Watch a video of 'Kids (Reprise)' from Bye, Bye Birdie — now onstage at The 5th! This new production of Bye Bye Birdie, the Tony Award-winning musical that captures the spirit, style, and humor of 1960s America.
Catch the buzz in “The Telephone Hour”—now onstage at The 5th! This video comes from the new production of Bye Bye Birdie, the Tony Award-winning musical that captures the spirit, style, and humor of 1960s America.
Dear Readers, there are some shows that just hold a special place in your heart, even if they may not age as well as you hoped. Charles Strouse and Lee Adams’ classic “Bye Bye Birdie”, currently playing at the 5th Avenue Theatre, is one of those shows for me. I loved both movie versions, saw what I consider to be the quintessential production back in 1990 starring Tommy Tune and Ann Reinking. Hell, I’ve even done the show several years ago. So, I’m a little picky about it when I see it again, and while this current production doesn’t surpass my previous experiences (I doubt anything could), it was certainly a solid production with a lot of fun moments going for it.
The 5th Avenue Theatre Company has announced its new production of Bye Bye Birdie, the Tony Award-winning musical that captures the spirit, style, and humor of 1960s America.
How far back can you remember? When you were 10? 5? Do you remember the day you were born? Probably not. That is what makes the subject of D.W. Gregory’s Memoirs of a Forgotten Man so incredible, he can. Thalia’s Umbrella’s productions of the four-person play, masterfully directed by Terry Edward Moore and housed at 12th Avenue Arts, has officially opened, and this is one you truly don’t want to miss…or forget.
Thalia's Umbrella will present MEMOIRS OF A FORGOTTEN MAN, a NW premiere by DW Gregory. Don't miss this captivating new play!
The magic of A Christmas Carol, Charles Dickens' classic story of redemption and charity, comes to life as ACT - A Contemporary Theatre presents the timeless tale this year as a radio drama, complete with dialogue, Christmas carols, Adam Stern's musical score and sound effects. Imagine Scrooge, Marley, the Ghosts and all of the characters you know and love… coming to your home for the holidays.
It's that time of year again. One of my favorite times of year. That time when I get to spend the weekend at Village Theatre checking out the shows brought together by the folks at Village, spotlighting new works around the country. Some amazing, some needing work, but all showing promise. Now, of course, I can't review any of these. They're all still works in progress and not fully staged. But I can share what went on over the weekend as a potential coming attraction of musicals to come to a theater near you.
URINETOWN is running at the 5th Avenue Theatre through June 2, 2019.
Since the joint production between the 5th Avenue Theatre and ACT of "Urinetown" was announced I heard far too often from people that they wouldn't want to see that. A stupid musical about pee? "I don't care for shows that are all bathroom humor," I would hear. And I'd have to defend this wonderful show explaining that it's a super funny, well written show, yes with peeing as the basic setting, but that it was so much more as it pokes fun at government corruption and is an homage to famous musicals who came before. I guess Little Sally from "Urinetown" was right that nothing can kill a show faster than bad subject matter or a bad title. But then her stating that is why this self-referential, meta show works so well. It knows it's ridiculous and it embraces it. And the same could be said for this wonderful production that went for every bad joke with brilliant comic timing and then some.
BroadwayWorld has a first look Urinetown, this season's co-production between The 5th Avenue Theatre and ACT - A Contemporary Theatre!
The cast for Urinetown, this season's co-production between The 5th Avenue Theatre and ACT - A Contemporary Theatre, has been announced.
Rehearsals are in full swing for The 5th Avenue Theatre's production of Kiss Me, Kate, which begins performances next Friday, April 6.
Good satire needs two things: merciless mockery, and a compelling narrative. Sandbox Radio's farcical 63 Trillion nails the mockery, but focuses so much of its attention on cramming in as many double-entendres as possible that the narrative becomes secondary to the dick jokes.
Spanning 28 theater companies and 59 productions, from the largest and most prominent to small, humble and innovative, the Gypsy Rose Lee Awards honor as much professional theater as we reviewers can cram into our year.
The 'large theater' productions of ACT Theatre's The Royale and The 5th Avenue Theatre's How to Succeed in Business Without Really Trying take top honors and the 'small theater' productions of ArtsWest's Death of a Salesman and Washington Ensemble Theatre's The Things Are Against Us take top honors - for most category wins!?
Spanning 28 theater companies and 59 productions, from the largest and most prominent to small, humble and innovative, the Gypsy Rose Lee Awards honor as much professional theater as we reviewers can cram into our year.
Joe McDermott, King County Council member and candidate for Congress, will lead a post-play discussion immediately following tonight's June 23rd performance of Sorry.
Joe McDermott, King County Council member and candidate for Congress, will lead a post-play discussion immediately following the Thursday, June 23, performance of Sorry. Sorry, by Richard Nelson, is a smart, funny and timely play that asks how we make the right choices, both at home and in the larger political world. In an election season marked with so much anger and shouting, Sorry offers instead a "lovely . . . feeling of shared citizenship,' (New York Times) where one family, trying to make the right choice in their own difficult decision, still manage, with humor and grace, to talk to one another using their 'inside voices.' Joe McDerrmott's participation makes tangible this intimate, vital connection between the personal and the political, the local and the national.
Pramila Jayapal, a Washington State Senator and candidate for Congress, will lead a post-play discussion immediately following the Sunday, June 19, matinee performance of Sorry. Sorry, by Richard Nelson, is a smart, funny and timely play that asks how we make the right choices, both at home and in the larger political world. In an election season marked with so much anger and shouting, Sorry offers instead a "lovely . . . feeling of shared citizenship,' (New York Times) where one family, trying to make the right choice in their own difficult decision, still manage, with humor and grace, to talk to one another using their 'inside voices.' Pramila Jayapal's participation makes tangible this intimate, vital connection between the personal and the political, the local and the national.
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