Onassis USA announces the Eureka Commissions, an initiative catalyzing forward-looking, exploratory, interrogative work within a new cultural landscape irrevocably changed by COVID-19 and a society grappling with social and racial injustice.
The African-American Shakespeare Company debuts its new online series of talk-backs in a format remiscent of The Actor's Studio with James Lipton.
The Onassis Foundation presents Week 6 of ENTER, their series of new works commissioned from artists in various parts of the world, created in their homes in 120 hours or less and drawing on experiences through the COVID-19 pandemic and its many transformations of life as we know it.
The Onassis Foundation presents Week 5 of ENTER, their series of new works commissioned from artists in various parts of the world, created in their homes in 120 hours or less and drawing on experiences through the COVID-19 pandemic and its many transformations of life as we know it.
Point Park University's Pittsburgh Playhouse announced a compelling 2020-2021 season today, celebrating love, human resiliency and community spirit.
Onassis USA presents Week 4 of ENTER, their series of new works commissioned from artists in various parts of the world, created in their homes in 120 hours or less and drawing on experiences through the COVID-19 pandemic and its many transformations of life as we know it. For the series' fourth week,
Onassis USA announces ENTER, a series of new works commissioned from artists in various parts of the world, created in their homes in 120 hours or less and drawing on experiences through the COVID-19 pandemic and its many transformations of life as we know it.
Onassis USA has announced ENTER, a series of new works commissioned from artists in various parts of the world, created in their homes in 120 hours or less and drawing on experiences through the COVID-19 pandemic and its many transformations of life as we know it.
Magic Theatre (Loretta Greco, Artistic Director and Kevin Nelson, Interim Managing Director) announced today that the Company's 2020 Gala Fundraiser, Magic Masquerade: Spring Forward, will be held at Gallery 308 (Fort Mason Center, Landmark Building A, 2 Marina Blvd, San Francisco, CA 94123) on Thursday, March 19, 2020 at 6:00 p.m.
City Theater Company blasts through Wilmington this December with Passing Strange, the powerful rock musical by Stew. This coming-of-age story follows a young black musician's search for 'The Real' -- meaning and purpose through the creation of his art.
Performance Space New York continues The Stages Seriesa?"rethinking the dominant form and aesthetics that have informed the stage for centuriesa?"with Martine Gutierrez's Circle (November 20, 22-23).
Earlier today, the MacArthur Foundation announced its 2019 Fellows, awarding unrestricted fellowships to talented individuals who have shown extraordinary originality and dedication in their creative pursuits and a marked capacity for self-direction. The MacArthur Fellowship is a $625,000, no-strings-attached award to extraordinarily talented and creative individuals as an investment in their potential.
A rocking, lively, faithful rendition of 'Passing Strange,' the unique musical by Stew and Heide Rodewald, created in collaboration with Annie Dorsen, features a flawless ensemble of performers in Firehouse's production, directed by Tawnya Pettiford-Wates.
The Martin E. Segal Theatre Center presents its annual PRELUDE FESTIVAL on October 3, 4, and 5 at The Graduate Center, CUNY, The City University of New York, curated by David Bruin & Sanaz Ghajar in collaboration with Frank Hentschker, produced by Sami Pyne.
To ensure a separation of powers, the U.S. Federal Government is made up of three branches: legislative, executive, and judicial. When authority runs amok, the ultimate check is the American citizen.
The Herb Alpert Foundation and California Institute of the Arts (CalArts) has awarded the 25th Annual Herb Alpert Award in the Arts to five exceptional mid-career artists at a celebration hosted by the Herb Alpert Foundation in New York City on Monday, May 13.
Performance Space New York partners with East Village-based queer funk dance party WET NOISE for a celebratory 12-Hour DANCE-A-THON (May 5, 12pm-12am), a fundraising event that couldn't be further from expectations of what a "fundraising event" entails. The DANCE-A-THON revels in filthy funk music, endless dancing, community building, and inclusivity across age, race, gender, sexuality, and class. DJs tag team in sets as a dynamic give-and-take, throughout the night; they include founding DJ Amber Martin along with Patrick Johnson, Ana Matronic (Scissor Sisters), Seth Kirby (Joshua Light Show), Thomas Campbell, and DatKat (O.E.A.).
ANNOUNCING-University of Chicago's Committee on Theatre & Performance Studies (TAPS), in collaboration with Court Theatre, is proud to host a discussion with Martyna Majok, UChicago alum and playwright of the 2018 Pulitzer Prize Winning play, Cost of Living. Moderated by TAPS Visiting Assistant Professor of Practice, Annie Dorsen. This event includes a live reading of an excerpt from Majok's Cost of Living.
Performance Space New York continues its Posthuman Series with DEAD THOROUGHBRED, a collaboration that includes at least keyon gaskin and sidony o'neal, October 26-27. DEAD THOROUGHBRED feels ambivalent about the posthuman future. Rather than the post-human, DEAD THOROUGHBRED feels the ante-human (ante = before in Latin), i.e. the dead and other non-human living and non-living forms, in an effort to complicate the idea that living human consciousness is the central or sole indicator of subjective relation. DEAD THOROUGHBRED acknowledges the inherent exclusion and limitations of posthuman theory. DEAD THOROUGHBRED's presentation in the Posthuman Series f**ks with the generativity of death and hopelessness as a critical antithesis to DEAD THOROUGHBRED's interest in posthuman ideas of enhanced living, futurity, and occult possibility.
Performance Space New York kicks off its second themed season of performances and events-the Posthuman Series-with the world premiere of Annie Dorsen's The Slow Room (September 27-29). Dorsen has taken the idea of technological theater further than most artists.
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