Pacific Opera Project’s production of Puccini’s final opera, Turandot features the husband and wife team of tenor Clay Hilley and soprano Sara Duchovnay in the roles of Calàf and Liù respectively. I spoke to them about peforming together onstage.
The Metropolitan Opera has revealed its 2026–27 season, featuring five new and 12 repertory productions, a special 60th-anniversary gala, and performances of Mahler’s Eighth Symphony conducted by Yannick Nézet-Séguin.
The Richard Tucker Music Foundation has announced the recipients of its prestigious Richard Tucker Award, Richard Tucker Career Grant, and Sara Tucker Study Grant.
As usual, the gala concert of the Richard Tucker Music Foundation started off with an interloper from the golden age of opera: Richard Tucker himself, singing Mascagni’s “Addio alla Madre” from CAVALLERIA RUSTICANA. A tough act to follow for those singing live at Carnegie Hall, but happily no one seemed daunted by it. That doesn’t mean everything went smoothly at the gala concert, which is par for the course of the annual event. Despite the prestige of the Richard Tucker Awards, the world doesn’t stop when the Tucker Foundation comes a calling.
Discover the 2024 award winner and grant recipients announced by the Richard Tucker Music Foundation.
The Canadian Opera Company's 2023/2024 season launches with Fidelio, the only opera from master composer Ludwig van Beethoven and a work that hasn't been seen on the COC stage in nearly 15 years. The opera, running from September 29 to October 20, 2023, centres on Leonore, a woman who has disguised herself as a man named Fidelio in order to save her husband, imprisoned for his revolutionary political views.
Beethoven’s FIDELIO returns to the COC for the first time in 15 years in a new production directed by Matthew Ozawa. Will justice and freedom prevail against tyranny and corruption?
The global celebration of performing arts, Edinburgh International Festival, today unveils an expansive programme of world-class music, opera, dance and theatre to take place from 4 – 27 August 2023. This year marks the first Festival under the direction of new Festival Director, Nicola Benedetti, one of today's most influential classical music artists.
The Canadian Opera Company announced its 2023/2024 season today featuring a slate of exciting new productions and rare musical gems.
Ring des Nibelungen is a new interpretation of Wagner's iconic Ring Cycle performed by world-renowned company Deutsche Oper Berlin. Filmed in its four parts - Das Rheingold, Die Walküre, Siegfried and Götterdämmerung – the performances will be available to view on Marquee TV from 13 May 2022
Tour members meet on the Flying Opera Magic Carpet for a week of American and international performances. Our first stop is at San Francisco Opera, for Fidelio by Ludwig van Beethoven online October 14, 17, and 30, 2021. Cost- $25.
Verdi’s Il Trovatore can be seen live online on Sunday, October 3 at 2:00 pm or on Wednesday, October 6 at 7:30 pm live streamed directly from the Dorothy Chandler Pavilion. Streamed live, they will not be able to be re-visited. Access to these performances is $30.00, available by clicking on the link below. LINK https://www.laopera.org/performances/2122-season-page/il-trovatore-3/
San Francisco Opera General Director Matthew Shilvock today announced the Company's 98th season, which opens on September 11, 2020 with an Opening Night Celebration featuring soprano Albina Shagimuratova and tenor Pene Pati in concert with the San Francisco Opera Orchestra conducted by Music Director Designate Eun Sun Kim. Opening Night festivities include San Francisco Opera Guild's Opera Ball, BRAVO! CLUB's annual Opening Night Gala and two new events: the Opera Supper in the Veterans Building's elegant Green Room and, for the entire audience, a celebratory, post-concert toast to the season.
Committed since its inception to reviving important but neglected operas, Bard SummerScape has long proven itself 'an indispensable part of the summer operatic landscape' (Musical America).
One of the nation's most adventurous opera companies, Odyssey Opera, presents the Boston premiere of Richard Strauss's little-known opera Die agyptische Helena (The Egyptian Helen) with libretto by Hugo von Hofmannsthal. As part of Odyssey Opera's sixth season, this marks the second of three works to be performed in 2019 inspired by one of the most enigmatic figures in ancient history, Helen of Troy. The challenging title role of Helen will be played by soprano Kirsten Chambers (Met Opera). With orchestra and chorus conducted by Gil Rose, this two-act concert performance will be sung in German with English subtitles.
One of the nation's most adventurous opera companies, Odyssey Opera, presents the Boston premiere of Richard Strauss's little-known opera Die agyptische Helena (The Egyptian Helen) with libretto by Hugo von Hofmannsthal. As part of Odyssey Opera's sixth season, this marks the second of three works to be performed in 2019 inspired by one of the most enigmatic figures in ancient history, Helen of Troy. The challenging title role of Helen will be played by soprano Kirsten Chambers (Met Opera). With orchestra and chorus conducted by Gil Rose, this two-act concert performance will be sung in German with English subtitles.
Opening next Today, July 28, Bard SummerScape presents the long overdue American staged premiere of Dimitrij (1882). Set to a libretto by Marie Cervinkova-Riegrova, one of the relatively few 19th-century women to contribute to the genre, Antonín Dvorák's grand opera is rarely produced outside the Czech Republic, and only received its U.S. concert premiere more than a century after its composition.
Committed since its inception to reviving important but neglected operas, Bard SummerScape has long proven itself “an indispensable part of the summer operatic landscape” (Musical America). With the long overdue American staged premiere of Antonín Dvo?ák's Dimitrij as its operatic centerpiece, this year's immersion in “Chopin and His World” is no exception.
Opening next Friday, July 28, Bard SummerScape presents the long overdue American staged premiere of Dimitrij (1882). Set to a libretto by Marie Cervinkova-Riegrova, one of the relatively few 19th-century women to contribute to the genre, Antonín Dvorák's grand opera is rarely produced outside the Czech Republic, and only received its U.S. concert premiere more than a century after its composition.
Committed since its inception to reviving important but neglected operas, Bard SummerScape has long proven itself “an indispensable part of the summer operatic landscape” (Musical America). With the long overdue American staged premiere of Antonín Dvo?ák's Dimitrij as its operatic centerpiece, this year's immersion in “Chopin and His World” is no exception.
