Curt Dale Clark News

Maine State Music Theatre will present Titanic this summer. Learn how to purchase tickets!

The Play That Goes Wrong is a Looney Tunes cartoon come to life.  Bring your whole family to enjoy its’ slapstick and silliness.

Maine State Music Theatre was saddened to receive news of the passing of one of its legendary stars – an actor whose career was inextricably interwoven with the history of Maine’s premier musical theatre. “Bernie” Wurger was a mainstay of MSMT summers from 1962 until 2000, playing 195 leading and supporting roles and winning an indelible place in the hearts of his public. His long and versatile career spanned opera, musical theatre, directing, and film not only in Maine but in New York and leading regional theatres across the country.

After three seemingly endless years, Maine's theatrical landscape has truly begun to come to life again after the pandemic. I am thrilled to be able to pen this article, having experienced a 2022 that saw the remarkable 'comebacks' of Maine's theatres. While the year was not without continued challenges, these brave, resilient companies managed to produce first-class live theatre for grateful audiences. These are my personal choices of the best in Maine for 2022, grouped by theatre company and show.

What better way to cap what has been billed as MSMT’s Revival Season than with a free, festive outdoor event that, despite intermittent showers, drew a large, enthusiastic crowd? That is exactly what MSMT did on August 24 when it presented its annual MSMT Concert on the Mall as part of the Brunswick Downtown Association’s summer series. In a program designed to thank the community for its loyal support of the theatre, especially during the pandemic, the seventy-five-minute concert featured performers from the company’s current main stage show, KINKY BOOTS, as well as other local artists in a rousing and engaging program of musical theatre selections.

“Lola gains her strength from her resilience,” says Stephane Duret, who plays the drag queen star of MSMT’s KINKY BOOTS. “Sometimes she feels like an island, alone in this world she has created. But she survives. She’s got her Angels for support, her chosen family, and even when she gets a little slap in the face from Charlie, she comes back to their partnership. That’s her resilience.” “And Lola challenges others to be accepting and to change their perspective,” continues MSMT Artistic Director Curt Dale Clark. “I consider it important for MSMT to present something that can cause change in a community, and this show with Stephane’s and the entire cast’s unbelievable performances is doing just that!” His remarks draw applause from the capacity audience at MSMT’s final Peek Behind the Curtain panel discussion, moderated by Carla Maria Verdino-Süllwold, BWW’s Maine editor, on August 17 at Curtis Memorial Library in Brunswick.

Something extraordinary has happened in Brunswick, Maine, this summer. Maine State Music Theatre’s production of THE COLOR PURPLE has taken this tiny New England town by storm, telling a story that has shaken and uplifted an entire community, inspired by its truth, beauty, and sheer joyousness.

For its third 2022 main stage production, Maine State Music Theatre has mounted a brilliant, beautiful, authentic, and heartwarming staging of the musical adaptation of Alice Walker’s epistolary novel, THE COLOR PURPLE. This epic story chronicles the journeys of its complex characters through hardship and pain to hope and healing. Inspirational and uplifting, it is a tale of resilience, redemption, and love, that speaks with powerful universality, and in this stunning production, directed by E. Faye Butler, it becomes one of those unforgettable, transformative moments in the theatre.

“JOSEPH’s ability to be done in a thousand different ways is what keeps it fresh,” declares Maine State Music Theatre’s Artistic Director, Curt Dale Clark. “I have heard people say they almost didn’t come to see it because they had already seen it many times, and then when they did see it, they were blown away by a new fresh production.” Clark is joining the two stars of MSMT’s current production, Jordan Alexander (Joseph) and Alyssa Anani (Narrator) at the second PEEK BEHIND THE CURTAIN panel discussion, hosted by Broadway World Maine editor, Carla Maria Verdino-Süllwold, on July 6 at Curtis Memorial Library to discuss with patrons the theatre’s second main stage show.

Maine State Music Theatre’s second main stage production, perennial favorite, JOSEPH & THE AMAZING TECHNICOLOR DREAMCOAT, takes the Pickard stage by storm, exploding with color, energy, and sheer irrepressible joy. Andrew Lloyd Webber and Tim Rice’s early collaboration based on the Book of Genesis has as its central metaphor the coat of many colors, and like that kaleidoscopic garment, the show itself is a rich, eclectic tapestry that weaves together musical and choreographic genres, ancient and modern sensibilities, and perhaps best of all in this production – a diverse and deeply talented cast that is beautiful to behold.

For two weeks now Brunswick’s Pickard Theater has been “alive with the sound of music,’ but on June 15 Hanley Smith and Will Ray, the stars of MSMT’s brilliant new production of Rodgers and Hammerstein’s THE SOUND OF MUSIC, joined MSMT Artistic Director Curt Dale Clark and BWW Maine Regional Editor Carla Maria Verdino-Süllwold to celebrate the joy, inspiration, and continued resonance of this timeless musical at the first Peek Behind the Curtain program in three years. The popular panel discussion series held at Curtis Memorial Library returned to an enthusiastic, capacity audience for an hour of conversation about what Clark called “the quintessential American musical and the perfect show to launch post-pandemic MSMT’s Revival Season.”

Maine State Music Theatre opened its Theatre for Young Audiences series with a delightful, energetic, and amusing production of Robin and Clark’s JACK AND THE BEANSTALK that drew a crowd of enthusiastic youngsters, their teachers, parents, and grandparents for the four performances on June 13.

What did our critic think of MSMT's Sound of Music? What happens when one of the most beloved musicals in the canon comes to the stage at the very point in time when history and a harsh pandemic seem to intersect with an iconic story?

“Marc Robin ‘s vision for this production of THE SOUND OF MUSIC is that of a joyful, hopeful child,” says Hanley Smith, the actress who makes her debut as Maria von Trapp this week as Maine State Music Theatre kicks off its “Revival Season.” Describing the lens through which director/choreographer Robin views the piece, she continues, “This production comes from a very joyful, youthful place at the same time that there is an awareness of the weight and import of the story. In the face of deep darkness in the world, the light becomes all the brighter. Marc knows how to create both those worlds and the battle between them and make you really want the light to win. And you believe it CAN win. And that is not naïveté; that is an act of courage.”

Ten local Maine children will be taking the stage this summer in Maine State Music Theatre's (MSMT) production of The Sound of Music. These young cast members auditioned for the show at various open calls held in Brunswick in February and March.

“It all began with Wizard of Oz at Maine State Music Theatre,” confides ten-year-old Lily Philbrook. “That was the show where I found my real passion for theatre. It was a huge show and working with Marc [Robin] and everyone at MSMT was an amazing experience.” In those performances, for Lily Philbrook, a dream was born- one that would carry her over her own rainbow – to performing on stages at leading regional theatres.

In this last week of Maine State Music Theatre’s 2021 season, despite having to cancel several productions due to Covid-related issues, the 63-year-old company demonstrated its continued vitality and commitment to delivering the best in musical theatre. With two performances, held at Freeport’s Cadenza, MSMT showcased fourteen young professionals who, together with Music Director Ben McNaboe, created one of the most vibrant cabaret evenings in recent memory. The generous more than 90-minute program featured ta varied repertoire ranging from Broadway classics to more recent shows, to pop covers in a series of ensembles, duets, and solos. The program was crafted by McNaboe, who did all the vocal coaching and led the evening from the grand piano, where he demonstrated his own versatility and impressive musicianship.

In the final moments of the 2005 hit musical JERSEY BOYS, Frankie Valli muses, “We were all just chasing the music.” For those fans of Frankie Valli and the Four Seasons and the Bob Gaudio/Bob Crewe/Marshall Brickman & Rick Elice show about the group’s rise to fame and artistic and personal struggles, the “chase” need take them no farther than Westbrook Performing Arts Center where Maine State Music Theatre has mounted a spectacular production that is a must-see. In their only main stage show of the 2021 season, MSMT’s JERSEY BOYS, directed by Mark Martino and choreographed by Kenny Ingram, is a joyous, boisterous, dazzling, powerful, incisive, edgy and ultimately uplifting story that rivets from start to finish.

The fact that the classic fairytale of BEAUTY AND THE BEAST is said to be “a tale as old as time” did not stop the musical writing team of Marc Robin and Curt Dale Clark from deciding to tell their version of the ancient story by framing it within a modern one. Their heartwarming, sweetly funny version, enlivened by song and dance, which launches MSMT Theatre for Young Audiences 2021 season, makes for a magical and engaging entertainment for the entire family.

In many ways MSMT’s concert, WELCOME HOME, is a valentine to the world of musical theatre and to those who create it and who love and support it. This original, complexly conceived, all-singing, all-dancing musical revue starring MSMT’s Fellowship Performers is packed with so much talent, energy and emotion that it will – quite simply - blow you away! Directed by Curt Dale Clark, this collection of musical theatre standards and contemporary works is skillfully woven together to capture a kaleidoscope of shifting moods, styles, and ensemble as well as solo moments. Not only has Clark constructed a powerful and poignant narrative, but he has cast each number with a fresh eye that gives vitality to the whole. His ability to nurture, challenge, and stretch the talent with which he works transforms the performance from a routine revue to a dazzling master class.