Amy is a pregnant teen with no one to help her. She has a BFF (Reba), and yet she seeks help from high school swim team newcomer, Ester. Amy is too scared to trust anyone else, least of all an adult, and asks Ester to help her self-abort the pregnancy. A precarious situation, does Ester help Amy with such high stakes? It's a controversial topic to say the least and all politics and viewpoints aside, it's an all-too-common predicament in twenty-first century America.
After considering hundreds of live stage productions, concerts, and art exhibitions in Austin between the dates of May 1, 2018, and April 30, 2019, members of the Austin Critics Table have announced their nominees for outstanding dance, classical music, visual art, and theatre with the nominees for the 2019 Critics Table Awards.
Ground Floor Theatre is proud to announce the world premiere of Dex & Abby running May 16 - June 1, 2019. Directed by Robert Tolaro and written by Allan Baker, Dex & Abby is a sweet, funny and moving tribute to the animal companions with whom we share our lives and the human relationships we realize are not so different.
The Penfold Theatre Company's production of CRIME AND PUNISHEMENT -- adapted by Marilyn Campbell and Curt Columbus from the novel of the same name by Dostoevsky -- was a tense night at the theatre that was unlike anything I have ever experienced.
Unfolding before us in flashback mode, HEARTLAND delves into a 'West meets East meets West' tale that explores the differences and similarities between two very different cultures that fuse into one coherent story. We are reminded throughout the play of how alike human beings are and just how quickly, easily, and dangerously the simplest of misunderstandings can escalate and create dire, life-long consequences.
It's the last week to vote for the 2018 BroadwayWorld Austin Awards, brought to you by BroadwayHD! Readers are already setting records as they vote for their favorites. Regional productions, touring shows, and more are all included in the awards, honoring productions which opened between October 1, 2017 through September 30, 2018. Our local editors set the categories, our readers submitted their nominees, and now you get to vote for your favorites! Voting will continue through December 31st, 2018.
There's just two weeks left to vote for the 2018 BroadwayWorld Austin Awards, brought to you by BroadwayHD! Readers are already setting records as they vote for their favorites. Regional productions, touring shows, and more are all included in the awards, honoring productions which opened between October 1, 2017 through September 30, 2018. Our local editors set the categories, our readers submitted their nominees, and now you get to vote for your favorites! Voting will continue through December 31st, 2018.
There's just two weeks left to vote for the 2018 BroadwayWorld Austin Awards, brought to you by BroadwayHD! Readers are already setting records as they vote for their favorites. Regional productions, touring shows, and more are all included in the awards, honoring productions which opened between October 1, 2017 through September 30, 2018. Our local editors set the categories, our readers submitted their nominees, and now you get to vote for your favorites! Voting will continue through December 31st, 2018.
There's just one month left to vote for the 2018 BroadwayWorld Austin Awards, brought to you by BroadwayHD! Readers are already setting records as they vote for their favorites. Regional productions, touring shows, and more are all included in the awards, honoring productions which opened between October 1, 2017 through September 30, 2018. Our local editors set the categories, our readers submitted their nominees, and now you get to vote for your favorites! Voting will continue through December 31st, 2018.
There's just one month left to vote for the 2018 BroadwayWorld Austin Awards, brought to you by BroadwayHD! Nominations were reader-submitted and now our readers are already setting records as they vote for their favorites. Regional productions, touring shows, and more are all included in the awards, honoring productions which opened between October 1, 2017 through September 30, 2018. Our local editors set the categories, our readers submitted their nominees, and now you get to vote for your favorites! Voting will continue through December 31st, 2018.
SOME HUMANS WERE HARMED IN THE MAKING OF THIS SHOW is a difficult show to describe as it is all over the map...and that is in no way a bad thing. This new work, by C.B. Goodman, was inspired by the 1903 public execution of Topsy, the elephant, and although there are clear echoes from the beginning, the inspiration never really becomes clear until the final moments, yet it never telegraphs the surprise ending, which takes a huge turn from the riotous belly laughs of the great majority of this highly entertaining and though provoking production.
'The rest of the world might be going to hell, but stories are better than ever,' says Sandy (Tom Green), the boss and leader of the think tank in THE ANTIPODES, the newest play from Pulitzer Prize winner Annie Baker currently on stage at Hyde Park Theatre in what is the second production of this fascinating new work. Hyde Park has a history of producing her plays, most recently having staged both John and The Flick. In THE ANTIPODES, Baker examines the very nature of story telling and also has some fun with the concept of time and how it is perceived. It is also interesting to note that the definition of antipodes is 'the opposite'. Baker, in the very construct of the play, is giving us the opposite of traditional plot structure. Sandy reveals a great deal of what Baker is attempting to accomplish in his early remarks to the group: 'If you think about the greatest thinkers in world history: Jesus, Socrates, Confucius; None of those guys recorded anything or wrote anything down. And what we know about them we know through other people telling stories about their stories. Could we go back to the beginning? Could we remake our collective unconscious?'
LUCKY STIFF is a musical farce with lyrics and libretto by Lynn Ahrens and music by Stephen Flaherty, that is notable historically for several things. To begin with, It was the first collaboration for the team whose later collaborations include Ragtime and Once On This Island. It was created and performed at Playwrights Horizons off-Broadway in 1988, and won the Richard Rodgers Award for that year. LUCKY STIFF is based on a 1983 novel The Man Who Broke the Bank at Monte Carlo by Michael Butterworth. It received a full production in London's West End in 1997 but, to date, has never had a Broadway production. In 2015, a film version was created but it has only been seen at film festivals.
SMALL MOUTH SOUNDS is a new play from Drama Desk Award-winner Bess Wohl that looks at how we address life's biggest questions when you can't use words. Under the watchful eye of their unseen guru, six people (who are about as different from each other as one can get) have gathered for a week-long retreat in the woods. What makes this retreat unusual is the fact that it is a silent retreat. In the process of listening to their spiritual leader, they discover that silence is not only golden, but also more than a little passive-aggressive. As they confront their inner demons, they find their vows of silence colliding with the basic human need to connect.
Rules have been laid out (including no cellphone use except in cars with the windows rolled up, no candles or incense, no food in the rooms), but over the course of the retreat, every rule gets broken. In the quiet of the woods, they attempt to abandon technology and observe their vow of silence. There are some remarkable moments of tenderness in this play, but SMALL MOUTH SOUNDS is also a wickedly satiric look at this comodified inner peace industry where nirvana is just a guru, mantra or self-help book away.
GROUNDED is a 2012 drama from George Brant that won the National New Play Network's 2012 Smith Prize and the Fringe First award at the 2013 Edinburgh Fringe Festival. Street Corner Arts production of the play is the first time his work has been done in Austin since he graduated with an MFA in Writing from the Michener Center for Writers at the University of Texas at Austin. George Brant's play was one of the earliest theatrical explorations of this unnerving new form of war.
Austin Shakespeare will transform the Beverly S. Sheffield Zilker Hillside Theater into the world of a classic '50s sitcom for their Free Shakespeare in the Park production of The Merry Wives of Windsor. Produced in collaboration with the City of Austin Parks and Recreation Department for the 34th year, Shakespeare's famous comedy will be performed under the stars from May 3 - May 27 on Thursdays - Sundays at 8 pm, with a preview performance on Wednesday, May 2. Co-directed by artistic director Ann Ciccolella and Gwendolyn Kelso, this year's play will be a nostalgic tribute to shows like "I Love Lucy."
Theatre East is pleased to announce the five playwrights selected for the 2017-2018 5x5 Drama Series. BOB'S BIRTHDAY by Lowell Bartholomee, JUMPING UP AND DOWN HAPPY TOWN by Lori Fischer, OH, DANNY BOY by Edward Allan Baker, WE THREE by Julia Rae Maldonado, and FAINT TASTE OF CAT FOOD AND SOUR MILK by Barbara Blumenthal-Ehrlich.
Yale Repertory Theatre presents the world premiere of FIELD GUIDE created by Rude Mechs, inspired by the novel The Brothers Karamazov by Fyodor Dostoevsky, January 26 February 17, at Yale Repertory Theatre (1120 Chapel Street). Opening Night is Thursday, February 1.
Shakespeare's HENRY IV (Part 1) is easily the most entertaining of his history plays and Hidden Room pulls out all the stops to wring every moment of excitement from the story. Director Beth Burns, using a script cut by American Shakespeare Center's Dr. Ralph Alan Cohen, presents a stellar cast at the top of their game to the utter delight of every audience member.
