The Arena Stage's production of Inherit the Wind had its final performance on Sunday, May 5, and you can watch a video of the show's final curtain call on the Fichandler Stage here.
The Chesapeake Shakespeare Company has announced its 2026–2027 season, featuring a lineup of classic works spanning gothic horror, American drama, and Shakespearean comedy, alongside returning holiday and outdoor programming.
This past week the DC theatre community lost one of its visionaries with the passing of Artistic Director/Director/Performer/Mentor Jerry B. Whiddon at age 77. For twenty years Jerry served as the Producing Artistic Director Of Round House Theatre. The company was born out of Street 70 which Jerry helped start in 1970.
Mosaic Theater Company will present a workshop for CODE RED, a new play that illuminates day-to-day life in an environment perpetually alert—the American public school system.
Five gifted actors in four bare walls work theatre magic to bring the epic work of Cyrano to life in Taffety Punk’s new interpretation skillfully directed and adapted by Lise Bruneau. The production is vibrant, visceral and immediate.
The 41st Helen Hayes Awards took place on May 19, 2025, at The Anthem, honoring excellence in Washington D.C. theatre. Signature Theatre led with six wins. Awards were presented in 41 categories from 165 eligible 2024 productions.
The case for this production rests most firmly on the sheer spectacle and melodrama of the clash of the queens. Lesley Malin as Elizabeth, and Lisa Bruneau as Mary deliver that clash in fine fashion.
Check out photos of Arena Stage's new production of The Age of Innocence, running through March 30, 2025, directed by Arena Stage Artistic Director Hana S. Sharif.
Explore the 2025 Helen Hayes Awards Nominees, including standout performances by Bonnie Milligan and Beanie Feldstein. The awards will be presented on Monday, May 19 at an event at The Anthem. The nominations are for productions in the Washington, DC, region in the 2024 calendar year.
Arena Stage at the Mead Center for American Theater has revealed the cast and creative team for The Age of Innocence. See who is starring in the production and learn how to purchase tickets.
Health care systems and society in general has never adjusted to just how long people are living these days. It’s fallen largely to family members to do their best to help their elders stay at home as long as possible. The strained efforts have had a huge effect on all these volunteer caregivers, trying to help loved ones, in addition to life’s usual work and family obligations.
Voices Festival Productions' world-premiere story of evolving relationships within a multi-generational, caregiver support group will start performances on January 9, 2024.
Irish Repertory Theatre has revealed the plays and casting for the New Works Fall Festival, featuring four readings spotlighting the work of Northern Irish artists. See full programming and learn how to purchase tickets.
Voices Festival Productions announced the cast and creative team for the world premiere of WHO CARES: THE CAREGIVER INTERVIEW PROJECT, with free readings in November. Learn how to purchase tickets.
It figures that a Riot Grrrls version of “The Tragedie of Macbeth” at Taffety Punk would focus on the witches - or three wyrd sisters, as they’re called here
Fresh from their Helen Hayes Awards win for Outstanding Production (La Salpêtrière) the Taffety Punks bring back the Riot Grrrls to show us how Shakespeare is done. See photos from The Tragedie of Macbeth.
Taffety Punk's Riot Grrrls will perform THE TRAGEDIE OF MACBETH, featuring an all-female cast. The production explores themes of ambition and power in Shakespeare's classic play. Learn more and see how to purchase tickets.
On May 20, 2024, the 40th Helen Hayes Awards took place at The Anthem on the District Wharf, with over 1,600 theatre-makers and theatre supporters in attendance. Learn more about the winners here!
What did our critic think of TAFFETY PUNK THEATRE COMPANY'S VENUS AND ADONIS at Taffety Punk Theatre Company?
There are great depths here, and great wisdom, and Playwright Ellen McLoughlin’s handiwork and that of Chesapeake Shakespeare convey them well. It is good to see a Shakespeare-oriented theater applying its tools and insights to other material from time to time, particularly classical material that is not often produced in these parts.
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