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Birth Place: Dublin, IRELAND

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Review: DRACULA - A COMEDY OF TERRORS allo Spazio Diamante

Gli adattamenti teatrali di Dracula sono stati moltissimi, e aggiornano costantemente il classico di Bram Stoker attraverso le più diverse chiavi di lettura, dalla prosa al musical, dalla fedeltà storica alla sperimentazione scenica.

Review: DRACAPELLA, Park Theatre

Bram Stoker’s Dracula can actually be quite funny. There’s the cowboy who’s inexplicably present in 19th-century Yorkshire, and how Jonathan Harker sees nothing wrong with doing routine real estate transactions at a remote Transylvanian castle. Unfortunately, Dracapella has channelled precisely none of this.

Review: DRACULA: A FEMINIST REVENGE FANTASY at Santa Fe Playhouse

Dracula: A Feminist Revenge Fantasy by Kate Hamill at the Santa Fe Playhouse provides insightful commentary on the nature of predators in a post “me-too” world through a retelling of Bram Stoker’s Dracula with a refocus that frames women at the center of the story.

Review: Vampires, Victorians, and a Sendup of Bram Stoker

In this revolving door, gender-bending farce, five actors switch roles with dizzying speed to tell the tale of Count Dracula on the trail of his latest conquest, Lucy, who is determined to break Victorian convention.

DRACULA: A COMEDY OF TERRORS Comes To Good Theater

​​​​​​​Good Theater will bring a sharply comedic twist to the gothic canon this fall with the Portland premiere of Dracula: A Comedy of Terrors, set for this November. Learn more here!

Review: COUNTESS DRACULA, Camden People's Theatre

Cindy Marcolina’s journal. (Not kept in shorthand.) 30 October. London. Left Warren Street Station at 6:42pm, arriving at Camden People’s Theatre at 6:47pm; should have arrived at 6:45, but the streets were busy. Countess Dracula was waiting. Joanna Holden and Jack Kelly team up for a brash look at ageing and menopause in the shape of a quirky adaptation of Bram Stoker’s classic novel. There’s a grotesque vaudeville aura to it, with the duo using meta-performance as the supporting framework for their jolly 45-minute show.

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