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FROZEN North American Tour is Coming to the Fox Cities Performing Arts Center

From the producer of The Lion King and Aladdin, Frozen, the Tony-nominated Best Musical, will play an exclusive two-week premiere engagement at the Fox Cities Performing Arts Center beginning Tuesday, May 17, 2022, with performances playing through Sunday, May 29, 2022. Opening night is set for Wednesday, May 18 at 7:30pm.

Olivier Awards 2022 - Full List of Winners!

British theatre's biggest night is here at last. The Olivier Awards 2022 with Mastercard take place tonight, 10 April, at the Royal Albert Hall. The ceremony will be hosted by Jason Manford and broadcast via official media partners ITV and Magic Radio. We'll be updating the list of nominees LIVE.

Final Day To Vote In The 2021 BroadwayWorld UK Awards!

It's the final day to vote in the 2021 BroadwayWorld UK Awards! Nominations were reader-submitted and now our readers get to vote for their favourites. Voting closes at midnight, so you've still got time to get those last votes in... 

McKenzie Kurtz to Join the National Tour of FROZEN as 'Anna'

Disney Theatrical Productions, under the direction of Thomas Schumacher, has announced that McKenzie Kurtz, who made her Broadway debut playing “Anna” in Frozen, will reprise the role on the North American tour March 17 – April 11, 2022.  She will play opposite her Broadway co-star Ryan McCartan, who is starring in the tour March 17 – April 17.

FROZEN is Coming to the Broward Center for the Performing Arts

From the producer of The Lion King and Aladdin, Frozen, the Tony-nominated Best Musical, will play an exclusive 2-week premiere engagement at The Au-Rene theater beginning Wednesday, March 9, 2022, with performances playing through Sunday, March 20, 2022. Opening night is set for Thursday, March 10, 2022 at 8pm.

BWW Review: At Dr. Phillips Center, Top-Notch FROZEN is No Fixer-Upper

Caroline Bowman approaches Elsa with a studied understanding of this show's central themes: the inner confusion of outward identity, the struggle between family ties and the daggers of life that threaten to slice them, and the feeling of danger inherent in any quest for self-acceptance - especially on the part of those marginalized by the masses. It's a story of coming (out?) into one's own. It is a love letter to the fairy tale form and the Disney classics of yore, but also a challenge to their conventions and ideals. Bowman's dynamic performance contains all that turmoil and triumph within it, the totality of it exploding in Act One's 'Let It Go' (reworked here for even greater musical might than the movie) and Act Two's brand-new 'Monster' (which has more oomph in the studio cast recording than on the tour stage, but it's still a powerful identity statement and an indisputable jam.)

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