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Broadway Revival Of FIDDLER ON THE ROOF Is Coming To Las Vegas!

The Smith Center for the Performing Arts is proud to present the Las Vegas engagement of the Tony Award-nominated Broadway revival of Fiddler on the Roof from June 4-9, 2019. The tour launched October 17, 2018 in Syracuse, New York at Landmark Theatre. Tickets starting at $29 go on sale on Friday, April 5, at 10 a.m. at TheSmithCenter.com.

BWW Review: FIDDLER ON THE ROOF at The Orpheum

The mamas and the papas (and sons and daughters) debuted at Memphis's Orpheum on Tuesday night, but this was no case of California dreamin'. Rather, it was the national touring company of Fiddler on the Roof that descended on the Bluff City to serve up a hefty helping of tradition. Fiddler on the Roof is, of course, one of the classics, with a storied history that includes its having enjoyed the first musical run to pass the 3,000 performance mark, and a near decade long reign as the longest running Broadway musical. Audiences may also remember the 1971 film adaptation starring Topol as the show's central patriarch Tevye, which garnered three Academy Awards. Set in a Jewish settlement in Russia in 1905, the show would not be expected to bear any shade of modernity. That being said, the production's youthful and endearing cast, excellent choreography and innovative lighting design, combined with its timeless themes of family, community and connectedness to one's ancestral history certainly make it resonate with inter-generational audiences of all faiths.

San Jose's Center for the Performing Arts to Welcome FIDDLER ON THE ROOF

Broadway San Jose, a Nederlander Presentation, is proud to present the Tony Award-nominated Broadway revival ofFiddler on the Roof at San Jose's Center for the Performing Arts (255 S. Almaden Blvd.) from Tuesday, May 21, 2019 through Sunday, May 26, 2019. Single tickets ($43-$153) are on-sale now at www.broadwaysanjose.com, in-person at the City National Civic Box Office (150 W. San Carlos St., San Jose), or by calling 800-982-ARTS (2787).

BWW Review: Opulent, Regal and Sumptuous ANASTASIA Captivates Nashville Audiences at Tennessee Performing Arts Center

In 2017, the Broadway musical version of Anastasia (which opened at Hartford Stage nice months earlier), based on the 1997 film, featuring music by Stephen Flaherty, lyrics by Lynn Ahrens and a book by Terrence McNally debuted to much fanfare, and now Nashville audiences are in the thrall of the cast and crew of the national touring company, onstage at Tennessee Performing Arts Center's Andrew Jackson Hall through Sunday, March 24.

TV: KISS ME KATE's Sarah Meahl Takes Over Instagram For Opening Night!

Last night's opening night of Kiss Me, Kate at Studio 54 was too darn hot, and we got a sneak peek at all of the behind-the-scenes shenanigans thanks to cast member Sarah Meahl's Instagram Story takeover! So if you missed all the fun (or just want to relive it all again), we've collected posts from throughout the day to give you a glimpse at what it's like to open a Broadway show. Check out all of the Wunderbar footage below!

FREEZE FRAME: Santino Fontana and the Cast of TOOTSIE Meet the Press!

Rehearsals are currently underway for Tootsie, which begins preview performances on Friday, March 29th and officially opens on Tuesday, April 23rd at the Marquis Theatre (210 West 46th Street). The company just met the press and you can check out a photo preview from the big day below!

KISS ME, KATE's Sarah Meahl Takes Over Instagram For Opening Night!

Instagram is about to be too darn hot because Kiss Me, Kate's Sarah Meahl is taking over BroadwayWorld's Instagram Story tomorrow, March 14th, for the show's opening night at Studio 54! Make sure to tune in to get a peek behind the scenes at all of the excitement throughout the day. It's going to be Wunderbar!

BWW Review: FIDDLER ON THE ROOF at Dr. Phillips Center

This show is essentially what it was on Broadway: a gorgeous staging that marries stunning stagecraft with complex and rewarding material. But with so many of the cast members, the singing isn't where it ought to be...

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