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The Watermill Theatre today announces its new season for Spring 2020. The new programme draws on and develops The Watermill's long history of reinventing established musical theatre titles, daring ensemble Shakespeare productions and pertinent contemporary writing.
I've recently had the great pleasure of interviewing actress Addie Morales, who is currently in rehearsals for North Carolina Theatre's upcoming production of West Side Story, where she'll be starring in the coveted role of Maria. Addie has previously played the role numerous times regionally at the Lyric Opera of Chicago, Barrington Stage Company, Casa Mañana, and New London Barn. Her other regional credits include Tick, Tick, Boom at Playhouse Square and The Buddy Holly Story at Casa Mañana.
You Can't Take It With you, running now through September 29th at Players Guild of Dearborn, is a heartfelt classic comedy. Originally written by Moss Hart and George S. Kaufman, this show follows the life of the zany Sycamore family. The Sycamores are a madcap group of eccentrics, marching to the beat of their own drum, with pride and joy. When practical young Alice Sycamore becomes engaged to her company's Vice President Tony Kirby, the Sycamore family must straighten up to meet the new in-laws. Disaster ensues when the Kirby's arrive at the wrong time and, despite the best laid plans, see Alice's family in all of its crazy glory.
The Olivier Award nominated stage production of The Tiger Who Came to Tea, adapted and directed by David Wood OBE, based on the classic tale by the late Judith Kerr OBE, today announces its return to the West End for Christmas, opening at Theatre Royal Haymarket on 9 December 2019 and playing until 5 January 2020. This will be the production's sixth West End run.
The Sycamores have been happily living their zany lives in his house by Columbia University in New York for many years. This family (and their friends) are a madcap group of eccentrics, marching to the beat of their own drum, with pride and joy. But when practical young Alice Sycamore becomes engaged to her company's Vice President Tony Kirby, the Sycamore clan must straighten up to meet the new in-laws. Disaster ensues when the Kirbys arrived at the wrong time and, despite the best laid plans, see Alice's family in all of its crazy glory.
Ira David Wood III's beloved musical comedy, A Christmas Carol, celebrates its 45th Anniversary and will return to DPAC for seven performances on December 18 - 22, 2019.
VIOLETA ANGELOVA, YVES DE BOUTEILLER, KEITH LEE AND IAN POULIS will be members of the faculty for the Shreveport Dance Academy's Summer Intensive in Shreveport, Louisiana. Ms. Angelova and Mr. de Bouteiller will be teaching from June 3-7, 2019, and Mr. Lee and Mr. Poulis will be teaching from June 10-14, 2019.
Midlands Academy of Dance and Drama, affectionately known as MADD, is delighted to announce details of its first-ever Advisory Board that marks the start of an exciting new chapter for the Nottingham based college.
David Parker, curator, and Jeffrey Kazin, producer, announce the May 16-19 performances of Soaking WET, featuring all female casts of creators and performers, led by choreographers Ellis Wood and Kate Digby, and writer Erika Batdorf. Lighting is by resident Soaking WET designer Jay Ryan.
David Parker, curator, and Jeffrey Kazin, producer, announce the May 16-19 performances of Soaking WET, featuring all female casts of creators and performers, led by choreographers Ellis Wood and Kate Digby, and writer Erika Batdorf. Lighting is by resident Soaking WET designer Jay Ryan.
National Theatre Wales are delighted to announce an island of Ireland tour of Cotton Fingers, written by award-winning writer Rachel Trezise and starring Northern Irish actor, Amy Molloy. This timely, politically-charged production, written during the referendum to repeal the 8th amendment in Ireland in 2018, will tour to venues in Belfast, Derry~Londonderry, Dublin and Bray from 22 May until 8 June 2019, marking one year since the historic referendum took place.
If the Theatre in the Park production of A CHRISTMAS CAROL can be compared to a Christmas gift for Triangle families, then it might be said that the company's pre-Valentine's Day offering of A LIFE IN THE THEATRE is like a love letter to the sanctuary of storytelling and art otherwise known as the theater.
Olivier Award nominated children's theatre favourite, The Tiger Who Came to Tea, today announces a brand new cast for its 2019 UK Tour: Jocelyn Zackon plays 'Sophie'; Lizzie Dewar plays 'Mummy'; David Scotland plays 'Daddy'/'Milkman'/'Postman'/'Tiger'; with Hannah Miller (Understudy / Wardrobe) and Glen Newham (Understudy / ASM).
'Every year around this time of year, people come to hear the story…'
And that's the way it's been for the last 43 years as audiences have come to see the Theatre in the Park production of A CHRISTMAS CAROL and Ira David Wood III as Scrooge. The show opens this Wednesday at the Durham Performing Arts Center.
Adapted by Ira David Wood III, this version of A CHRISTMAS CAROL follows the traditional Dickens story, with a bit of updated humor. The miserly Ebenezer Scrooge is visited by three ghosts the night before Christmas. The apparitions are a telling reminder of Christmases past and a foreshadowing of Christmases to come.
Guys and Dolls marked Kim Donovan's directorial debut 27 years at the Players Guild of Dearborn. She was pregnant at the time with her daughter, Maura. Frank Loesser's score must have channeled Maura's musical theatre talents in utero as she's now starring as Adelaide, "the well-known fiancee," in the Players Guild of Dearborn's 2018 production of Guys and Dolls serendipitously directed by Kim Donovan.
Considered by many to be the perfect musical comedy, Guys and Dolls ran for 1,200 performances when it opened on Broadway in 1950. It received nearly unanimous positive reviews from critics and won a bevy of awards, including Tony Awards, Drama Desks and Oliviers.
Considered by many to be the perfect musical comedy, Guys and Dolls ran for 1,200 performances when it opened on Broadway in 1950. It received nearly unanimous positive reviews from critics and won a bevy of awards, including Tony Awards, Drama Desks and Oliviers.
Considered by many to be the perfect musical comedy, Guys and Dolls ran for 1,200 performances when it opened on Broadway in 1950. It received nearly unanimous positive reviews from critics and won a bevy of awards, including Tony Awards, Drama Desks and Oliviers.