What If If Only, the prolific Caryl Churchill's latest short play, explores incredibly complex issues of grief and time in its very short 20-minute run time. Premiering at the Royal Court, James Macdonald's production finds the humour and humanity in the text, which is brought to life with imagination.
As theatre comes roaring back, this autumn and winter see plenty of exciting new productions, including big West End musicals and intriguing plays. Here are the shows that we’re most looking forward to seeing.
Linda Bassett and John Heffernan have been cast in Caryl Churchill's new play What If If Only, which will be directed by James Macdonald. With set design by Miriam Buether, lighting design by Prema Mehta, sound design by Christopher Shutt and assistant direction from Grace Duggan.
Play-PerView has announced programming and casting for upcoming events through December 19th and concludes its 2020 season of online productions. On Saturday December 12th at 7:00pm EST, Play-PerView will live stream Cock by Mike Bartlett (King Charles III).
Hampstead Theatre's Associate Company, The Mono Box, has announced the launch of The Monologue Library, audio recordings of renowned artists performing their favourite theatrical speeches.
Hampstead Theatre has announced an extension of its free, digital streaming series in partnership with The Guardian. The live stream recordings of Nina Raine's NHS inspired hit drama Tiger Country and Howard Brenton's politically charged #AIWW: The Arrest of Ai Weiwei will be available to watch, on demand.
Hampstead Theatre has delved into its digital archive. In partnership with The Guardian the theatre will stream a series of past productions completely free of charge. First up is Mike Bartlett's Wild, which premiered back in 2016. The play is available for just one week and will be followed by Beth Steel's Wonderland and then Howard Brenton's Drawing the Line.
Hampstead Theatre and The Guardian will re-release the live stream recordings of Mike Bartlett's Wild, Beth Steel's Wonderland and Howard Brenton's Drawing the Line for free.
The Welkin opened at the National Theatre on 15th January and will run until 28 March, with further performances to be announced. It will be streamed as part of National Theatre Live on Thursday 21 May.
How can we know more about a comet in outer space than we do a woman's body? So queries Lucy Kirkwood's superb new history play a?' a feminist courtroom drama that's equal parts Twelve Angry Men, The Crucible and The Vagina Monologues, plus a dash of searing, up-to-the-minute political and social commentary.
Following a record number of nominations and votes, winners have been announced for the 2019 BroadwayWorld Vancouver Awards, brought to you by TodayTix!! The nominees were set, audiences voted, and now we get to recognize local theatres and performers for their outstanding achievement!
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From a starry Beckett revival to Tom Stoppard and magical mishaps, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews, interviews and features!
The Welkin is at the National Theatre from 15th January until 28 March, with further performances to be announced, and will be streamed as part of National Theatre Live on Thursday 21 May.
We're heading into the final week of voting for the 2019 BroadwayWorld Vancouver Awards, brought to you by TodayTix! Vote today to make sure your favorite local theatre's achievements and performers are recognized!
There's just a few weeks left to make your voice heard and submit your votes for the 2019 BroadwayWorld Vancouver Awards, brought to you by TodayTix! The people have spoken nominations are set, and now you can vote to make sure your favorite local theatre's achievements and performers are recognized!
A girl made of glass. Gods and murders. A serial killer's friends. And a secret in a bottle. Four stories by Caryl Churchill. Let's see what the critics had to say.
Caryl Churchill returns with a new quartet of shorts a?' and, at 81, she's still one of the most daring, formally inventive and linguistically dexterous playwrights working today. There's never any sense that her work could slide into another medium; it requires theatre's abstract arena, its live-wire liveness, the crucial space for an audience to bring their own readings, and the very act of storytelling unfolding.