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Review: TOSCA at Wolf Trap Opera

Review: TOSCA at Wolf Trap Opera

by Roger Catlin — August 10, 2026

She bounds on stage in sunglasses, fur and foulard like she’s just taken a Vespa from the Trevi Fountain.

The San Francisco Symphony Experimental SoundBox Series Returns For Tenth Season

The San Francisco Symphony Experimental SoundBox Series Returns For Tenth Season

by A.A. Cristi — October 17, 2023

The San Francisco Symphony’s groundbreaking SoundBox series returns for its tenth season in 2023–24 with four live programs with curators including violinist, singer, and composer Mazz Swift; SF Symphony Music Director Esa-Pekka Salonen; and SF Symphony Collaborative Partner and roboticist Caro

Core Dance Announces 2022-2023 Season

Core Dance Announces 2022-2023 Season

by A.A. Cristi — August 26, 2022

Core Dance's 2022-23 Season offers a full and diverse schedule of arts offerings including Screen Dance, live performance, touring in the States and abroad, community events, and classes.

BWW Feature: Streaming Opera For The Week Of 9/20

BWW Feature: Streaming Opera For The Week Of 9/20

by Maria Nockin — September 20, 2021

Verdi’s Il Trovatore can be seen live online on Sunday, October 3 at 2:00 pm or on Wednesday, October 6 at 7:30 pm live streamed directly from the Dorothy Chandler Pavilion.

BWW Reviews: Santa Fe's Back with a MIDSUMMER Treat and a LORD-ly Mishap

BWW Reviews: Santa Fe's Back with a MIDSUMMER Treat and a LORD-ly Mishap

by Richard Sasanow — August 4, 2021

There are a number of parallels between the two operas I saw in Santa Fe (NM) this past weekend: The Benjamin Britten/Peter Pears treatment of Shakespeare’s A MIDSUMMER NIGHT’S DREAM and the world premiere of the John Corigliano/Mark Adamo THE LORD OF CRIES.

Long Beach Opera Announces Revised 2021 Season

Long Beach Opera Announces Revised 2021 Season

by Chloe Rabinowitz — March 31, 2021

Long Beach Opera has announced a revised 2021 Season, which will include an exciting return to live opera performance in May with an immersive drive-in Phillip Glass opera, the company’s first venture into longform digital content with a world premiere operatic television series in June, and an o


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