UN DÍA COMO HOY: LES MISERABLES se estrenaba en Broadway
by Cristina Martinez
- Mar 12, 2021
El 12 de marzo de 1987 LES MISERABLES subía el telón por primera vez en Nueva York en el Broadway Theatre. Tras ocho semanas de previas en la Opera House del Kennedy Center en Washington D.C, el musical se estrenaba en Broadway con un presupuesto de 4,5 millones de dólares, de los que recuperó cuatro solo con la preventa.
BWW Review: LES MISERABLES National Tour, DPAC
by Nicole Ackman
- Mar 11, 2020
Sometimes, I worry when seeing LES MISERABLES yet another time that it won't ignite the same spark within me. And yet, without fail, this musical reminds me not just why I love theatre, but also of so many truths about humanity. It's a multi-layered story, difficult to simmer down to a concise summary.
DPAC Announces Digital Rush Lottery For LES MISERABLES
by Stephi Wild
- Mar 9, 2020
Beginning March 9th at 9:00 AM, a digital rush lottery will take place for LES MISERABLES. One of the most celebrated musicals in theatrical history returns to DPAC from March 10 a?" 15, 2020, as part of WRAL's Greatest Hits of Broadway.
The National Tour of LES MISERABLES is Coming to Broadway San Jose
by Chloe Rabinowitz
- Mar 3, 2020
Cameron Mackintosh's production of Alain Boublil and Claude-Michel Schönberg's Tony Award-winning musical phenomenon, LES MISERABLES, will perform at San Jose's Center for the Performing Arts (255 S. Almaden Blvd) from Tuesday, April 21 through Sunday, April 26, 2020. Tickets (starting at $48) are on-sale now at broadwaysanjose.com, in-person at the San Jose Civic Box Office (150 W. San Carlos St., San Jose), or by calling 800-982-ARTS (2787). Group orders of 10 or more may be placed by calling 669-242-8559. Ticket prices are subject to change without notice.
LES MISERABLES Will Return to the Van Wezel Performing Arts Hall in February
by Chloe Rabinowitz
- Jan 28, 2020
Casting for Cameron Mackintosh's acclaimed production of Alain Boublil and Claude-Michel Schönberg's Tony Award®-winning musical phenomenon, LES MISERABLES, has been announced for its much anticipated Sarasota engagement at the Van Wezel Performing Arts Hall, direct from a celebrated two-and-a-half year Broadway engagement.
LES MISERABLES On Sale at The Citizens Bank Opera House
by A.A. Cristi
- Jan 24, 2020
Broadway In Boston announced today that tickets for Cameron Mackintosh's acclaimed production of Alain Boublil and Claude-Michel Schönberg's Tony Award-winning musical phenomenon, LES MISERABLES will go on sale this Monday, January 27. Performances at the Citizens Bank Opera House June 2 - 14, 2020 as part of the 2019-2020 Lexus Broadway In Boston Season.
BWW Review: LES MISERABLES, Sondheim Theatre
by Marianka Swain
- Jan 16, 2020
Much of the conversation around the incoming of the revamped Les Misérables production to the West End has revolved around the revolve a?' or lack thereof. But this slicker touring version (first seen in 2009, for the 25th anniversary) is a beautiful fit for Cameron Mackintosh's marvellously refurbished Sondheim Theatre, and the show's indelible score and stirring human drama are, if anything, showcased more strongly than ever.
BWW Review: LES MISERABLES Sings with Spirited Voices of Love, Redemption, and Revolution at BJCC CONCERT HALL
by David Edward Perry
- Jan 8, 2020
This new revival of 'Les Misérables' is alive and bellows with the rising voice of the people. The creative presentation delivers high production value, memorable talent. The end result created an unexpected experience as if I was viewing 'Les Misérables' for the first time with fresh eyes. Performances of the iconic songs 'I Dreamed A Dream,' 'On My Own,' 'Stars,' 'Bring Him Home,' and 'One Day More' will strike a cord in your spirit.
BWW Review: LES MISERABLES at Benedum Center Doesn't Reinvent an Old Standard, But Spruces It Up a Bit
by Greg Kerestan
- Dec 2, 2019
People get VERY worked up about their precious Les Miserables- case in point, I saw a seven-year-old boy two rows in front of me, dressed in a full Javert costume at the Benedum stop of the national tour. It is so well-known and so well-loved that even if you're not a theatre person you probably know at least a few of the best-known songs, like 'On My Own' and 'Bring Him Home' from constant media saturation. Others you'd recognize from reference and parody: nearly every send-up of musicals from the 1980s on has spoofed 'One Day More' and its increasingly complex but rousing counterpoint.
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