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BWW Review: TOOTSIE at The National Theatre

The musical Tootsie, now playing at the National Theater in Washington, DC, has exceptionally good intentions and flashes of show-biz brio but it tries to do too many disparate things at once. Of course, the cultural zeitgeist of the brilliant film is pervasive in the “mind’s eye” but that should ideally be of little concern with a musical that veers into making differing choices appropriate for the stage.

Teresa Fischer & Mary Sheridan Will Return to 53 Above Broadway with WE'RE BACK!

Two of NYC’s award-winning singers join forces to interpret songs of love and belonging that reach into the rich history of Broadway and pop gems from yesterday and today.  2019 MAC Hanson Award recipient Teresa Fischer and recent NY Independent Theater Award winner Mary Sheridan come back to the cabaret stage with an evening of musical delights.  

BWW Review: ELIZABETH WARD LAND: STILL WITHIN THE SOUND OF MY VOICE Tells the Story of Two Artists at The Green Room 42

In 2020, Elizabeth Ward Land (Amazing Grace, Scandalous, The Scarlet Pimpernel, Memphis, City of Angels) won the Bistro Award for Outstanding Tribute Show for her work on STILL WITHIN THE SOUND OF MY VOICE: THE SONGS OF LINDA RONSTADT. Tonight she gave a repeat performance of that award-winning show at The Green Room 42. She hadn't finished the first number before it became clear why her show won awards. Not only is Elizabeth Ward Land a compelling actress and singer, her show is well structured, well written, well directed, and impeccably performed. She uses the facts of Linda Ronstadt's Life, a young girl who leaves her home and family in Tuscon for an uncertain future in music, to tell the story of Elizabeth Ward Land, a young girl who leaves her home and family in Denver for an uncertain future in theatre. They have much in common.

BWW Review: In Her STILL WITHIN THE SOUND OF MY VOICE-THE SONGS OF LINDA RONSTADT, Elizabeth Ward Land Explores Her Creative Life Set To The Music Of A Legend

Broadway veteran Elizabeth Ward Land (AMAZING GRACE, MEMPHIS, THE SCARLET PIMPERNEL) returns to The Green Room 42 with her acclaimed concert STILL WITHIN THE SOUND OF MY VOICE- THE SONGS OF LINDA RONSTADT for three shows, January 16, 17 and 18, 2020 at 7pm. Touching on genres ranging from rock, country, folk, light opera, big band and mariachi, Elizabeth Ward Land finds her perfect vocal match in this salute to the great Linda Ronstadt. Featuring hits from the Rock and Roll Hall of Famers vast catalogue, including YOU'RE NO GOOD, BLUE BAYOU, DIFFERENT DRUM, DESPERADO, FRENESI and HEAT WAVE, the evening promises something for every music lover. Directed by Alan Muraoka, with Music Supervision and arrangements by Andrew David Sotomayor- with special guests Catherine Porter and Joel Waggoner.

BWW Review: ESCAPE TO MARGARITAVILLE at the National Theatre

'Fins up!' The National Tour of Jimmy Buffet's ESCAPE TO MARGARITAVILLE docks at The National Theatre in Washington DC. If you're looking for a decently fun, nicely crafted, Buffet filled escape, paired with a mix of performances, then you've found the right show.

Jonathan Ritter Opens Tonight In New Harvey Milk Musical, HERE TO RECRUIT YOU

Jonathan Ritter ('Wicked,' 'Finding Neverland,' and 'Sweet Charity') portrays Harvey Milk in HERE TO RECRUIT YOU, a new play with music highlighting the little-known theatrical career of the gay political icon. Prior to becoming California's first openly-gay elected official, Harvey Milk lived - and loved - among a group of downtown bohemian artists on the verge of re-defining the Broadway musical. It was a time (the 1960s) and place (New York City) that informed his politics and inspired his activism. Beginning in 1964, HERE TO RECRUIT YOU chronicles Milk's quest to find love, success, and a purpose in life as he transitions from Wall Street businessman to Broadway producer and, finally, to a celebrated politician whose life was cut short by an assassin's bullet.

BWW Review: That Which Defines and Divides in FIERCELY INDEPENDENT

When love feels so fleeting, the push and pull of harsh words and wild emotions is no longer about keeping someone; it becomes more about lingering long enough until we are prepared to fully acknowledge our defeat. That is what makes Fiercely Independent so wonderful, even though also so sad: it pulls the mirror up in front of us, whether we have experienced such a thing or not, and asks us to reflect on what people are supposed to do. Would we rather watch ourselves fall out of love with the person we thought was forever ours, or wind up alone?

Photo Coverage: Inside Opening Night of the World Premiere of FIERCELY INDEPENDENT At Soho Playhouse

In Fiercely Independent, Julie and Robert have been married for four years. They are not getting along. They decide to spend 24 hours together in a hotel room with no television, no cellphones, no internet or computers to see if they can work things out. Upon entering the hotel room, Julie remarks to Robert, 'I guess the separate beds were your idea.' The show officially opened last night, March 6, and BroadwayWorld was there! Check out the photos below!

Photo Flash: FIERCELY INDEPENDENT Gets World Premiere At Soho Playhouse

In FIERCELY INDEPENDENT, Julie and Robert have been married for four years.  They are not getting along.  They decide to spend 24 hours together in a hotel room with no television, no cellphones, no internet or computers to see if they can work things out.  Upon entering the hotel room, Julie remarks to Robert, "I guess the separate beds were your idea."

FIERCELY INDEPENDENT Announces New Preview Date And New Cast Members

Previews for the world-premiere of Kathleen K. Johnson's play FIERCELY INDEPENDENT, will now begin Saturday, March 2 at 7 p.m. prior to the production's opening on Wednesday, March 6 at 7 p.m., with its new stars, CAITLIN GALLOGLY (On a Clear Day You Can See Forever) and CHRISTOPHER M. SMITH (Apple Season) at Soho Playhouse (15 Vandam St.) in Manhattan. 

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