Despite her relative unpopularity within her lifetime, Barbara Pym always excelled at plumbing the depths in the lives of desperately ordinary people. In her 1977 novel Quartet in Autumn, she is concerned with those who live their lives waiting for something to happen, and what happens when that something never comes.
Playwright Mark Rosenblatt, who wrote the play Giant that is now running on Broadway, has signed with CAA. Rosenblatt, a theater and film writer and director, won the Olivier Award for Giant when it had its premiere in the West End in 2024.
The cast has been announced for a brand new adaptation of novelist Barbara Pym's Booker Prize nominated Quartet in Autumn. Learn more about the upcoming production here!
Arcola Theatre has announced its 2026 Spring Season, with 8 productions including five in-house, with tickets on sale from 19 November. Learn more about the lineup here!
Check out first-look photos of the cast of Daisy Goodwin’s debut play By Royal Appointment, ahead of its world premiere at Theatre Royal Bath, where it runs through 14 June before embarking on a UK tour.
All The Beauty In The World, a new one-man play written and performed by Patrick Bringley, based on his New York Times Best Selling memoir, will present a special talkback Patrick Page. Learn how to attend!
All The Beauty In The World, a new one-man play written and performed by Patrick Bringley, based on his New York Times Best Selling memoir, has extended at the DR2 Theatre. Learn more!
Full casting has been announced for the world première of Daisy Goodwin's By Royal Appointment directed by Dominic Dromgoole. Learn more about the show here!
All The Beauty In The World, a new one-man play written and performed by Patrick Bringley, based on his New York Times Best-Selling memoir, is currently in previews at the DR2 Theatre (103 E. 15th Street). Check out clips from the show!
All The Beauty In The World, a new one-man play written and performed by Patrick Bringley, based on his New York Times Best-Selling memoir, is currently in previews at the DR2 Theatre (103 E. 15th Street). Check out new production photos!
All The Beauty In The World, a new one-man play written and performed by Patrick Bringley, based on his New York Times Best-Selling memoir, will play the DR2 Theatre (103 E. 15th Street).
Claire Louise van Kampen, Lady Rylance, has died this morning, Saturday the 18th of January at 11:47, in the ancient town of Kassel, Germany, surrounded by her family. Learn more about her life and legacy.
Daniel Schumann and Lee Dean have announced the world première of By Royal Appointment – the debut play of Daisy Goodwin, creator of hit ITV historical drama Victoria – directed by Dominic Dromgoole.
Early in Power of Sail, we learn it’s firmly set in 2019. A mere year later, the world would face a global pandemic, the Black Lives Matter movement and online misinformation reaching its peak as right-wing have been given bigger platforms to express their hate under the guise of freedom of speech. Still
The Menier Chocolate Factory's production of Power of Sail begins previews on 20 March, and opens 28 March, running through 12 May. Check out all new photos here!
“Sometimes the Devil doth preach.” In a winter season that has arguably gone too light on Shakespeare, it is nonetheless fitting that the final production is a brand new version of John Webster’s bloody tragedy. Dominic Dromgoole’s production opened the Sam Wanamaker Playhouse ten years ago, and now Rachel Bagshaw is on board to direct it on its return to the replica Jacobean theatre.
The Menier Chocolate Factory has announced that Giles Terera and Michael Benz join the cast of the European première of Paul Grellong's Power of Sail, directed by Dominic Dromgoole. Performances run 20 March – 12 May.
With its critically acclaimed production of Stephen Sondheim and John Weidman’s Pacific Overtures running at the venue, the Menier Chocolate Factory has announced the European première of Paul Grellong’s Power of Sail. Dominic Dromgoole returns to the company, after the success of last year’s Marjorie Prime, to direct.
Jordan Harrison’s 2015 Pulitzer Prize finalist is a reflection on mortality that doesn’t dare to go into the depths of the matter. It ends up being rather stagnant philosophically and anthropologically, but Dominic Dromgoole’s latest production is a delicate take. Running at 85 minutes on paper but around 70 in reality, the piece’s greatly sophisticated performances and sleek look save it from its redundant nature.