Dr. Peter Simon, Michael and Sonja Koerner President & CEO of The Royal Conservatory of Music, Mervon Mehta, Executive Director of Performing Arts, and James Anagnoson, Dean of The Glenn Gould School, today revealed details of the diverse concerts that will make up the 13th concert season at The Royal Conservatory of Music.
The Met has announced themed lineups for three weeks of its Nightly Met Opera Streams, the company's ongoing series of encore Live in HD presentations and classic telecasts streamed on its website during the Covid-19 closure. The schedule begins with a week, leading up to Father's Day on June 20, comprising a selection of operas featuring themes of fatherhood.
Edinburgh International Festival, the world's leading performing arts festival, pioneers the return of live performance in Scotland from 7 – 29 August with a diverse programme of UK and international artists.
The London Climate Change Festival will present SONG FOR NATURE, a specially created concert to raise awareness of Climate Change. SONG FOR NATURE was filmed over three days on stage at the London Coliseum, and all around this iconic building.
WQXR and the Metropolitan Opera today announced a third season of the critically acclaimed opera podcast Aria Code, hailed by The New Yorker as “elegantly constructed [and] effortlessly listenable.”
WQXR and the Metropolitan Opera today announced a third season of the opera podcast Aria Code. Hosted by MacArthur Fellow and Grammy Award–winning musician Rhiannon Giddens, Aria Code brings to life the human experience at the heart of opera through storytelling, interviews, and stellar performances from the Metropolitan Opera’s treasured archives.
The Royal Opera House Covent Garden has announced the cancellation of the first part of its run of Puccini’s 'Tosca.' The opera was set to run from January 13 – 23, 2021.
Los Angeles Opera has a number of excellent recitals on its website including one by baritone Craig Colclough in which he sings the Shakespeare monologues from Otello and Macbeth that Verdi set to music. Together with pianist Jeremy Frank, Colclough presents a program that also includes works by Beethoven, Wagner, Porter, and Vaughan Williams.
The Met has announced themed lineups for four weeks of its Nightly Met Opera Streams, a free series of encore Live in HD presentations and classic telecasts streamed on the company's website during the coronavirus closure. The schedule includes a week of In Plain English, an Epic Proportions week, followed by a week of Holiday Fare, and more.
In what promises to be a poignant moment of remembrance, reflection and ultimately hope at a time of national crisis, BBC Two is to broadcast Mozart Requiem from English National Opera on Saturday 14 November at 7pm. It is presented by Danielle De Niese.
The Metropolitan Opera announced today that the ongoing health crisis has resulted in the cancellation of the entire 2020-21 season, but the company also announced ambitious artistic plans for its 2021-22 season, which will open with the Met premiere of Terence Blanchard's Fire Shut Up in My Bones.
The Southbank Centre today announces details about Inside Out, a brand-new online season of music, literature and comedy from 17 September - 30 December.
In response to the British government's announcement that indoor performances with socially distanced audiences will be possible from 1 August, Wigmore Hall Director John Gilhooly will unveil ambitious plans for the autumn season at a one-off re-opening concert on 1 August.
This week the Royal Opera House has announced in partnership with The Luna Drive In Cinema, broadcasts of four Royal Opera House favourites at iconic drive-in cinema locations around the country.
The Met has announced the Week 15 schedule for its Nightly Met Opera Streams, a free series of encore Live in HD presentations streamed on the company website during the coronavirus closure. Highlights include the Met's classic 1991 telecast of Donizetti's L'Elisir d'Amore, with Kathleen Battle and Luciano Pavarotti, John Adams's Doctor Atomic starring Gerald Finley, and Massenet's Manon, with Lisette Oropesa in the title role.
Every theatre has a 'ghost light'. A light that is left on when the theatre is empty for the resident ghost, but mainly to make sure that those who are first in or last out do not fall off the edge of the stage. It's reassuring to think that no theatre ever goes dark, but you could not help but be moved by the shots of dark emptiness within London's vast Royal Opera House as they screened their first live performance since the shutdown of all theatres and live venues across the country.
While the Royal Opera House is closed to the public, the company is bringing its audiences three very special performances streamed live from the Royal Opera House as part of the #OurHouseToYourHouse series.
Two years ago, when I first saw photos of the projected new COSI FAN TUTTE,which was a production that originated at English National Opera and was slated to come to the Met, I was circumspect. I had grown up on three previous incarnations of COSI, the first dating from the 1950's a very traditional production which starred Richard Tucker and Eleanor Steber, the subsequent one dating from the 1980's, which had featured Kiri TeKanawa, and the last from 1996, which starred Carol Vaness and Suzanne Mentzer as the sisters Fiordiligi and Dorabella. All were very much 'period' pieces which made no effort to update or change the locale from the original setting of eighteenth century Naples.