Anthony Freud, general director of Lyric Opera of Chicago, today announced Memory and Reckoning, a confluence of activities related to the Chicago premiere of Mieczysaw Weinberg's The Passenger, on stage at Lyric February 24 through March 15. This poignant and gripping 20th-century masterpiece portrays the story of the Holocaust from the perspectives of both victim and perpetrator, and was only recently rediscovered after more than 40 years of suppression.
OPERATHON 2014, Lyric Opera of Chicago's annual live-radio marathon fundraiser on 98.7WFMT, celebrated its 35th anniversary by raising more than $550,000 (gross) during its 16-hour broadcast on Saturday, October 11.
OPERATHON 2014, Lyric Opera of Chicago's annual live-radio marathon fundraiser on 98.7WFMT, celebrated its 35th anniversary by raising more than $550,000 (gross) during its 16-hour broadcast on Saturday, October 11.
Norwegian mezzo-soprano Ingeborg Gillebo will make her Met debut singing the role of Cherubino in this evening's performance of Mozart's Le Nozze di Figaro, replacing Isabel Leonard, who is ill.
Soprano Amanda Majeski is a 2009 George London Award winner who just made her Metropolitan Opera debut in the Met's season-opening presentation of Le nozze di Figaro, and bass-baritone Ryan McKinny is a 2011 George London Award winner who this past summer sang the roles of Stanley Kowalski in A Streetcar Named Desire with the Los Angeles Opera and Billy Bigelow in Carousel at Glimmerglass Opera. Together, they will open the 2014-15 season of the George London Foundation for Singers with a joint recital at Gilder Lehrman Hall at The Morgan Library and Museum on Sunday, November 9, 2014, at 4:30 PM, with pianist Ken Noda. The event is Mr. McKinny's New York recital debut.
More than most stagings of Mozart's LE NOZZE DI FIGARO, the new Richard Eyre production that opened the season at the Met made it hard to remember that the miserable duo who head the household were the happy couple of Rossini's IL BARBIERE DI SIVIGLIA.
The Metropolitan Opera will open its 130th season on Monday, September 22 with a new production of Mozart's Le Nozze di Figaro, conducted by Met Music Director James Levine and directed by Richard Eyre.
American soprano Rachel Willis-Sørensen, who last week won First Prize at the prestigious Operalia competition, will make her Met debut as Countess Almaviva in this December's performances of Mozart's Le Nozze di Figaro. Willis-Sørensen will sing the role on December 4, 8, 12, 15, and 20 matinee, replacing the originally announced Amanda Majeski, who now sings the September and October performances of the opera.
American Soprano Amanda Majeski will be singing the role of Countess Almaviva in Mozart's Le Nozze di Figaro in replacement of Marian Poplavskaya, who has withdrawn due to health reasons.
Widely regarded as one of the greatest operas ever composed, Don Giovanni returns to Philadelphia in five performances at the Academy of Music, today, April 25-May 4, 2014, weaving the tale of the legendary rake Don Juan in Mozart's alternately playful and dramatic musical masterpiece. With an ingenious staging of masquerades, trapdoors and mirrored panels, the production shines a spotlight on opera's most infamous scoundrel in a timeless classic of comedy and tragedy set to music of limitless genius. Mozart's anti-hero has a personality so engaging that audiences will wonder why they are rooting for him as he charms and abandons women at will, until his darkest side emerges.
On Saturday, March 29, at 7:30 p.m., the talented singers and pianist of The Patrick G. and Shirley W. Ryan Opera Center 2013-14 ensemble will perform with members of the Lyric Opera Orchestra in works of Adams, Bizet, Copland, Donizetti, Gershwin, Gounod, Handel, Lehár, Massenet, Mozart, Ravel, Stravinsky, and Walton. Rising Stars in Concert is offered in celebration of an extraordinarily successful year of study and performance for these up-and-coming artists.
Widely regarded as one of the greatest operas ever composed, Don Giovanni returns to Philadelphia in five performances at the Academy of Music, April 25-May 4, 2014, weaving the tale of the legendary rake Don Juan in Mozart's alternately playful and dramatic musical masterpiece. With an ingenious staging of masquerades, trapdoors and mirrored panels, the production shines a spotlight on opera's most infamous scoundrel in a timeless classic of comedy and tragedy set to music of limitless genius. Mozart's anti-hero has a personality so engaging that audiences will wonder why they are rooting for him as he charms and abandons women at will, until his darkest side emerges.
To marry or murder in order to reclaim the throne and family honor? That is the incendiary question propelling Mozart's La Clemenza di Tito at Lyric Opera of Chicago. This tale of politics, power, and high passion opens tonight, March 5 with seven performances through Sunday, March 23. Sir Andrew Davis conducts the new-to-Chicago production by famed director Sir David McVicar starring the internationally acclaimed Matthew Polenzani, Joyce DiDonato, and Amanda Majeski.
Lyric Opera of Chicago presents Mozart's La Clemenza di Tito, conducted by Sir Andrew Davis in a new-to-Chicago production by famed director Sir David McVicar. It opens on Wednesday, March 5 with seven performances through Sunday, March 23. Performance dates are tonight, March 5 and March 8, 11, 14, 17, and 20, all at 7:30 pm, with a matinee at 2 pm on Sunday, March 23.
The Metropolitan Opera's 2014-15 season will feature 26 operas, three of them company premieres, in six new productions and 18 revivals showcasing the talents of the world's leading singers, conductors, and theater artists. The three operas that will have their first-ever Met performances, each staged by a director making his Met debut, are John Adams's The Death of Klinghoffer, conducted by David Robertson and directed by Tom Morris, opening October 20; Rossini's La Donna del Lago, conducted by Michele Mariotti and directed by Paul Curran, opening February 16, 2015; and Tchaikovsky's one-act opera Iolanta, conducted by Valery Gergiev and directed by Mariusz Treli?ski. Iolanta will be presented in a double bill with a new staging of Bartok's one-act Duke Bluebeard's Castle, also conducted by Gergiev and directed by Treli?ski.
Lyric Opera of Chicago presents Mozart's La Clemenza di Tito, conducted by Sir Andrew Davis in a new-to-Chicago production by famed director Sir David McVicar. It opens on Wednesday, March 5 with seven performances through Sunday, March 23. Performance dates are March 5, 8, 11, 14, 17, and 20, all at 7:30 pm, with a matinee at 2 pm on Sunday, March 23.
Lyric Opera of Chicago announced its 2014-2015 season today, which is set to include eight operas, a world premiere new opera, a one night only piano concert with internationally acclaimed pianist Lang Lang, and special family performances. Lyric's 2014-15 subscription season will offer 68 performances of eight different operas Saturday, September 27, 2014 through Sunday, March 15 , 2015. Lyric will also present 17 performances of a new production of Rodgers and Hammerstein's Carousel in April 2015, continuing the company's American Musical Theater Initiative.
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