Feature: EXTRA VOORSTELLINGEN JESUS CHRIST SUPERSTAR IN HOORN!
by Chantal Kunst
- Jan 18, 2024
Met nog enkele dagen tot aan de première van de rockmusical Jesus Christ Superstar is er zoveel vraag naar kaarten, dat theaterproducenten Albert Verlinde, Matthijs Bongertman en Jaco Kaasschieter hebben besloten dat er extra voorstellingen in Hoorn komen. Tevens worden vandaag de eerste scènefoto’s vrijgegeven
The Met: Live in HD 2023–24 Season to Open with Jake Heggie's DEAD MAN WALKING
by Chloe Rabinowitz
- Oct 9, 2023
Get ready for the opening of The Met: Live in HD 2023–24 season with a live transmission of Jake Heggie's Dead Man Walking. Join the worldwide audience as Met Music Director Yannick Nézet-Séguin leads a star-studded cast, including Joyce DiDonato and Ryan McKinny, on October 21.
Review: Met Audience Entranced by DiDonato and McKinny in Heggie-McNally DEAD MAN in House Debut
by Richard Sasanow
- Sep 28, 2023
It’s rather surprising, really, for the audience to embrace a contemporary piece like DEAD MAN WALKING, no matter how easily it falls upon the ears, considering the subject matter. In this Ivo van Hove production, it starts with a rape and double murder in a rather graphic piece of film, the use of video being one of van Hove’s trademarks. It ends with a death by lethal injection, also graphically shown in live video.
Review Roundup: DEAD MAN WALKING at the Metropolitan Opera
by Joshua Wright
- Sep 27, 2023
xThe reviews are in for the premiere production of the new Met season, Dead Man Walking. American composer Jake Heggie’s masterpiece, the most widely performed new opera of the last 20 years, has its highly anticipated Met premiere, in a haunting new production by Ivo van Hove.
Ivo van Hove to Direct JESUS CHRIST SUPERSTAR in Amsterdam in 2024
by Chloe Rabinowitz
- Aug 18, 2023
Ivo van Hove is set to direct a production of Jesus Christ Superstar at Nationale Theaterkassa in the Netherlands in 2024. Find out more about this highly anticipated production and the renowned director's impressive body of work.
Review: Splendid Singing, Erratic Direction Mark the Met's New DON GIOVANNI from Van Hove
by Richard Sasanow
- May 12, 2023
While I’ve always been bothered by the cruelties and misogyny of the main character, Mozart’s DON GIOVANNI has (musically) been my favorite of the composer’s operas, though either casting or design has been a regular issue in bringing off the work at its best. Happily, the Met’s new production by Belgian provocateur Ivo van Hove is a success for me, with a cast filled with wonderful singers--and the Met orchestra and chorus sounding great under debutante Nathalie Stutzmann.
Review Roundup: Ivo van Hove's DON GIOVANNI Opens at the Metropolitan Opera
by Blair Ingenthron
- May 6, 2023
Ivo van Hove, the Tony Award–winning director of Broadway’s A View from the Bridge, is making a major Met debut with Mozart’s Don Giovanni (May 5–June 2), re-setting the familiar tale of deceit and damnation in an abstract architectural landscape and shining a light into the work’s dark corners. Read what the critics have to say!
Mozart's DON GIOVANNI Receives A New Production By Ivo Van Hove In His Met Debut
by Stephi Wild
- May 3, 2023
Ivo van Hove, the Tony Award–winning director of Broadway's A View from the Bridge, makes a major Met debut with Mozart's Don Giovanni (May 5–June 2), re-setting the familiar tale of deceit and damnation in an abstract architectural landscape and shining a light into the work's dark corners.
Review Roundup: What Did the Critics Think of A LITTLE LIFE, Starring James Norton?
by Aliya Al-Hassan
- Apr 6, 2023
The stage production of the million-copy bestseller by Hanya Yanagihara, A Little Life, has now opened at the Harold Pinter Theatre. Starring James Norton, Luke Thompson, Omari Douglas , Zach Wyatt, Elliot Cowan , Zubin Varla, Nathalie Armin and Emilio Doorgasingh, Ivo van Hove's production runs until 18 June. What did the critics think?
Review: A LITTLE LIFE, Harold Pinter Theatre
by Cindy Marcolina
- Apr 5, 2023
The play it's certain to divide audiences and critics alike: its effect ultimately depends on what one looks for. It's only a shadow of the book, but, realistically, this is probably the best stage adaptation fans and sceptics will get.
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