In what's become a vital event for the live performing arts industry in Western Australia, the annual Performing Arts WA Awards will be held on Monday 8 August at the State Theatre Centre of WA - recognising excellence in professional dance, theatre, musicals and opera.
Acclaimed Welsh actor and producer Michael Sheen (The Twilight Saga, Frost/Nixon, The Queen, Tron: Legacy, Masters of Sex, Good Omens, Amadeus) will star as Salieri in a gripping new production of Peter Shaffer’s Tony and Academy Award®-winning masterpiece Amadeus at the Sydney Opera House from 27 December, 2022 – 21 January, 2023.
How important is imagination? Perhaps those of us further into our adult lives may value it a bit less, and this devaluation with age is explored in The Barking Gecko Theatre’s latest work, written by Dan Giovannoni and directed by Luke Kerridge. I caught up with Dan to discuss the show and what we can expect from it.
The Green Room 42 has announced their April line-up for in-person performances. Located inside YOTEL Times Square (570 Tenth Avenue, Fourth Floor), The Green Room 42 is Broadway's newest and most spacious cabaret club.
St. Louis Shakespeare Festival (Tom Ridgely, Producing Artistic Director) announced today that its 22nd Shakespeare in the Park production will be Much Ado About Nothing. Find out how to get tickets.
The Green Room 42 has announced their March line-up for in-person performances. Located inside YOTEL Times Square (570 Tenth Avenue, Fourth Floor), The Green Room 42 is Broadway's newest and most spacious cabaret club.
One of Roald Dahl's most loved tales, guaranteed to delight and disgust in equal measures, is set to hit Queensland Performing Arts Centre's (QPAC) Cremorne Theatre stage these school holidays from 1-14 April 2022.
City of Gold by Meyne Wyatt will be proceeding in Perth next month. The season dates have had to be adjusted so that key artists can continue to lead this compelling production for WA audiences.
The show's producer James Seabright has announced that its creators Daniel Clarkson and Jeff Turner, will be coming to Australia to perform in the rescheduled shows, alongside seasoned performers and fellow Brits Scott Hoatson and Joseph Maudsley. With two casts in Australia for the new tour dates, these wizards are ready for anything!
Take a breath of fresh air – Ben Elton's Gasp! is coming to Limelight Theatre. Directed by Phil Bedworth, it's a modern re-working of Elton's original 1990 play Gasping updated for an Australian audience.
Australian mining company Lockheart Industries is looking for the next big idea to make the company millions and starts producing “designer air” with its revolutionary Suck-and-Blow machine.
She said, “I guess I must feel like Heath Ledger, may he rest in peace, must have felt when he got the Joker role… I’m such a huge fan of the show and an even bigger fan of Carol Burnett.'
Set on Ballardong boodja, the story takes place around an abandoned hospital in the township of York. It's a thrilling ride from humour to terror as we wind back time to reveal a dark past.
In my humble opinion, these films provide valuable lessons about acting and are overall cinematic masterpieces. I think all young actors who are learning about truth, honesty, subtlety, and character should watch these movies before they graduate.
February 2020 was the last time the Australian String Quartet toured the country. As an organisation built for full-time touring, the COVID pandemic forced the company to redefine how it goes about celebrating string quartet music. To great acclaim, the group achieved this through commissioning, recording and streaming projects.
ED WARREN: “The devil exists. God exists. And for us, as people, our very destiny hinges on which we decide to follow.”- from the 2013 film, THE CONJURING
While preparing to see the irreverent and shockingly funny Hand to God, I did not know what to expect. I did however know going in that this is the absolute perfect play for Jobsite Theater to tackle, as I feel that no other theater company in the bay-area could tackle its humor more effortlessly than what the fine folks at Jobsite have accomplished. Robert Askins' foreword in the script says it best, “...this is a blueprint. It is a suggestion. It is a speech bubble in a long conversation. It is an invitation to play.” Jobsite hit their mark with this blueprint and has etched in our memories a ballsy, hilarious, and heartbreaking spectacle that is a provocative piece of unabashed panoramic-thrusted vulgarity and humanity that I will soon not forget.
Commonwealth Shakespeare Company and the Coolidge Corner Theatre have teamed up to take an in-depth look at how some filmmakers have reimagined Shakespeare’s work to create compelling cinema that is as relevant today as it was four hundred years ago.
The plays of Shakespeare have been translated into more than one hundred languages, and his timeless stories have inspired great works in many art forms.