Adelaide's Cabaret Fringe Festival Launches 2021 Program
by A.A. Cristi
- Apr 15, 2021
The Adelaide Cabaret Fringe Festival has today launched a dazzling program for 2021, with all tickets now on sale! Tickets and full program are now live on the Cabaret Fringe Festival website.
Adelaide Cabaret Festival Unveils its 2021 Program
by Stephi Wild
- Apr 11, 2021
South Australia's most loved winter event, Adelaide Cabaret Festival, is back this June and is turning the spotlight on Australia's best, brightest, and boldest performers, with the full line-up announced on sale today.
Adelaide Cabaret Fringe Festival Returns In 2021
by A.A. Cristi
- Mar 23, 2021
After a hiatus in 2020 - thanks to COVID-19 lockdowns - local Cabaret talent will be showcased between 3-13 June this year across multiple venues in Adelaide CBD and inner-Western suburbs.. This year's festival will warm up audiences ahead of the main-stage Adelaide Cabaret Festival, with ticket prices that are affordable and accessible for audiences across the state.
BEDLAM Announces BEDLAM: THE SERIES Featuring Zuzanna Szadkowski, Triney Sandoval and More
by Chloe Rabinowitz
- Oct 14, 2020
BEDLAM has announced BEDLAM: THE SERIES, an episodic New Media Series now in development. Written by Eric Tucker and Musa Gurnis and directed by Eric Tucker, BEDLAM: THE SERIES is an inventive and irreverent Shakespeare mashup that twists together characters and plots from King Lear, The Merry Wives of Windsor, The Merchant of Venice and other plays.
HSTC Visualizes William Shakespeare's THE MERRY WIVES OF WINDSOR
by Stephi Wild
- May 9, 2020
In the midst of quarantine where every actor along with everyone in the entertainment industry are on lockdown, a collective of Shakespeare enthusiasts, actors and artists are gathered to continue in expressing their artistry and creativity online with the help of modern technology. Ironically in the world of Shakespeare and his canon of verses and plays, we find ourselves running this comedy virtually by Hold Space Theatre Collective.
Cabaret Fringe Cancelled For 2020
by Stephi Wild
- Apr 1, 2020
Adelaide's annual Cabaret Fringe Festival has been cancelled for 2020 due to the impact of the COVID-19 pandemic response.
BWW Review: THE MERRY WIVES OF WINDSOR at Shakespeare & Company Leaves Berkshire Audiences Laughing Out Loud.
by Marc Savitt
- Aug 15, 2019
The cast includes Martin Jason Asprey (Mr. Frank Ford), Steven Barkhimer (George Page), Gregory Boover (Master Fenton), MaConnia Chesser (Meg Page), Jordan Cobb (Anne Page), Tobias Goodman (Pistol/Simple), Nigel Gore (Sir John Falstaff), Cloteal L. Horne (Mistress Quickly), Jennie M. Jadow (Alice Ford), Madeleine Rose Maggio (Robert Shallow), Bella Merlin (Sir Hugh Evans), and Mary Shalaby (Nym/Rugby). Many of whom we recently enjoyed in the Shakespeare & Company production of Twelfth Night. The troupe is outstanding. Steven Barhimer, Gregory Boover, MaConnia Chesser, Jordan Cobb, Jennie M. Jadow are so at-ease and comfortable in their roles and make the audience feel likewise. Tobias Goodman and Mary Shalaby are especially noteworthy and accomplished particularly given that they are the youngest in the ensemble but keep pace and level with both more seasoned and professional members of the cast. Madeleine Rose Maggio and Bella Merlin both take on roles of the opposite gender with confidence and convection and both make it work well. Cloteal L. Horne is sassy and soulful providing enough attitude to keep things real and some surprise vocals that are impressive as well. Nigel Gore and Martin Jason Asprey seem to have been born to do Shakespeare. Both have well-developed sense of comedic timing. Asprey's banter directly with the audience delights and earns spontaneous mid-scene applause multiple times.
BWW Review: William Shakespeare's THE MERRY WIVES OF WINDSOR Entertains at Austin's Historic Scottish Rite Theatre
by Amy Bradley
- Sep 6, 2016
Now playing in Austin's oldest playhouse, The Scottish Rite Theater, THE MERRY WIVES OF WINDSOR delights theatre goers with its gender-bending cast and lively performance. Austin's Scottish Rite Theater is a most appropriate venue for such a play to be presented, giving the audience a passage through time within the Masonic grand hall adorned with decorative antiques around the house. THE MERRY WIVES OF WINDSOR, written by none other than William Shakespeare, commands any space with a high level of detail, and Scottish Rite Theater fits the bill. Given the historic nature of the theater itself, first opening in 1871 as a German Opera house, the play THE MERRY WIVES OF WINDSOR was interestingly first published 269 years prior. The historic location introduces the audience immediately into another age and lends to the other worldly tone of the play's presentation. The experience within this show begins before the lights are up on the stage - a group of 'merry' players entertain the excited audience as they file in to find their seats. A bar, The Garter Inn, has an innkeeper polishing glassware as would any restauranteur on a Sunday afternoon. The mood is set well by The Weird Sisters Women's Theater Collective and when the curtain rises, the audience can disconnect and journey back into 15th century England.
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