WNO Presents Jake Heggie and Terrence McNally's DEAD MAN WALKING and Terence Blanchard and Michael Cristofer's CHAMPION
by Christina Mancuso
- Feb 7, 2017
Washington National Opera (WNO) continues its 2016-2017 season with the company premieres of two modern American masterworks of opera: Jake Heggie and Terrence McNally's Dead Man Walking, February 25-March 11, 2017 in the Opera House, and Terence Blanchard and Michael Cristofer's Champion, March 4- 18, 2017 in the Opera House. Both operas explore the theme of social justice which is often associated with John F. Kennedy and are presented as part of JFKC, the Kennedy Center's season-long celebration of President Kennedy's centennial. Using many of the same designers and scenic elements, the directors of each opera have worked collaboratively to create two distinct worlds in each new production to showcase the issues of Justice, Courage, and Freedom at the heart of these two compelling stories. An additional special event will continue the exploration of these themes: Justice Ruth Bader Ginsburg will headline Justice at the Opera on Thursday, March 9, 2017 in the Opera House.
BWW Review: THE FLYING DUTCHMAN Vanishes Too Quickly from Austin, TX
by Amy Bradley
- Nov 17, 2016
Presented during The Austin's Opera's 30th anniversary season, THE FLYING DUTCHMAN commands the historic Long Center's stage with a diverse, collective cast and belting operatic sequences. The origins of the story of The Flying Dutchman are rather skewed between timelines. The story first appeared in Travels in various parts Europe, Asia, and Africa in 1790 by John MacDonald, and again when Richard Wagner's operatic rendition came to life in 1843, after being adapted from an episode of Heinrich Heine's satirical novel The Memoirs of Mister von Schnabelewopski. More modernly, the story of The Flying Dutchman is told through the highly loved film series, The Pirates of The Carribean. Regardless of the interpretations by creative minds, one fact remains true - The Flying Dutchman refers to a ghostly ship destined to sail the seas for all eternity. Richard Wagner's rendition, sure to please both critics and audiences alike, is bringing this haunted tale to life with the reputation of precision that precedes The Austin Opera.
BWW Reviews: Finding Oneself in FIDELIO
by Finny (Amanda Finn)
- Nov 24, 2014
As one can imagine, an opera created by Ludwig van Beethoven is likely driven by intricate musicality. That assumption would be completely accurate as the plot is fairly simple and the characters are of common theatrical stock. Though these observations are true, Madison Opera's recent production of Fidelio - translated as the favorite child - is far from ordinary.
