Heather Dowling's award-winning solo show, Unemployed. Finally. has been invited to be a part of Theatre Asylum/Combined Artform's Beyond Encores, launching this October at Studio C in Hollywood. BEYOND ENCORES is an opportunity for artists and audiences to revisit some of the best shows from the last seven years of the Hollywood Fringe Festival.
Performer Heather Dowling is bringing her award-winning solo-show, Unemployed. Finally. to New York City as part of the United Solo Festival on 42nd Street - the world's largest solo theatre festival - on October 19th. Dowling's show has been invited back on stage many times in Los Angeles, CA since the show's premiere in the 2015 Hollywood Fringe Festival. At Fringe, Dowling performed 6 sold-out shows, won the Producers' Encore Award and was nominated for Best Solo Performance, out of more than 80 shows.
???????Chances are you've heard Carla Delaney's voice before. A master impressionist, her voice has featured in animation, video games and commercials everywhere. She's done everyone from Carol Brady in that famous Snicker's commercial to Bart Simpson to Martha Stewart to Lady Gaga, and the list goes on and on. A capable actor, Carla's created her own gallery of quirky, memorable character. She's written and performed in The Groundling's Sunday Company, in the hit show Forbidden Broadway, on TV's Jimmy Kimmel Live! and Conan, and much more.
Heather Dowling's award-winning solo show, Unemployed. Finally. has been invited to be a part of Theatre Asylum/Combined Artform's Beyond Encores, launching this October at Studio C in Hollywood. BEYOND ENCORES is an opportunity for artists and audiences to revisit some of the best shows from the last seven years of the Hollywood Fringe Festival.
Solo Performance Artist Bonnie Joy Sludikoff has spent the last 2 years performing her 2014 Hollywood Fringe Hit, That's What She Didn't Say: A True Story of Taboo, Redemption, and Musical Theatre. But always feeling she had blown the chance to have dozens of important, meaningful conversations over the last three years, she's back now with an even bolder approach that shows the collision of rape culture and pop culture from her very personal perspective: BACKWARDS: A COMEDY (ABOUT TRAUMA)
Theresa Stroll is proud to present My Big Fat Blonde Musical, playing at the Sacred Fools Theater Black Box as part of the 2016 Hollywood Fringe Festival. Scroll down for a look at Stroll in action!
Theresa Stroll, an overweight actress, moved to Los Angeles to pursue her acting dreams, but found it difficult to avoid the negativity both around her and coming from within her. As she worked toward her goals, she got hit not just with the reality of having to work to pay back her student loans, leaving her little time and energy to put towards actually making her dreams come true, but also with the roadblocks and closed doors she felt were caused by her weight...She'd had enough!
Theresa Stroll, an overweight actress, moved to Los Angeles to pursue her acting dreams, but found it difficult to avoid the negativity both around her and coming from within her. As she worked toward her goals, she got hit not just with the reality of having to work to pay back her student loans, leaving her little time and energy to put towards actually making her dreams come true, but also with the roadblocks and closed doors she felt were caused by her weight...She'd had enough!
Theresa Stroll, an overweight actress, moved to Los Angeles to pursue her acting dreams, but found it difficult to avoid the negativity both around her and coming from within her. As she worked toward her goals, she got hit not just with the reality of having to work to pay back her student loans, leaving her little time and energy to put towards actually making her dreams come true, but also with the roadblocks and closed doors she felt were caused by her weight...She'd had enough!
Contra Costa Civic Theatre (CCCT) continues its 56th season with Sarah Ruhl's insightful comedy, The Clean House, directed by former Woman's Will Artistic Director Erin Merritt in her CCCT debut. The Clean House plays from February 12 through March 6; performances are Fridays and Saturdays at 8pm, and Sundays at 2pm at the theatre.
Theatre Unleashed has been an active participant in the Hollywood Fringe Festival since its inception; producing, co-producing, sponsoring an award, volunteering and more. According to Artistic Director Jenn Scuderi Crafts, one of the highlights of the festival is not only the number of talented people you get to meet but the creative relationships you can build. So when she thought of how to kick off TU's new Spotlight Series, she knew exactly where to go.
The one-woman show 'That's What She Didn't Say: A True Story of Taboo, Redemption, & Musical Theatre' is hitting LA one more time before making it's NYC debut. Shows will be Oct 2, 8pm in Hollywood, CA, and Oct 25, 2pm in NYC.
Theater Works' revolutionary PuppetWorks season continues with Boo! A Halloween Spooktacular in the black light style of puppetry which causes the puppets, scenery and even the audience to glow-in-the-dark. Taking place October 17, 24 and 31, Boo! will be performed at 10:30 am and 12 pm at the Peoria Center for the Performing Arts. Full of spooky shenanigans, Boo! tells the story of the scariest street in town, so scary no kid dares go trick-or-treating, where three friends set out on a fun filled Halloween adventure.
Heather Dowling is finally ready to give up all the pay-the-bills jobs that have made up the majority of her life. It's been many, many years of ridiculous work, learning experiences, never-ending personal growth and bizarre characters. But now, finally, she says…
The Pittsburgh Cultural Trust announces the line-up for its January Gallery Crawl taking place Friday, January 23, 2015, from 5:30 p.m. to 10:00 p.m., in downtown Pittsburgh's Cultural District. The Gallery Crawl is a free and festive showcase that features a wide variety of thought-provoking art exhibitions, live bands, DJs, dance, comedy and more. The showcase of arts and entertainment is on display for art connoisseurs of all ages.
Kyla Garcia is the epitome of the well-rounded actor. She has performed Off Broadway, at the Globe in London, locally at Boston Court, in several indie films, digital works and most recently as Mrs. Zeller in Marvel's Agents of S.H.I.E.L.D. But now she's taking on a whole new (and deeply personal) challenge by debuting her solo show The Mermaid Who Learned How to Fly at the Elephant @ Theatre Asylum as part of the 2014 Hollywood Fringe Festival.
THE 2014 HOLLYWOOD FRINGE FESTIVAL PRESENTS The World Premiere of That's What She Didn't Say: A True Story of Taboo, Redemption, & Musical Theatre, written and performed by Bonnie Joy Sludikoff, directed by Jessica Lynn Johnson.
Kyla Garcia is the epitome of the well-rounded actor. She has performed Off Broadway, at the Globe in London, locally at Boston Court, in several indie films, digital works and most recently as Mrs. Zeller in Marvel's Agents of S.H.I.E.L.D. But now she's taking on a whole new (and deeply personal) challenge by debuting her solo show The Mermaid Who Learned How to Fly at the Elephant @ Theatre Asylum as part of the 2014 Hollywood Fringe Festival.
Kyla Garcia is the epitome of the well-rounded actor. She has performed Off Broadway, at the Globe in London, locally at Boston Court, in several indie films, digital works and most recently as Mrs. Zeller in Marvel's Agents of S.H.I.E.L.D. But now she's taking on a whole new (and deeply personal) challenge by debuting her solo show The Mermaid Who Learned How to Fly at the Elephant @ Theatre Asylum as part of the 2014 Hollywood Fringe Festival.
Kyla Garcia is the epitome of the well-rounded actor. She has performed Off Broadway, at the Globe in London, locally at Boston Court, in several indie films, digital works and most recently as Mrs. Zeller in Marvel's Agents of S.H.I.E.L.D. But now she's taking on a whole new (and deeply personal) challenge by debuting her solo show The Mermaid Who Learned How to Fly at the Elephant @ Theatre Asylum as part of the 2014 Hollywood Fringe Festival.
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