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BWW Review: THE HEIRESS at Arena Stage
by Rachael F. Goldberg - Feb 17, 2019


Perhaps the biggest problem with 'The Heiress' is that it's difficult to invest in. It's hard to root for Catherine beyond hoping she tells Morris off, and that's more about dislike of him than support for her. After all, we can all get behind telling off a bad ex. It's just a shame that The Heiress doesn't give us the opportunity to go deeper than that.

Photo Flash: THE HEIRESS Celebrates Opening Night At Arena Stage
by A.A. Cristi - Feb 15, 2019


Arena Stage presents Ruth and Augustus Goetz's melodrama, The Heiress, suggested by the Henry James novel, Washington Square. After growing up subjected to her father's disinterest and strong resentment, a young woman in the 1850s discovers what love is in her journey towards independence, growth and strength, without an impactful female role model in her life. Directed by Deputy Artistic Director Seema Sueko, The Heiress runs February 8 - March 10, 2019 in the Fichandler Stage.

Full Cast And Creative Team Announced For JUNK At Arena Stage
by A.A. Cristi - Feb 6, 2019


Arena Stage at the Mead Center for American Theater announces the full company for Pulitzer Prize-winning playwright and author Ayad Akhtar's (Arena's Disgraced) timely tale Junk. Inspired by the real junk bond giants of the 1980s, Akhtar explores how the riveting, hostile takeover of a family-owned manufacturing company paved the way to expose the rise of greed, power, race and wealth that led to reshaping the rules of Wall Street and the world. Directed by Jackie Maxwell, Junk runs April 5 - May 5, 2019 in the Fichandler Stage.

VIDEO: Get A First Look At The Cast Of THE HEIRESS at Arena Stage
by Alan Henry - Feb 4, 2019


Arena Stage at the Mead Center for American Theater announces the full company for Ruth and Augustus Goetz's melodrama, The Heiress, suggested by the Henry James novel, Washington Square. After growing up subjected to her father's disinterest and strong resentment, a young woman in the 1850s discovers what love is in her journey towards independence, growth and strength, without an impactful female role model in her life. Directed by Deputy Artistic Director Seema Sueko, The Heiress runs February 8 - March 10, 2019 in the Fichandler Stage.

Full Cast And Creative Team Announced For THE HEIRESS At Arena Stage
by A.A. Cristi - Jan 4, 2019


Arena Stage at the Mead Center for American Theater announces the full company for Ruth and Augustus Goetz's melodrama, The Heiress, suggested by the Henry James novel, Washington Square. After growing up subjected to her father's disinterest and strong resentment, a young woman in the 1850s discovers what love is in her journey towards independence, growth and strength, without an impactful female role model in her life. Directed by Deputy Artistic Director Seema Sueko, The Heiress runs February 8 - March 10, 2019 in the Fichandler Stage.

BWW Review: SWEAT tests loyalty and identity at the Geary Theater
by Robert Sokol - Oct 12, 2018


SWEAT neither romanticizes nor demonizes the factory worker or their situations. You know most of these people voted for Trump, but they are at worst, desperate, not deplorable. They face hard choices with honesty and determination, understanding the limited cards they have been dealt.

Photo Flash: American Conservatory Theatre Presents Lynn Nottage's SWEAT
by A.A. Cristi - Sep 28, 2018


Lynn Nottage's 2017 Pulitzer Prize-winning drama, Sweat, performing at American Conservatory Theater's Geary Theater now through Sunday, October 21, 2018. 

Lise Bruneau, David Darrow, and More Cast in A.C.T.'s SWEAT
by Julie Musbach - Aug 9, 2018


American Conservatory Theater (A.C.T.) announced today casting for Lynn Nottage's 2017 Pulitzer Prize-winning drama, Sweat, performing at A.C.T.'s Geary Theater (415 Geary St., San Francisco) September 26-October 21, 2018.

BWW Review: Bootleg Shakespeare HENRY VI, PART 3 at Taffety Punk is Theater Without a Net
by Pamela Roberts - Jul 19, 2018


Taffety Punk Theatre Company's Bootleg Shakespeare production HENRY VI, PART 3 is performance without a net - exciting, dangerous, riveting, and raw. Bootleg Shakespeare isn't designed to be polished or perfect, it's designed to be fresh and immediate. And it delivered. What's more amazing? The actors arrived at 10:00 am Monday with roles assigned and lines memorized. That's it. Working together under the direction of Taffety Punk Artistic Director Marcus Kyd, over the next few hours the 32 actors DIY'ed the production and were on stage in front of an audience at 7:30 pm. There were minimal props, lights, and costumes-but the red and white paper lapel flowers told us exactly what we needed to know when every epic battle scene and every word of Shakespeare's text was performed.

ROMEO AND JULIET Return to DC For Annual Free For All
by Julie Musbach - Jun 13, 2018


Free For All, one of the capital's cherished annual traditions, will return this summer to Shakespeare Theatre Company (STC), offering two weeks of free performances of the Company's 2016 production of Shakespeare's Romeo & Juliet. Directed by STC Associate Artistic Director Alan Paul, whose hit production of Camelot has extended through July 8 due to popular demand, the production will run at Sidney Harman Hall (610 F St NW) from August 21-September 2, providing more than 12,000 people the chance to see the play free of charge.

BWW Feature: 2018 HELEN HAYES AWARDS at Theatre Washington
by Hope Villanueva - May 15, 2018


The DC theatre community hurried along the waterfront on Monday night, attempting to beat the looming, black storm clouds that threatened, but this could not dampen the vibrant crowds as they entered the recently opened Anthem for this year's Helen Hayes Awards. This stunning, modern space will be greeting the likes of Belle & Sebastian, Janelle Monae, and Nine Inch Nails in the coming months, and on this evening, theatre creative showed off their finest.

BWW Review: Mosaic Theater Company's PAPER DOLLS Creates a Beautiful Piece Despite Some Creases
by Sam Abney - Apr 4, 2018


If you've ever thought what it would be like to cross an episode of Ru Paul's Drag Race with a searing Middle East drama and set the action to pop hits of the early aughts, Paper Dolls the perfect show for you. Mosaic Theater Company's newest entry to their Voices from a Changing Middle East cycle is a delightful piece of sheer entertainment. The show unfortunately tries to cover too many topics, however, and is thus unable to reach the dramatic heights some of its subject matter calls for.

BWW Review: Authenticity Reigns Supreme in MOM BABY GOD at Taffety Punk Theatre Company
by Jennifer Perry - Mar 4, 2018


Madeline Joey Rose's solid research and attention to detail set her solo play apart from the myriad of others that have tried to introduce typical theatergoers to cultures (especially religious ones) that might be less familiar to them.

Play With Songs Inspired by Israeli Documentary Comes To Mosaic Theater Company
by Julie Musbach - Feb 21, 2018


The sixth production of Mosaic Theater Company's third season will be Paper Dolls, written by Philip Himberg (Producing Artistic Director of the Sundance Institute Theatre Program) and directed by Broadway veteran Mark Brokaw. This uplifting, entertaining, and thought-provoking play with songs illuminates the world of five gay male Filipino nurses in Tel Aviv who care for elderly Orthodox and Chasidic men six days a week-and headline a drag show on their day off!

Nominations Announced for the 2018 Helen Hayes Awards; MEAN GIRLS, FUN HOME, and More!
by Alan Henry - Feb 6, 2018


The nominees for the 2018 Helen Hayes Awards were announced on February 5, 2018. One of the country's most prestigious cultural honors, The Helen Hayes Awards recognizes and celebrates excellence in professional theatre throughout the Washington metropolitan area. The National Theatre's Helen Hayes Gallery set the scene for the announcement of nominees in 47 categories for artistic excellence, and the theatre companies eligible for the 2017 John Aniello Award for Outstanding Emerging Theatre Company. The recipient of the 2018 Helen Hayes Tribute will be announced shortly.

Review Roundup: Michael Urie in Shakespeare Theatre Company's HAMLET
by Alan Henry - Jan 25, 2018


The critics are weighing on on Shakespeare Theatre Company's production of HAMLET, directed by STC Artistic Director Michael Kahn and featuring acclaimed actor Michael Urie as the tortured Danish prince.

Michael Urie-Led HAMLET Finds Full Cast at Shakespeare Theatre Company
by BWW News Desk - Jan 16, 2018


The Shakespeare Theatre Company (STC) announces the cast and creative team for Hamlet, directed by STC Artistic Director Michael Kahn and featuring acclaimed actor Michael Urie as the tortured Danish prince. Shakespeare's most celebrated tragedy will run January 16-February 25, 2018 at Sidney Harman Hall.

Photo Flash: Michael Urie and More in Rehearsal for HAMLET at D.C.'s Shakespeare Theatre Company
by BWW News Desk - Dec 12, 2017


The Shakespeare Theatre Company (STC) presents Hamlet, directed by STC Artistic Director Michael Kahn and featuring acclaimed actor Michael Urie as the tortured Danish prince. Shakespeare's most celebrated tragedy will run January 16-February 25, 2018 at Sidney Harman Hall. BroadwayWorld has a sneak peek at Urie and the company in rehearsal below!

Michael Urie-Led HAMLET Finds Full Cast at Shakespeare Theatre Company
by BWW News Desk - Nov 7, 2017


The Shakespeare Theatre Company (STC) announces the cast and creative team for Hamlet, directed by STC Artistic Director Michael Kahn and featuring acclaimed actor Michael Urie as the tortured Danish prince. Shakespeare's most celebrated tragedy will run January 16-February 25, 2018 at Sidney Harman Hall.

BWW Review: “Diary of Anne Frank” Conveys Important Message at the Cleveland Play House
by Roy Berko - Nov 7, 2017


The Holocaust was a horrific series of experiences. As the years go by, and the survivors of the atrocities die off, leaving no one to attest to the actual pain and suffering, those who want to make sure that such experiences do not repeat themselves turn to tangible objects and written accounts.

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