NYU Skirball will present Ethan Philbrick's The Conquest of Bread, a free May Day Special Event, on Thursday, May 1 at 7:30 pm. The world premiere choral work is inspired by Russian anarchist and philosopher Peter Kropotkin's 1892 critique of capitalism.
Long Beach Opera (LBO) to present The Library of Maps: An Opera in Many Parts—Pauline Oliveros' uniquely experimental opera devised in collaboration with poet and librettist, Moira Roth.
Orchestra of St. Luke’s (OSL) will celebrate its 50th anniversary with an ambitious 2024-25 season featuring 13 performances at Carnegie Hall, including a series in each of Carnegie’s three halls, and innovative presentations of contemporary music and world premieres both at the orchestra’s home, The DiMenna Center for Classical Music, and with partners in all five boroughs.
Opera Saratoga will present 'Listen to This: Voices to Heal Our Future,' a three-part concert series exploring themes of existential healing through renowned artists. Learn how to purchase tickets.
Opera Saratoga has announced a high stakes 2024 season! The summer festival features three sure bets - three new productions at Universal Preservation Hall running from June 27 to July 7.
MacDowell, the nation’s first artist residency program, awarded Fellowships to 139* artists from 25 U.S. states and seven countries. The incoming Fellows reflect multiple artistic disciplines and will arrive from places such as Brazil, Portugal, Jamaica, and the UK, as well as Hawaii, Minnesota, Texas, and Washington.
Soho Rep. today announced a robust 2021-22 season with which it will reopen its home at 46 Walker Street. The company welcomes full-capacity in-person audiences back for the first time since late 2019 with the presentation of works-in-progress from the Writer/Director Lab, a signature program of the theater for over two decades.
Ars Nova has announced additional details for The Ars Nova Forever Telethon, a 24-hour livestream featuring more than 150 artists celebrating Ars Nova’s past and present, while raising funds to support the company’s artistic programs throughout the unconventional 2020-2021 season.
With over sixty total events featuring more than 100 artists over a four month span, National Sawdust's ongoing Digital Discovery Festival is the rarest sort of story in NYC's post-COVID live music world: an unalloyed success.
Two American warhorses, Samuel Barber's 'Adagio' and Aaron Copland's APPALACHIAN SPRING, topped the marquee, but William Brittelle's 'Si Otsedoha' stole the show at Charlotte Symphony's all-American concert at Belk Theater.
Today, the musical/visual project Kill the Whale: A Musical Odyssey has revealed the second musical series from the epic, entitled “Dusk.” Aptly released in the same year of Herman Melville's 200th birthday, the song introduces the character Starbuck, played by Courtney Bassett (The Great Comet). Watch the video below!
On June 24, (Le) Poisson Rouge hosted 'JACK Moves,' a benefit concert for OBIE Award-winning performance venue JACK, located in Clinton Hill, Brooklyn. Emcee'd by Natasha, Pierre & The Great Comet of 1812 and Octet composer Dave Malloy, 'JACK Moves' was a vibrant evening of life-affirming music, featuring an adventurous group of performers from the Broadway, Downtown, and Brooklyn theater and music scenes, all in support of JACK's move to a larger space in the same neighborhood.
On June 24, (Le) Poisson Rouge will host 'JACK Moves,' a benefit concert for OBIE Award-winning performance venue JACK, located in Clinton Hill, Brooklyn. Emcee'd by Natasha, Pierre & The Great Comet of 1812 and Octet composer Dave Malloy, 'JACK Moves' is a vibrant evening of life-affirming music, featuring an adventurous group of performers from the Broadway, Downtown, and Brooklyn theater and music scenes, all in support of JACK's move to a larger space in the same neighborhood.
The duo of playwright/director William Burke and composer Catherine Brookman return to JACK with a 'theatrical seance for listening,' co-directed by Burke and Bryn Herdrich. As the final show at JACK's current location, the audience and performer will collectively strip the space of its contents over the course of the three-week run, leaving it empty by the final performance. Through this process of emptying, the team will strive to clear the air of distractions and ask us to help each other and take care of our brains in the most theatrical of ways.
FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents The Empress Arias: songs from the ICONS/IDOLS plays, on February 8. ICONS/IDOLS is a tetralogy of choral plays for over a dozen women+ singers. Mixing music, movement and text, the four plays recover the secret history of Byzantine Purple Empresses as they ascend in a society with deep animosity towards female rule. Deeply committed to religious icons, these powerful empresses sacrifice personal relationships in an attempt to gain enough power to re-introduce them into an empire that fiercely and violently opposes iconography. The Empress Arias pair powerful multi-part harmonies with glittering ballads, commanding chants and soaring operatic solos to form a unique and beautiful evening of song. The development of ICONS/IDOLS received funding from OPERA America's Opera Grants for Female Composers program, supported by the Virginia B. Toulmin Foundation, and has been developed in The Jam, New Georges' performance lab for early career female artists, as well as The Tank, a home for emerging artists. The project is currently supported by the IRT/New Ohio Archive Residency for its 2018-2020 cycle.
Lucy Jackson in association with Dutch Kills Theater Company will present the World Premiere of INTELLIGENCE by John Golden Playwriting Award winner Helen Banner. Directed by 2017 Lucille Lortel Award winner Jess Chayes (Home/Sick, Half Moon Bay), previews begin January 12 at Next Door at NYTW. Opening is slated for Today, January 17.
Lucy Jackson in association with Dutch Kills Theater Company will present the World Premiere of INTELLIGENCE by John Golden Playwriting Award winner Helen Banner. Directed by 2017 Lucille Lortel Award winner Jess Chayes (Home/Sick, Half Moon Bay), previews begin January 12 at Next Door at NYTW. Opening is slated for Thursday, January 17.
FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents The Empress Arias: songs from the ICONS/IDOLS plays, on February 8. ICONS/IDOLS is a tetralogy of choral plays for over a dozen women+ singers. Mixing music, movement and text, the four plays recover the secret history of Byzantine Purple Empresses as they ascend in a society with deep animosity towards female rule. Deeply committed to religious icons, these powerful empresses sacrifice personal relationships in an attempt to gain enough power to re-introduce them into an empire that fiercely and violently opposes iconography. The Empress Arias pair powerful multi-part harmonies with glittering ballads, commanding chants and soaring operatic solos to form a unique and beautiful evening of song. The development of ICONS/IDOLS received funding from OPERA America's Opera Grants for Female Composers program, supported by the Virginia B. Toulmin Foundation, and has been developed in The Jam, New Georges' performance lab for early career female artists, as well as The Tank, a home for emerging artists. The project is currently supported by the IRT/New Ohio Archive Residency for its 2018-2020 cycle.