The full programme of events and performances which make up The Bunker's final season has now been announced. The eight-week Takeover Season will feature over 80 artists, 70 performances and a host of workshops, lectures and events, before The Bunker closes due to proposed redevelopment at the end of March 2020. For this Takeover Season, a different artist will curate each week, taking over the space and the programme as well as the bar and the box office, determining their own rules of engagement for the tenure.
The incredible cast has been announced for Little Miss Burden, a moving coming-of-age tale of growing up in a wheelchair in the '90s. Saida Ahmed (My Favourite, AppleCart Theatre; The Glass Menagerie, Arcola Theatre; Medusa, Fusion Theatre) takes the role of Little Miss. Michelle Tiwo (Ackee and Saltfish, BBC 3; Parakeet, Boundless/Boom Shakalaka Productions; And The Rest of Me Floats, Bush Theatre) is Big Sis and Ani Nelson (The Trick, Bush Theatre; Abigail's Party, Hull Truck Theatre; Roadkill, Channel 4) rounds off the cast as Little Sis.
The Traverse Theatre today announces the successful candidates who will join the organisation's artistic and producing team following an extensive recruitment process. The appointments form part of a new leadership structure to evolve the organisation's position as a leading voice for the arts in Scotland and beyond.
The Young Vic Directors Program announces the launch of a new, improved Genesis Network website. The website has been updated and developed to better facilitate the community and peer-support at the heart of the Young Vic Directors Program, the only scheme of its kind, which has been running for nearly twenty years. The program currently serves nearly 1,000 directors, designers and producers living in the UK at the early stages of their career.
The Young Vic today announces the complete cast for Lauren Yee's critically acclaimed in a word, directed by Genesis Future Directors Award recipient Dadiow Lin.
Following the success of his first season at The Bunker, Artistic Director Chris Sonnex's new season cements his vision for the theatre, representing and sharing the stories of its community. With a new festival with work from Black artists, a new work from Anna Jordan, debut plays from emerging writers and the return of the sold-out My White Best Friend (and Other Letters Left Unsaid), The Bunker is the place for ambitious creatives to share their work with adventurous audiences.
Tron Theatre Company is working with director Debbie Hannan to bring to the stage the Scottish premiere of Marius von Mayenburg's scalpel-sharp, fast-moving and hilarious comedy The Ugly One, translated by Maja Zade, this summer.
Dos montajes a cargo de la Compañía Nacional de Teatro del Instituto Nacional de Bellas Artes y Literatura formarán parte de la programación del Festival Tiempo de Mujeres.
Paul Chan, Tuyen Do, Zachary Hing, Daniel York Loh, Kwong Loke, Richard Rees, Gabby Wong and Millicent Wong have been cast in the world premiere of Pah-La, written by Abhishek Majumdar and directed by Debbie Hannan. With design by Lily Arnold, lighting design by Jessica Hung Han Yun and composition and sound design by Tom Gibbons.
What Scottish theatre can do like no other national culture is tackle the big questions of our times, with a unique sense of joy and a love of communal celebration.
Tron Theatre's Spring-Summer 2019 season is packed full of work that will challenge conventions and subvert some of drama's most classic of texts. Andy Arnold's programme for the new year sees him welcome early career influencers like Pete Brook of Impact Theatre and Linda Marlowe alongside some of the finest emergent artists and companies making work. Highlights will include:
La obra Latir plantea una reflexión sobre la importancia de los adultos mayores, quienes aún tienen mucho que aportar a la sociedad por el solo hecho de haber sido testigos de lo que ha sucedido en nuestro entorno, además de ser poseedores de gran experiencia y sabiduría.
As a producer, I read a lot of scripts. Plenty of them are very good but, given the limited resources I have, and the amount of blood, sweat and tears that goes into a show, something really needs to connect for me to take the journey to production. When Lisa Carroll sent me Cuckoo three years ago, it was one of the rare plays where I barely had to think before diving in.
This November, Catriona Ennis (Dublin by Lamplight, Corn Exchange; Test Dummy, Theatre Upstairs, Dublin; Wild Sky, Irish Arts Centre New York and Irish tour) will star as loud-mouthed Iona in the exciting world premiere of Cuckoo and joining her as Pingu, Iona's silent tuxedo-wearing, non-binary best friend, will be Elise Heaven (The Little Bookshop, UK tour; PASSPAWT, Brighton Fringe; She's a Good Boy, Camden Fringe Festival) who also identifies as non-binary. Also joining the company are Colin Campbell (Disco Pigs, Trafalgar Studios and Irish Repertory Theatre, New York; Scotties, Scottish tour; Dublin by Lamplight, Abbey Theatre) as Pockets, Sade Malone (4 O'Clock Club, CBBC; The Queen and I, Sky; Seasons in the Sun, East Riding Theatre) as Toller and in his professional stage debut Peter Newington will star as Trix. Directed by Debbie Hannan (Things of Dry Hours, Young Vic; The Session, Soho Theatre; Who Cares, Royal Court), Cuckoo is from the distinctive new comic voice of debut playwright Lisa Carroll. Exploring gender identity, Carroll also dissects the true cost of belonging and reflects on how hard it is to break away from the place you grew up.
Shortlisted for the Papatango New Writing Prize, Cuckoo is the exciting world premiere from the distinctive new comic voice of debut playwright Lisa Carroll. Directed by Debbie Hannan (Things of Dry Hours, Young Vic; The Session, Soho Theatre; Who Cares, Royal Court), Cuckoo explores gender identity, belonging, and ego.
Artistic Director of MGC, Michael Grandage today announces the third annual MGCfutures Bursary Programme is now open for applications; and in addition, a special gala performance of The Lieutenant of Inishmore.
The Linbury Prize is the UK's most prestigious award for Stage Design, providing a unique opportunity for graduating designers to work with some of the UK's leading theatre, opera and dance companies.
Michael Grandage today announced the recipients of the second annual MGCfutures Bursaries awarded across a range of theatrical disciplines including directing, writing, producing, video design, choreography and performance makers. Offering both financial and ongoing mentoring support from the MGCfutures team, the recipients come from across the UK.
