This week we are sitting down with Emmy Nominated Scenic Designer Jason Sherwood! Jason is nominated for the production design of 'RENT Live' and he gives us the full deep dive into his set for this groundbreaking production. From it's development along side Michael Greif, to figuring out audience locations and camera blocking, to how to transition the story from place to place, Jason is giving us the inside scoop on all of it.
The Oregon Shakespeare Festival will open How To Catch Creation, helmed by Incoming Artistic Director Nataki Garrett in her OSF directorial debut, on July 27 in the Thomas Theatre. Preview performances are July 23, 25 and 26, and the play runs through Oct. 26, 2019.
TALE OF DESPEREAUX by PigPen Theatre Co. at The Old Globe Theatre is based on the children's book of the same name by Kate DiCamillo, and deftly explores love, loss, dreams, and forgiveness in this charmingly whimsical musical.
With a youthful, multi-racial cast of 30, the Guthrie's current production of GUYS AND DOLLS bolsters its reputation as a theater that can mount classics with flair, fidelity, and design excellence. The lyrics crackle, as ever, the singing soars, the casting features multiple body types and skin tones, and the design pops.
It's not uncommon for people to call upon a higher power when looking for help, but as THE GODS OF COMEDY, now playing at The Old Globe, you may want to be specific in whose help you're imploring. Playing at The Old Globe through June 16th. For ticket and show time information go to www.theoldglobe.org
After the critical and commercial success of the interactive culinary theater experiences How Do You Hug A Tiger? and Unleavened: A Seder, StoryCourse will pair culture with culinary in celebration of WorldPride and the 50th anniversary of the Stonewall riots (Stonewall50) this June. Chefs and Storytellers to be announced soon. Tickets are on sale for the events between June 2-29 at 391 6th Avenue and can be purchased here.
Baltimore Center Stage is pleased to announce the cast and artistic team for How to Catch Creation. This is bittersweet story of finding and following one's passions will wrap up our Mainstage programming of the 2018/19 season.
Pipeline Theatre Company announces a one-week extension of the world premiere production of jazz concert-party-play hybrid Playing Hot, created by Kevin Armento (Balls) and Jaki Bradley (1969: The Second Man).
Virginia Repertory Theatre announces the opening of Atlantis: A New Musical on Friday, April 12, 2019 at the November Theatre/Arenstein Stage, 114 West Broad Street. The show will run through Sunday, May 5, 2019. Previews will be on Wednesday, April 10 and Thursday, April 11, 2019.
Virginia Repertory Theatre announces the opening of Atlantis: A New Musical on Friday, April 12, 2019 at the November Theatre/Arenstein Stage, 114 West Broad Street. The show will run through Sunday, May 5, 2019. Previews will be on Wednesday, April 10 and Thursday, April 11, 2019.
Virginia Repertory Theatre announces the opening of Atlantis: A New Musical on Friday, April 12, 2019 at the November Theatre/Arenstein Stage, 114 West Broad Street. The show will run through Sunday, May 5, 2019. Previews will be on Wednesday, April 10 and Thursday, April 11, 2019.
Virginia Repertory Theatre announces the opening of Atlantis: A New Musical on Friday, April 12, 2019 at the November Theatre/Arenstein Stage, 114 West Broad Street. The show will run through Sunday, May 5, 2019. Previews will be on Wednesday, April 10 and Thursday, April 11, 2019.
Virginia Repertory Theatre should be applauded for its effort to produce new works in Richmond. If its critically-acclaimed productions of David L. Robbins' The End of War and last year's River Ditty were giant steps toward elevating the status of Central Virginia's premier regional theatre, then its unbaked 'developmental' production of Atlantis, produced in partnership with Greg Schaffert and Glass Half Full Productions, is something of a misstep.
The Old Globe today announced the cast and creative team as comic playwright Ken Ludwig, who delighted Globe audiences with Robin Hood! and Baskerville, returns with a hilarious world premiere: Ken Ludwig's The Gods of Comedy, directed by Amanda Dehnert (West Side Story at Carnegie Hall, world premieres of Kate Hamill's Pride and Prejudice and Ludwig's Baskerville). Presented in association with McCarter Theatre Center, The Gods of Comedy will run May 11 - June 16, 2019 on the Donald and Darlene Shiley Stage, Old Globe Theatre, Conrad Prebys Theatre Center, opening on May 16. Single tickets start at $30.00 and are on sale now. Tickets can be purchased online at www.TheOldGlobe.org, by phone at (619) 23-GLOBE, or by visiting the Box Office at 1362 Old Globe Way in Balboa Park. Performances at McCarter Theatre Center ran March 12 - 31, 2019.
Broadway In Chicago is delighted to announce there will be a digital lottery and rush tickets for CRUEL INTENTIONS: THE '90s MUSICAL, which will play for a limited two-week engagement at Broadway In Chicago's Broadway Playhouse at Water Tower Place (175 E. Chestnut) from April 2-14, 2019.
Philadelphia Theatre Company follows The Bridges of Madison County with the Philadelphia premiere of a new work from Christina Anderson. In a co-production with Baltimore Center Stage, PTC introduces local audiences to the talents of rising star Christina Anderson and her stunning new play How To Catch Creation, Philadelphia Theatre Company's pick from the 2017 Kilroys List. The "List" was created to give theatre producers a choice of underproduced works by women, with a recent focus on trans, and non-binary writers. Producing Artistic Director Paige Price has tapped Nataki Garrett, former Associate Artistic Director of Denver Center for the Performing Arts Theater Company (DCPA), to direct this production. How To Catch Creation features a cast of local talent and actors with an impressive range of Netflix, television, and regional theatre credits. The play runs March 22-April 14, with Opening Night on Wednesday, March 27 at 7 p.m. Single tickets and subscriptions are on sale now and available at the box office, online at philatheatreco.org or by phone at 215-985-0420. Tickets cost $10-$69.
Esteemed playwright Ken Ludwig, winner of multiple Tony and Olivier Awards, introduced his newest piece at The McCarter Theater Center in Princeton, New Jersey. KEN LUDWIG'S THE GODS OF COMEDY opened to rapturous laughter and a receptive audience thanks to a bright production and terrific performances.
THE GODS OF COMEDY opens, appropriately enough, in the birthplace of Western theater. In modern day Greece, we are introduced to Daphne (played by Shay Vawn), a young, career-oriented, tenure-track classics professor working on a translation and performance of Euripides' MADEA for her thesis. Although the set and lighting are fantastic in the short opening scene, and the play centers around Greek theater and mythology, the introduction is light on humor and there isn't proper motivation to set it away from the rest of the show.
A young Classics professor puts her career-and her love life-in peril, and calls on the gods of Ancient Greece to save her. Things don't go according to plan when the gods who show up are The Gods of Comedy!
.jpg?format=auto&width=365)
