Roundabout Theatre Company presents the Broadway revival of Tony Kushner & Jeanine Tesori's Tony Award nominated and Olivier Award winning musical Caroline, or Change, starring 2019 Olivier Award winner Sharon D Clarke reprising her role as 'Caroline' from the acclaimed West End production.
Additional casting has been announced for the Broadway revival of Caroline, or Change.
Roundabout Theatre Company's Caroline, or Change will begin performances on March 13, 2020 and open on April 7, 2020 at Studio 54 on Broadway (254 West 54th Street).
Roundabout Theatre Company (Todd Haimes, Artistic Director/CEO) has announced the cast joining Olivier Award winner Sharon D Clarke in the new Broadway production of Tony Kushner & Jeanine Tesori's Caroline, or Change.
Caroline, or Change has found its Broadway cast! Roundabout Theatre Company has just announced the cast joining Olivier Award winner Sharon D Clarke in the new Broadway production of Tony Kushner & Jeanine Tesori's Tony Award nominated and Olivier Award winning musical Caroline, or Change.
Roundabout Theatre Company (Todd Haimes, Artistic Director/CEO) has just announced a new Broadway production of Tony Kushner & Jeanine Tesori's Tony Award nominated and Olivier Award winning musical Caroline, or Change starring 2019 Olivier Award winner Sharon D Clarke reprising her role as a?oeCarolinea?? from the acclaimed West End production.
LIFE AFTER, a new musical by composer and lyricist Britta Johnson is a beautiful and complex musical about the emotional growing pains that come with growing up. Playing at The Old Globe this is a show that should not be missed.
The Old Globe presents the U.S. premiere of Life After, a rapturously beautiful and stirring new musical withbook, music, and lyrics by Britta Johnson, directed by the Globe's own Barry Edelstein, opening Friday, March 29 at 8:00 p.m. Withchoreography by Ann Yee and music supervision, arrangements, and orchestrations by Lynne Shankel, Life After will run March 22 - April 28, 2019 on the Donald and Darlene Shiley Stage in the Old Globe Theatre, part of the Conrad Prebys Theatre Center. Preview performances run March 22-28. Life After is produced by special arrangement with Yonge Street Theatricals, Linda Barnett, and Natalie Bartello. Single tickets start at $32.00 and are now on sale. Tickets can be purchased online at www.TheOldGlobe.org, by phone at (619) 23-GLOBE, or by visiting the Box Office at 1363 Old Globe Way in Balboa Park.
The Old Globe presents the U.S. premiere of Life After, a rapturously beautiful and stirring new musical withbook, music, and lyrics by Britta Johnson, directed by the Globe's own Barry Edelstein, opening Friday, March 29 at 8:00 p.m. Withchoreography by Ann Yee and music supervision, arrangements, and orchestrations by Lynne Shankel, Life After will run March 22 - April 28, 2019 on the Donald and Darlene Shiley Stage in the Old Globe Theatre, part of the Conrad Prebys Theatre Center. Preview performances run March 22-28. Life After is produced by special arrangement with Yonge Street Theatricals, Linda Barnett, and Natalie Bartello. Single tickets start at $32.00 and are now on sale. Tickets can be purchased online at www.TheOldGlobe.org, by phone at (619) 23-GLOBE, or by visiting the Box Office at 1363 Old Globe Way in Balboa Park.
The Old Globe today released a first look at "Poetry" from the U.S. premiere of Life After, with vocals by Sophie Hearn and written and played by Britta Johnson. Performances begin this Friday, March 22 at 8:00 p.m.! Please feel free to share it with all!
The Old Globe today announced the cast and creative team for the American premiere of Life After, a rapturously beautiful and stirring new musical with book, music, and lyrics by Britta Johnson. The Globe's own Barry Edelstein directs, with choreography by Ann Yee. Life After will run March 22 - April 28, 2019 on the Donald and Darlene Shiley Stage in the Old Globe Theatre, part of the Conrad Prebys Theatre Center. Preview performances run March 22-28.
Visionary director Rachel Chavkin (Natasha, Pierre & the Great Comet of 1812, Hadestown) presents Arthur Miller's ground-breaking play about hope, idealism and a nation's unwavering faith in capitalism, opening at The Old Vic on 13 February, with previews from 4 February.
Audiences have just five weeks left to see this critically acclaimed production of Caroline, Or Change starring Sharon D. Clarke. The final performance will take place at the Playhouse Theatre on Saturday March 2nd at 7.30pm.
The Old Vic today announces that Clarke Peters (The Wire, Five Guys Named Moe) will be joining the cast of Arthur Miller's The American Clock, directed by Rachel Chavkin, to play Robertson / Moe 3 / Taylor in the production until 2 March. He replaces Giles Terera who has had to withdraw from the production due to personal reasons. Sule Rimi (Sweat, Barber Shop Chronicles) takes over the roles from 4 to 30 March.
It is announced today that the highly anticipated West End production Caroline, Or Change will extend its booking period due to popular demand and will now run in the West End at the Playhouse Theatre from 20 November 2018 to 6 April 2019. Chichester Festival Theatre's critically acclaimed production also enjoyed a sell-out engagement at Hampstead Theatre, and has been nominated today for Best Musical and Best Musical Performance for Sharon D. Clarke in this year's Evening Standard Awards.
Full casting has been announced for Caroline, Or Change, the celebrated musical written by Tony Kushner, author of Angels in America, with a soaring score from Tony Award-winning Jeanine Tesori, which will run at the West End's Playhouse Theatre from 20 November 2018 to 9 February 2019.
The Oregon Shakespeare Festival opened Rodgers and Hammerstein's Oklahoma!, directed by OSF Artistic Director Bill Rauch, on April 22 in the Angus Bowmer Theatre. Preview performances were April 18, 20 and 21, and the musical runs through Oct. 27.
The National Theatre announces new information, and recaps its upcoming season.
Polly Stenham's updating of Strindberg's Miss Julie moves the action to contemporary London, and finds both contempt and sympathy for this new version of the idle rich. But, shorn of its 19th-century context, the play struggles to make the class transgression feel dangerous, nor does this 85-minute piece dwell long enough on subjects like racism or sexism.
Miss Julie finds a new home in contemporary London. Wild and newly single, Julie throws a late night party. In the kitchen, Jean and Kristina clean up as the celebration heaves above them. Crossing the threshold, Julie initiates a power game with Jean. It descends into a savage fight for survival.
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