The Met has announced the Week 4 schedule for its Nightly Met Opera Streams, a free series of encore Live in HD presentations streamed on the company website during the coronavirus closure. The week begins with Verdi's Aida, starring Anna Netrebko in the title role.
The Handel and Haydn Society will celebrate Artistic Director Harry Christophers's 12th and final season with nine major subscription concerts at Symphony Hall and the New England's Conservatory's Jordan Hall and select other venues. The 2020-21 season, the 206th in the organization's history, will feature a host of Christophers's favorite compositions and a powerful line-up of major choral works featuring the Handel and Haydn Society Orchestra, Chorus and notable guest artists.
For the first time in decades, a fully staged production of Richard Wagner's Parsifal will be presented in Canada, opening the Canadian Opera Company's monumental 2020/2021 season with a company premiere at the Four Seasons Centre for the Performing Arts. Cast with more than 100 singers, an orchestra of 110 musicians, and a nearly six-hour run-time, this journey of one knight's quest for the Holy Grail offers Canadian audiences a rare opportunity to experience Wagner's thrilling final masterpiece in Toronto, in a celebrated COC co-production directed by François Girard.
In the dead of winter, 92Y's February concert programs promise intimacy and warmth, along with some new sounds: world premieres by John Zorn, Natacha Diels, and Marcos Balter form the basis of cellist Jay Campbell's program with pianist Conor Hanick (February 14). Alexi Kenney's solo violin recital includes scores by Du Yun, Kaija Saariaho, Reich, Kurtág, Enescu, and others, interspersed with movements of Bach (February 7).
For two performances only, this Holiday Season the Apollo Chorus of Chicago will perform one of Chicago's greatest holiday traditions: Händel's Messiah at the Harris Theater for Music and Dance, Chicago.
Mozart's musically brilliant and masterful tale of lust and revenge, Don Giovanni, returns to Lyric Opera of Chicago on Thursday, November 14 at 7pm. There will be nine performances through December 8 at the Lyric Opera House, 20 N. Wacker Dr., Chicago. Tickets start at $39 and are available now at lyricopera.org/Giovanni or by calling 312-827-5600.
Mozart's musically brilliant and masterful tale of lust and revenge, Don Giovanni, returns to Lyric Opera of Chicago on Thursday, November 14 at 7pm. There will be nine performances through December 8 at the Lyric Opera House, 20 N. Wacker Dr., Chicago. Tickets start at $39 and are available now at lyricopera.org/Giovanni or by calling 312-827-5600.
Don Giovanni is bad to the bone and utterly unrepentant. He takes what he wants and lives only for his own pleasure in his encounters with fiery Donna Elvira, tormented Donna Anna, and impressionable Zerlina, among countless others. He manipulates and abuses his frustrated servant Leporello, Anna's fiancé Don Ottavio, and Zerlina's brand-new husband Masetto, and murders Anna's father. Mozart's tale of lust and revenge is set to some of the composer's most thrilling and dramatic music.
Don Giovanni is bad to the bone and utterly unrepentant. He takes what he wants and lives only for his own pleasure in his encounters with fiery Donna Elvira, tormented Donna Anna, and impressionable Zerlina, among countless others. He manipulates and abuses his frustrated servant Leporello, Anna's fiancé Don Ottavio, and Zerlina's brand-new husband Masetto, and murders Anna's father. Mozart's tale of lust and revenge is set to some of the composer's most thrilling and dramatic music.
Lyric Opera of Chicago continues the 2019/20 season with a revival of its original, provocative Don Giovanni, marking the return of Tony Award-winning Goodman Theatre Artistic Director Robert Falls. Set in 1920s Spain, Falls' 'jazz age' Don Giovanni is riveting and bold and won enthusiastic acclaim when it opened Lyric's 60th anniversary season in 2014.
On July 26, 2019, Santa Fe Opera presented R. B. Schlather's rambunctious production of W. A. Mozart's dramma giocoso Così fan tutte. His first act started with Don Alfonso as a cowboy and the two couples, Fiordiligi with Gugliemo and Dorabella with Ferrando dressed in tennis whites. Amanda Majeski, who has sung several leading roles at Santa Fe, showed herself to be a capable Fiordiligi whose top notes bloomed with silver magic as she romped around the stage. For a?oeCome Scoglioa?? (a?oeLike a rocka??), she was comedically impassive and for a?oePer pietàa?? (a?oeFor pitya??) she truly begged for forgiveness as she used every note in her wide range to encompass the scope of Mozart's writing. whose top notes bloomed with silver magic as she romped around the stage.
As the 2018 - 19 season comes to a close, Kahchun Wong and the Nuremberg Symphony Orchestra recently announced the orchestra's 2019–2020 season, Wong's second as Chief Conductor.
A season filled with unforgettable music, riveting stories, thrilling singers from around the world, and stirring productions goes on sale by subscription Friday, January 25, at 10am. Six new and new-to-Chicago productions including three Lyric premieres and three performances of the Ring cycle will engage and entertain audiences from late September 2019 through June 2020.
Continuing the Sydney Symphony Orchestra's commitment to sharing beautiful music as widely as possible, Australia's premier orchestra will present a free global livestream of its Beethoven Nine concert today 27 October - 2.45pm, direct from the iconic Sydney Opera House.
Continuing the Sydney Symphony Orchestra's commitment to sharing beautiful music as widely as possible, Australia's premier orchestra will present a free global livestream of its Beethoven Nine concert on Saturday 27 October - 2.45pm, direct from the iconic Sydney Opera House.
ARIADNE is an opera that shows the beauty of great voices and this cast had plenty to offer. Amanda Echalaz, whose voice has significant heft to it, sang Ariadne with beautiful rose velvet tones. She was a bit of a witch in the prologue, but in the opera, her voice rolled out over the audience like waves in the ocean. Offering pathos at the beginning, Echalaz's use of a tapestry of vocal color made her transition to Bacchus's lover credible
It has been reported that this year's Metropolitan Opera production of Mozart's cosi fan tutti starring Tony Award-winner Kelli O'Hara will head to PBS Great Performances, July 29 at 12 PM. Check your local listings for details!
In the video below, go backstage with Kelli O'Hara as she talks about performing in Cosi Fan Tutte at The Met!
To answer the most burning question for many: Yes, Broadway's Kelli O'Hara can sing opera, acquitting herself nobly and well in the company of “real” opera singers and filling the huge Met Opera without a mike. (FYI: She did study opera herself in her early days.) She brought theatrical pizzazz and was a great partner, as the maid, Despina, for the wonderful, resonant British baritone Christopher Maltman (Don Alfonso) as the co-conspirators of the piece, in director Phelim McDermott's manic production.
On Saturday, March 31 at 1:00pm the Peterborough Players present, Live from the Metropolitan Opera, a screening of Mozart's Cosi fan tutte.
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