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Birth Place: New Orleans, LA, USA

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Asolo Rep Announces Panelists for First IllumiNation Event of the 2016-17 Season

On Tuesday, January 24, Asolo Repertory Theatre kicks off the second season of its IllumiNation Series, connecting the social issues presented on stage with the local community. Each of the four events includes a pre-performance reception on the mezzanine, a ticket to the performance, and a moderated post-show discussion where audience members can further explore the topics they have just seen played out on stage.

BWW Review: ROSE AND WALSH at Theatre Suburbia

ROSE AND WALSH now playing at Theatre Suburbia is Neil Simon's meditation on how love lives on after death, and it serves as a reminder of what a great author can do with a good concept. It's a touching, sweet, and well produced evening out at Northwest Houston's longest running all-volunteer playhouse.

BWW Review: New York City Opera Returns With A Princely CANDIDE

The opening fanfare of one of the most exhilarating overtures ever to hit Broadway signals the joyous return of New York City Opera. After financial woes threatened to pull down the curtain for good in 2013, the company that was christened in 1943 as 'the people's opera' by Mayor Fiorello La Guardia has returned with a new home and an old friend, director Harold Prince's rollicking production of Leonard Bernstein, Richard Wilbur, Stephen Sondheim, John La Touche and Hugh Wheeler's CANDIDE.

BWW Review: Pointer-Counterpoint – City Opera's CANDIDE vs. Prototype's BREAKING THE WAVES

When I saw that New York City Opera was doing Leonard Bernstein's CANDIDE at the same time as New York's Prototype Festival--with Missy Mazzoli's BREAKING THE WAVES opening the festival of opera-theatre and music-theatre on the same night—I thought that it was great counter-programming. After all, what could be further from Mazzoli's brilliant but grim gem than Bernstein's comic masterpiece--proving there's more than one way to skin a music theatre piece?

Photo Flash: WATCH ON THE RHINE Meets the Press at Arena Stage - Marsha Mason and More!

Arena Stage's upcoming production Watch on the Rhine hosted a meet & greet on the first day of rehearsal today, January 3. BroadwayWorld has a peek at the cast and creative team below! Watch on the Rhine by Lillian Hellman runs February 3-March 5, 2017 at Arena Stage. It is directed by Jackie Maxwell and stars four-time Academy Award nominee and Golden Globe winner Marsha Mason.

BWW Interview: Justin Vivian Bond Talks THE BIPOLAR EXPRESS, Queer Role Models, and Why the Holidays Are a Nightmare

Mx Justin Vivian Bond is a force of nature with more than a quarter century onstage under v's (Bond's preferred pronoun) belt. A singular performer with an endless supply of bon mots, Bond has been celebrated with an Obie Award, a Bessie, a Tony nod, and the Ethyl Eichelberger Award, among other accolades. Fresh off a year-long career retrospective culminating in September's THE GOLDEN AGE OF JUSTIN VIVIAN BOND, v returns to Joe's Pub on December 12 at 9:30pm with a new holiday show, THE BIPOLAR EXPRESS. Ahead of the first show, we spoke over the phone about the show, v's enduring career, and the holidays themselves.

Lillian Hellman's THE CHILDREN'S HOUR at The Gamm

The Children's Hour, Lillian Hellman's startingly relevant Depression-era play  opens at The Sandra Feinstein-Gamm Theatre (The Gamm) on January 12. Director Rachel Walshe (Grizzly Mama, Marie Antoinette) directs a cast of Gamm veteran actors and newcomers, including local high school students, in an emotional journey exploring the power of a lie and the nature of public shaming.

PARTY PEOPLE Opens Tonight at The Public Theater

The Public Theater presents the New York Premiere of PARTY PEOPLE by UNIVERSES (Steven Sapp, Mildred Ruiz-Sapp, and William Ruiz a.k.a Ninja). Developed and directed by Liesl Tommy with choreography by Millicent Johnnie, PARTY PEOPLE began performances on November 1 and runs through Sunday, December 4, with an official press opening tonight, November 15.

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