Following sold-out runs in London’s West End, a revival of Tennessee Williams’s A Streetcar Named Desire, starring Paul Mescal with Patsy Ferran and Anjana Vasan, is now playing at BAM. Check out opening night photos here!
The Paul Mescal-led production of A Streetcar Named Desire, which won the actor an Olivier award in 2023, will return to the West End in 2025 before transferring to New York. Learn more about the productions plans here!
In our new production Rough Magic, there’s a terrifying tentacular creature that lives under the stage. But as part of every performance there’s an even bigger monster present; one that’s even more terrifying and multi-limbed… the AUDIENCE!
At Rough Magic prepare to enter Shakespeare’s wondrous world to become a Guardian of Destiny. The audience interaction is aimed at children in the audience, who choose which department they wish to join. Options include Fairy, Ghost, Spirit or Witch. The playful atmosphere is instantly set at The Sam Wanamaker Playhouse, the beautiful Jacobean-styled candle-lit indoor small theatre, which is located within Shakespeare’s Globe.
Joan of Arc has long been a symbol of female empowerment. Her ascent to patron saint of France is often described as a tale of gender non-conforming rebellion for women to aspire to. Shakespeare's Globe and writer Charlie Josephine (they/he) have dismantled this depiction of womanhood, redefining Joan's experiences through the lens of trans existence. In I, Joan, the protagonist traverses the same war and faith we as an audience are accustomed to, whilst also advocating for and navigating their nonbinary identity.
As the most notorious monarch in British history, Henry VIII's rule was tyrannous and imposing. Known for his colossal physique and consort of six unlucky wives, Henry Tudor has long stood as an example of the damage done by brutish men with excessive power. His reputation as a prolific abuser of women has inspired an array of assertive feminist theatre and this offering by Shakespeare's Globe is no exception.
Adam Gillen will play King Henry VIII, returning to the Globe stage following his acclaimed performance of Mercutio in Romeo & Juliet in 2021. Adam’s other theatre credits include Killer Joe (starring Orlando Bloom) in 2018 for which he was Olivier nominated for Best Supporting Actor, and the National Theatre’s acclaimed production of Amadeus, opposite Lucian Msamati.
Royal & Derngate will present An Improbable Musical as part of its Made in Northampton 2021/22 season. With a brand-new show created at each performance, An Improbable Musical sees world renowned theatre company Improbable take to the Royal stage in Northampton from Friday 25 February to Saturday 5 March, ahead of an autumn tour.
Royal & Derngate today announced four further productions to complete its 2021/22 Made in Northampton season. A new production of Joe Penhall's biting contemporary satire Blue/Orange is brought to the stage this autumn by the producing team behind Ralph Fiennes' hugely successful Four Quartets which is soon to transfer to the West End.
Fuel Director Kate McGrath has today announced a programme of work planned for autumn 2020. All the work will be presented with Covid-secure protocols in place and will range from performances in socially distanced venues, to outdoor spaces in housing estates and round bonfires, from digital tours to performances that can be enjoyed from the luxury of your own bathtub.
Celebrating its 10th anniversary with a ceremony held in the iconic Grand Hall of Battersea Arts Centre on Sunday 8 March 2020, the Off West End Awards once again celebrated the best of independent, fringe and alternative theatres across London.
I'm not sure where to begin with Phelim McDermott and Philip Glass's rhapsodic, hypnotic ode to creativity and collaboration,Tao of Glass, as part of Perth Festival. As a theatre reviewer, my task is to look at a performance with objectivity while also remaining open to its emotional intentions, which means that, of necessity, a bit of subjectivity makes its way into my summary. Since watching Tao of Glass, I find my thoughts and impressions of it making a circle loop around my brain, as if they too were revolving on the platform that turns counter-clockwise in the centre of the show's set.
The stage adaptation of best-selling author Matt Haig's Reasons To Stay Alive from Sheffield Theatres and English Touring Theatre, with text by April De Angelis and directed by Jonathan Watkins, comes to HOME Manchester 29 October - 2 November 2019.
Sheffield Theatres and English Touring Theatre today announce the full cast for their co-production of the world première of Matt Haig's Reasons to Stay Alive imagined for the stage by Jonathan Watkins and with text by April De Angelis.
Sheffield Theatres and English Touring Theatre today announce the full cast for their co-production of the world première of Matt Haig's Reasons to Stay Alive imagined for the stage by Jonathan Watkins and with text by April De Angelis.
Sheffield Theatres and English Touring Theatre today announce the full cast for their co-production of the world première of Matt Haig's Reasons to Stay Alive imagined for the stage by Jonathan Watkins and with text by April De Angelis.