Kurt Weill News

The Cabaret is continuing its 10th year of music and merriment with a diverse selection of highly acclaimed artists.

Las Vegas Philharmonic Orchestra's 2019-2020 season promises an array of brilliant concerts at the Smith Center For The Performing Arts. They started Friday September 7th with a virtuoso interpretation of the popular Ravel arrangement of Mussorgsky's 'Pictures at an Exhibition.'

In September 2019, the Philharmonia Orchestra and Esa-Pekka Salonen present turbulent times with the second half of their series Weimar Berlin: Bittersweet Metropolis at Southbank Centre. This new series, which began in June, is an ambitious journey through the music, science and culture of a period of intense political turbulence and explosive creativity in Germany and beyond.

a??a??a??a??a??a??a??Lantern Theater Company launches its 2019/20 season with the Philadelphia premiere of Ralph Manheim's translation of The Resistible Rise of Arturo Ui by Bertolt Brecht, which begins previews tonight. Focusing on a shady businessman's rise to power, Brecht wrote this brilliant drama on the eve of World War II as a parable about the rise of Hitler and fascism. Lantern Artistic Director Charles McMahon directs a cast that includes Anthony Lawton as Arturo Ui, with Mary Lee Bednarek, Charlie DelMarcelle, Julia Hopkins, Gregory Isaac, Jered McLenigan, David Pica, Brian Anthony Wilson, and Frank X. Theater critics and members of the press are invited to request press comps for opening night on Wednesday, September 11 at 7 p.m. by contacting Anne Shuff at ashuff@lanterntheater.org. The Resistible Rise of Arturo Ui runs Thursday, September 5 through Sunday, October 13, 2019; a complete schedule of performances and audience enrichment events is included in the fact sheet below.

The Boston Modern Orchestra Project (BMOP), the nation's premier orchestra dedicated exclusively to commissioning, performing, and recording new orchestral music, begins its 24th season with a nod to the Jazz Age of the 1920s. The program's first half spotlights the preternatural theremin (invented in the 1920s) with the instrument's first concerto, written by Joseph Schillinger, juxtaposed with the world premiere of Dalit Warshaw's Sirens: A Concerto for Theremin and Orchestra, both performed by world renowned thereminist Carolina Eyck. The concert continues with three works representing the Roaring Twenties and its fascination with American pop culture: John Alden Carpenter's Krazy Kat and Skyscrapers, and Kurt Weill's Little Threepenny Music.

Philadelphia Theatre Company kicks off the 2019-2020 season with a bang. For the company's 45th season, Producing Artistic Director Paige Price and Managing Director Emily Zeck are excited to welcome two-time Tony and Emmy Award winner Bebe Neuwirth to star in their season opener, the Philadelphia premiere of Adam Bock's raucous, funny and unexpectedly touching A Small Fire.

FormidAbility's unique approach to integrating those with disabilities on either side of the fourth wall enhances two pieces that prove tricky for the uninitiated to appreciate fully.

New York City Center today announced select casting for the 2020 Encores! season.

The Mac-Haydn Theatre concludes its 51st season with the Rodgers and Hammerstein classic, Oklahoma!, running August 22 through September 1.

Currently playing at Open Eye Theatre is a delightful and laidback show that audiences seem to love. a?oeWhen The Shark Bitesa?? by Chronofon is a play...or a concert...it's actually a bit difficult to pin down what category this piece is in. But, nevertheless, it continues to entertain the audience and isn't that what matters? This performance follows the lives of Bertolt Brecht, Elisabeth Hauptmann, Lotte Lenya, and Kurt Weill. The show mainly focuses on the time surrounding World War I and a bit of World War II, but that doesn't seem to be the focus of the piece. 

Vocalist Storm Large, who shot to national prominence in 2006 as a finalist on the CBS show Rock Star: Supernova, brings her rock-fueled cabaret act to Club Helsinki Hudson on Sunday, September 29, at 8pm. Storm Large's repertoire ranges from original, sweaty and steamy hard-rock numbers; standards such as Jacques Brel's 'Ne Me Quitte Pas' and Cole Porter's 'I've Got You Under My Skin'; and rock-era ballads by Randy Newman and Lou Reed. She is also a vocalist with neo-lounge act Pink Martini. Storm spent the 1990s singing in clubs throughout San Francisco. Tired of the club scene, she moved to Portland to pursue a new career as a chef, but a last-minute cancellation in 2002 at a Portland club turned into a standing Wednesday night engagement for Storm and her new band, The Balls. It wasn't long before Storm had a cult-like following in Portland, and a renewed singing career that was soon to be launched onto the international stage.

BroadwayHD, the premiere streaming service for theater fans, has announced its roster of shows coming in August.

NEW YORK FESTIVAL OF SONG has announced the lineup for its 2019-20 Season.

Arena Stage at the Mead Center for American Theater announces select cast members for upcoming productions as part of the company's 2019/20 Season in advance of single tickets going on sale July 30, 2019.

Today's subjects Dana P. Rowe and John Dempsey are currently living their theatre lives as the writing team for the excellent swashbuckling World Premiere Musical Blackbeard at Signature Theatre. The production runs through July 14th in the MAX.

UnsungMusicalsCo. (Ben West, Artistic Director) has announced, today, its Fall 2019 Calendar of Events scheduled at various mid-Atlantic locations. First up is the new documentary musical 45 Minutes from Coontown, which traces the history of black musical theatre and is the second installment in The Show Time! Trilogy; the season continues with Sex, Satire, and Song, an exhibit curated for Yale University; Diversity and the Birth of Broadway, a two-part lecture series for the Library of Congress; and concludes with the new musical revue *The Passing Show of 2019. UMC's 2019 season launched in March with the UMC Writers Lab*.

Sydney Cabaret Festival Artistic Director Trevor Ashley opened the inaugural SYDNEY CABARET FESTIVAL with a delightful amuse-bouche of performances at the ALL STAR GALA. 

Joanna Gleason gave a  memorable performance in her superbly crafted, written and directed show last night at Feinstein's54 Below. Jeffrey Klitz, her music director and pianist, created some of the most haunting and extraordinary arrangements for a group of musicians consisting of guitar, banjo, autoharp, cello, percussion and 3 back-up vocalists called the Moontones.

New Line Theatre, "the bad boy of musical theatre," has announced casting for its 29th season of adult, alternative musical theatre, which opens with the return of the wild, comic rock musical CRY-BABY,  based on the iconic John Waters film, a show which New Line first produced in 2012 in its American regional premiere, running Sept. 26-Oct. 19, 2019. The season continues with the electrifying new rock musical fresh from Broadway, in its regional premiere, HEAD OVER HEELS, a high-energy, adult romp about gender and sexuality, based on a 16th-century novel and using the songs of the 80s rock band The Go-Go's, running March 5-28, 2020. And the season closes with the return of one of New Line's biggest hits, which the New Liners first presented in 2007, the pitch dark satire URINETOWN, the hilarious, outrageous fable of greed, corruption, love, revolution, and urination, running June 4-27, 2020.