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Preview: Opera Theatre of St. Louis 2026 Festival Season Features Tony Winner Paulo Szot and Tony Nominee Kate Baldwin in The Light in the Piazza

In her first season as the new artistic director at Opera Theatre of St. Louis (OTSL), Patricia Racette has programmed a festival season that holds something for everyone. Three of the four Operas being presented are written in English. Two, Gilbert & Sullivan’s The Pirates of Penzance and The Light in the Piazza, are from the canon of the American Musical Theatre. The other two, A Streetcar Named Desire and Romeo and Juliet, are well known dramas. If you’ve never seen an Opera, this is the season to take in a show at OTSL.

Met Announces Three-Week Schedule For Nightly Met Opera Streams

The Met has announced themed lineups for three weeks of its Nightly Met Opera Streams, the company's ongoing series of encore Live in HD presentations and classic telecasts streamed on its website during the Covid-19 closure. The schedule begins with a week, leading up to Father's Day on June 20, comprising a selection of operas featuring themes of fatherhood.

George Michael Tribute Show FASTLOVE Will Embark on an Arena Tour

In just over a year, Fastlove has become the world's leading show celebrating the incredible career of George Michael. Playing sold out shows across the UK through the whole of 2018, 2019 will see this it step into Arenas for the first time bringing with it a larger production and band worthy of one of the worlds greatest ever performers.

Opera Theatre of St. Louis' Recording of Ricky Ian Gordon's New Opera '27' Out Now

After a critically acclaimed run in St. Louis in June of 2014, composer Ricky Ian Gordon and librettist Royce Vavrek's opera "27" will now be available to audiences around the globe, with the release of the world premiere recording of the opera on Albany Records. Recorded live in performance throughout the run of the opera, the album is the first commercial recording of a commissioned world premiere from Opera Theatre of Saint Louis.

Yale School of Music Announces 2014-15 Season of YALE IN NEW YORK

Yale School of Music announces the 2014-15 season of YALE IN NEW YORK. The series returns to Carnegie Hall for its eighth year, while expanding to include a special season opener at Avery Fisher Hall that features John Adams conducting the Yale Philharmonia and Brentano Quartet in a performance of Adams' Beethoven-inspired Absolute Jest and Beethoven's Symphony No. 4.

ALADDIN Star Back Cancer Support Scotland

ALADDIN stars Jenny Douglas and Kieran Brown, currently topping the bill in the fairytale classic at the King's Theatre in Glasgow, are backing Cancer Support Scotland's aim of helping even more patients next year.

University Musical Society Announces December 2013 Events

The University Musical Society (UMS) presents two incredible events this December, starting with the beloved community tradition of Handel's Messiah (Saturday-Sunday, December 7-8). December also ushers in the first-ever high definition delayed cinema broadcast from the Royal Shakespeare Company in the Michigan Theater; the company performs Richard II, starring David Tennant and directed by Gregory Doran (Sunday, December 8 and Wednesday, December 11).

OPERA America to Open the National Opera Center in September

OPERA America, the national nonprofit service organization for opera in the U.S. and Canada, will open the field's custom-designed NATIONAL OPERA CENTER, employing urban repurposed architecture in the heart of New York City. The National Opera Center opens for business on September 4, with the official ribbon cutting taking place on September 28. The National Opera Center of OPERA America provides an array of essential facilities and services to the opera industry that have been sorely needed and never before available under a single roof. Encompassing 25,000 square feet on two floors of a former fur factory on Seventh Avenue at 29th Street, this $14 million project of OPERA America ($6 million for construction, $6 million for operating endowment and $2 million in relocation costs from Washington, D.C. to NYC) will serve as the heart of an industry that is widely disbursed, yet inherently collaborative. OPERA America's National Opera Center is the first-ever such facility built specifically for opera rehearsals, auditions and meetings. The creation of this facility was an innovative, dynamic and comprehensive response to the lack of appropriate spaces for these activities in New York City. It is truly a convening hub, a place to audition, a place to rehearse, a place to perform, a place to unite. Andrew Berman Architect designed the center, with acoustics by Robert R. Mahoney & Associates.

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