Guy Jones News

Now in its ninth year, bi-annual work-in-progress festival Ferment Fortnight is back and ready to showcase some of the finest talent in the South West. Once again, the festival will take place in The Weston Studio, a flexible space designed to be a home to innovation and the theatre-makers of tomorrow and in Coopers' Loft for meet-ups.

The omens were good for the Orange Tree Theatre's new production, Out Of Water. Writer Zoe Cooper created the beautiful Jess and Joe Forever back in 2016 and Guy Jones directed the heartbreaking Mayfly last year. The result is a smart, inventive and moving play with a huge heart.

Lucy Briggs-Owen, Zoe West and Tilda Wickham appear in the new play Out of Water, about a lesbian couple expecting a baby, written by Zoe Cooper. It follows her hit play Jess and Joe Forever, which played at the Orange Tree in 2016 and Traverse in 2017 in a co-production with Farnham Maltings.

Out of Water which opens at Orange Tree Theatre, follows Claire and her wife Kit who have moved from the confines of London to the wide open coasts of South Shields. To be nearer family, to be nearer the sea, to put down roots. To have a baby.

The Lisbon Players are bringing A CHORUS OF DISAPPROVAL to Estrela Hall from May 2 to 18, 2019.

Lucy Briggs-Owen, Zoe West and Tilda Wickham lead the new play Out of Water, about a lesbian couple expecting a baby, written by Zoe Cooper. It follows her hit play Jess and Joe Forever, which played at the Orange Tree in 2016 and Traverse in 2017 in a co-production with Farnham Maltings. Guy Jones (Joe White's Mayfly) directs this joint commission between the OT and the Royal Shakespeare Company. The production is designed by Camilla Clarke, the lighting designer is Jess Bernberg, the Sound Designer & Composer is Helen Skiera and Casting Director is Matthew Dewsberry. There are over 900 £12.50 Under 30s tickets available throughout the run.

The Lisbon Players are bringing A CHORUS OF DISAPPROVAL to Estrela Hall from May 2 to 18, 2019.

The Lisbon Players are bringing A CHORUS OF DISAPPROVAL to Estrela Hall from May 2 to 18, 2019.

The Orange Tree Theatre presents Mike Noble (The Almighty Sometimes, Royal Exchange; Road, Royal Court; Christopher in The Curious Incident of the Dog in the Night-Time in the West End) and Charlotte Randle (Yerma, Young Vic/New York; Medea, Almeida) in the world premiere of Rose Lewenstein's new play Cougar, a co-production with English Touring Theatre, which explores the impact of climate change and consumerism.

Today Artistic Director Paul Miller and Executive Director Sarah Nicholson announce the second half of their fifth Orange Tree Season featuring the world premieres of plays by Zoe Cooper and Rose Lewenstein, and major revivals of Athol Fugard and Terence Rattigan.

Coin Drop in association with HighTide, today announces further London dates for Danusia Samal's Busking It, based on her own experiences as a licensed TFL Busker. Having recently played at HighTide Festival the production opens at Shoreditch Town Hall on 10 October, with previews from 9 October and runs until 20 October.

Creative Cauldron opens its 2018-2019 season with Nevermore, the hauntingly beautiful musical written by resident composer and director, Matt Conner and writer, Grace Barnes. Nevermore draws from the poetry and short stories of the iconic Edgar Allan Poe. After its premiere at Signature Theatre in 2006, The Washington Post hailed Nevermore for its 'romantic music, ablaze with feeling.' Following its 2011 run at Creative Cauldron, Nevermore earned Creative Cauldron its first Helen Hayes Award recommendation. This imaginative musical delves deep into Poe's psyche and explores his gripping obsession with the pivotal women who seemingly haunt his tortured existence. The production will run through October 28 at Creative Cauldron, Falls Church, 410 South Maple Avenue. Performances are Thursdays at 8:00PM, Fridays at 8:00PM, Saturdays at 8:00PM, and Sundays at 2:00PM & 7:00PM. 

Historically, Richmond's Orange Tree Theatre was a well-known champion of new talent. However, until now, Artistic Director Paul Miller and Executive Director Sarah Nicholson were yet to stage a debut play. Joe White is an alumnus of the Orange Tree Writers Collective, and his first play has clearly impressed them. Mayfly is based on the heartbreakingly short life cycle of a mayfly; a lifetime can happen in just one day. It is a grandiose idea and one that White makes a courageous and often very successful attempt to explore.

Steven Atkinson, Co-Founder and Artistic Director of HighTide, has today announced that the company will present five world premiere productions at this year's Edinburgh Festival Fringe, before transferring them to its Aldeburgh and Walthamstow Festivals, as part of a brand-new mentoring scheme for new playwrights and producers. The launch of the programme marks the company's commitment to creating a bridge that supports new theatre makers starting out on the fringe and is indicative of festival's proven ability in providing a platform for launching professional careers with the UK's leading theatres.

See opera differently at Grimeborn. 'East London's ... irreverent and influential festival of new opera' (Time Out) is back for its 11th year with 14 exciting productions at the Arcola Theatre.

See opera differently at Grimeborn. 'East London's ... irreverent and influential festival of new opera' (Time Out) is back for its 11th year with 14 exciting productions at the Arcola Theatre.

Following a national search, Melbourne Theatre Company is delighted to announce that Guy Simon has been cast in the title role of its much-anticipated stage adaptation of Jasper Jones.

THE EMMY AWARDS for Creative Arts have wrapped up, and BroadwayWorld has all the winners listed below!

New musical theatre is often showcased in fringe venues to test the water and see if the show could have success on a larger platform. Water Babies, however, has its first outing on the stage of one of the largest producing houses in the country, the Curve in Leicester. The production values are extremely high and it is evident that there is a lot of belief in this project. Judging by what I witnessed last night, this production absolutely needs and deserves a future.