture Clash and directed by Obie Award winner Lisa Peterson, marks the fifth time the satirical group has performed at Berkeley Rep.
ENSEMBLE STUDIO THEATRE (EST) (William Carden, Artistic Director) and The Alfred P. Sloan Foundation (Doron Weber, Vice-President, Programs) have announced details for the 2020 First Light Festival, part of the EST/Sloan Project to develop plays exploring science and technology.
An ageing woman receives her Medicare card and is expected to don a cloak of invisibility,
Town Hall Theatre continues the IN THE WINGS staged reading series with a one-night only performance of INCOGNITO, a compelling brainteaser of a play by Nick Payne. INCOGNITO will have one performance on Monday, February 3, 2020.
This year, Artistic Director Bonnie J. Monte will celebrate her 30th anniversary at the helm of The Shakespeare Theatre of New Jersey (STNJ) now approaching its 58th season with an electrifying lineup of plays. Under Ms. Monte's leadership, the Theatre has evolved into one of the most respected classical theatres in the nation.
Seattle Rep will welcome back director Tim Bond and a cast of Seattle veteran actors for its production of Lucy Kirkwood's post-apocalyptic drama The Children, beginning February 7 in the Leo K. Theater. Tickets are on sale now through the Seattle Rep Patron Services Office at 206.443.2222 and online at seattlerep.org.
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