The full company has been announced for Orlando – joining Emma Corrin, in the title role, are Deborah Findlay (Mrs Grimsditch), Jessica Alade (Virginia, Drunken Tory), Debra Baker (Virginia, Favilla, The Captain), Akuc Bol (Virginia, Euphrosyne, Prue), Lucy Briers (Virginia, Queen Elizabeth, Officer), Richard Cant (Virginia, Harriet, Kitty), Melissa Lowe (Virginia, Drunken Tory), Jodie McNee (Virginia, Marmaduke), Oliver Wickham (Virginia, Clorinda), and Millicent Wong (Virginia, Sasha, Nell).
The Michael Grandage Company announced that their production of Orlando opens at the Garrick Theatre on 5 December 2022, with previews from 25 November, and runs until 25 February 2023.
The Michael Grandage Company has announced that Emma Corrin will return to the London stage as the title role in Orlando, from the novel by Virginia Woolf in a new version by Neil Bartlett. Michael Grandage directs, reuniting him with Corrin, following their recent collaboration on the feature film My Policeman for Amazon.
Killing Eve star Jodie Comer is coming to Broadway! The Emmy and BAFTA winner will make her Broadway debut in Prima Facie, a new play by Suzie Miller, directed by Justin Martin.
AMC+ today released the exclusive trailer and key art for its upcoming limited series, This Is Going To Hurt, a comedy-drama starring Ben Whishaw (A Very English Scandal, No Time to Die, London Spy) based on Adam Kay’s award-winning international bestselling memoir of the same name.
AMC+ today released first-look photos of its upcoming limited series, This Is Going To Hurt, a comedy-drama starring Ben Whishaw (A Very English Scandal, No Time to Die, London Spy) based on Adam Kay’s award-winning international memoir of the same name. The series was created, written and executive produced by Kay.
In solidarity with the people of Ukraine and to support the Ukrainian community in London, the Southbank Centre has announced Slava Ukraini - a specially curated night of music, poetry and spoken word with a line-up that includes Ukrainian and British artists performing in person and via live link-up from Ukraine. Tickets are on sale now, and all net proceeds and all further funds raised on the evening will be donated to the Disasters Emergency Committee's (DEC's) Ukraine Humanitarian Appeal. Slava Ukraini is organised in partnership with the Ukrainian Institute in London and supported by the British Council.
As BroadwayWorld previously reported, Taron Egerton collapsed onstage this weekend during the first West End preview performance of the Mike Bartlett play, Cock. Now, the actor has provided an update on his Instagram stories to assure his fans that he is okay.
The new James Bond film 'No Time To Die' is giving theaters some hope in a pandemic world. The new Bond movie took in an estimated $56 million from 4,407 theaters in the United States and Canada. Overseas, where the film as had a limited release, it brought in an additional $257 million.
In No Time To Die, Bond has left active service and is enjoying a tranquil life in Jamaica. His peace is short-lived when his old friend Felix Leiter from the CIA turns up asking for help. The mission to rescue a kidnapped scientist turns out to be far more treacherous than expected.
One of the most beloved and celebrated singers of our time, soprano Renée Fleming is renowned for her sumptuous voice, consummate artistry, and compelling stage presence. Awarded America's highest honor for an individual artist, the National Medal of Arts, as well as four Grammy awards, she brings her highly acclaimed voice to Columbus for a one-night-only, not-to-be-missed performance, kicking off the Columbus Symphony's 2021-22 Masterworks season in grand style.
This will be the second play of David Eldridge’s produced by Queen’s Theatre Hornchurch, with 2019’s homecoming revival of In Basildon playing to national critical acclaim.
Olivier and Tony Award-winning Ian McDiarmid and Michael Grandage have collaborated to bring The Lemon Table to the stage for the first time. In McDiarmid's one man performance we encounter a spectrum of bitter-sweet pleasures, wild eccentricity and dark secrets.
Olly Alexander's superstar-status graces new heights on 'Starstruck', an irresistible, instant-classic Years & Years anthem about human connection (and the cosmos). 'Starstruck', reveals Olly, 'came together one night at a studio in the countryside outside of London.
Olly Alexander's superstar-status graces new heights on 'Starstruck', an irresistible, instant-classic Years & Years anthem about human connection (and the cosmos). 'Starstruck', reveals Olly, 'came together one night at a studio in the countryside outside of London.'
From January 18–23, 2021, renowned soprano Renée Fleming will mentor six pairs of aspiring young singers and pianists from around the world in the third year of SongStudio, an innovative program exploring the future of the vocal recital.
Michael Granadge's award-winning production of John Logan's Tony Award-winning play Red is currently available via new streaming platform Stage2View - a venture created by Austin Shaw with Joshua Andrews and Stuart Galbraith of Kilimanjaro Theatricals.
This week, Storyglass released the first three episodes of their new podcast, What I Love, hosted by former artistic director of the Royal Court, Ian Rickson. In each episode, Rickson speaks with a different artist about three of their cultural treasures – a film, a poem, and a song. The interviews were recorded over the summer, taking place in empty theatres, against the poignant backdrop of their closure due to the coronavirus. Rickson adapts the Desert Island Discs premise, embodying a more therapeutic, creative and almost spiritual version of Kirsty Young, as he strives to see the world through his guest’s eyes.
What I Love is a brand new podcast series from Storyglass. Created and hosted by celebrated British theatre director Ian Rickson, interviews are conducted on the empty stages of some of Britain's most iconic theatres, shut down due to the pandemic. Here, he meets a variety of actors, performers and creatives to talk about their most-valued piece of writing, song and film to explore and highlight their meaning and what they reveal about people at a time when the arts are in such a precarious state.
.jpg?format=auto&width=365)
