Adam Larsen News

HTY is pleased to announce the world premiere of The Carp Who Would Not Quit created by Reiko Ho and the HTY ensemble. Audiences will enjoy these tellings of traditional fables from Japan and Okinawa that teach important lessons of persistence, respect and kindness. Introducing music, language and performance traditions from these cultures, this interactive performance is specifically developed for our youngest audience members and their families (3+ years).

HTY has announced the Hawaii premiere of Rainbow created and designed by filmmaker, Adam Larsen, and the HTY ensemble. Simple science, ancient stories, and the emotions we associate with colors come to life in this immersive, theatrical journey which explores one of Hawaii's most important symbols, the rainbow.

Semele recently opened at Opera Philadelphia and critics were in attendance. Find out what they had to say!

Whisk away on a family adventure around the world without heavy luggage or cramped airplanes. Let's Go! is the theme for Honolulu Theatre for Youth's 65th season that will transport audiences around the globe and back in time to Korea, Japan, Tasmania, post-war New York, the kingdom of Hawaii, and more. Underlying the humor and excitement of each play are themes of resilience, love, friendship, and courage that will hit home.

For its 2018-2019 Classical Series finale, the Houston Symphony under Music Director Andres Orozco-Estrada performs Bela Bartok's operatic masterpiece Bluebeard's Castle in a gala-cast performance for two nights only at 8 p.m. May 16 & 17 in Jones Hall. 

There's only one transformative, artist-packed weekend left of Opera Omaha's ONE Festival, to include the Opera Omaha debut of acclaimed theatre director Lileana Blain-Cruz as she directs the world stage premiere of a new performance edition of Gounod's Faust. 

Since 2010, Black Mountain College Museum + Arts Center (BMCM+AC) has hosted the {Re}HAPPENING inspired by John Cage's 1952 Theatre Piece No. 1, an unscripted performance at Black Mountain College considered by many to be the first Happening. The annual {Re}HAPPENING brings together dozens of contemporary artists whose work responds to and extends the legacy of Black Mountain College visionaries such as John Cage, David Tudor, Merce Cunningham, M.C. Richards and Robert Rauschenberg. The 2019 {Re}HAPPENING celebrates the influence of non-western music on such legendary artists by showcasing contemporary musicians who continue the legacy of experimental music within a global context. As part of the international Merce Cunningham Centennial Celebration, BMCM+AC will juxtapose these contemporary performances and installations alongside projections of historic Cunningham dance footage, including Variations V, a collaboration with John Cage and fellow BMC faculty Stan VanDerBeek.

Kazaras, who currently holds the post of Director of Opera and Music Theater at UCLA, brings his expertise to the Seattle Opera stage

Lauded as “one of the most creative and ambitious companies in this country” (New York Times), Opera Philadelphia justified that reputation once again when it launched its inaugural Festival O last season; the Washington Post found it “one of the most enjoyable additions to the fall calendar in years,” and the Philadelphia Inquirer noted the festival's ambition “not to follow taste but to lead it.”

 Fresh off a year that saw five weeks of successful international tour dates and two Grammy nominations, t he Cincinnati Symphony Orchestra ( CSO ) and Music Director Louis Langre e announced the Orchestra's highly - anticipated 2018 - 19 season at the recently renovated and widely celebrated Cincinnati Music Hall. In addition to the 20 - concert program subscription s eason, the CSO will present a one - night - only, all - orchestral gala performance on September 22 with Mr. Langree on the conducting podium that kicks off the fall arts season in Cincinnati. This gala concert is an all - French program that includes audience favorites by Ravel, Debussy, and Dukas. The 2018 - 19 season not only showcases great orchestral repertoire, exciting new works, and acclaimed artists from around t h e globe but also features seven CSO musicians as featured soloists.

Now celebrating its 30th anniversary, the New World Symphony, America's Orchestral Academy (NWS), presents its seventh annual New Work performance on Saturday, February 3, 2018 at 7:30 p.m. at the New World Center. New Work is dedicated to commissioning and premiering new pieces from high-profile and developing artists across a range of genres, exploring intersections between music, theater, dance, poetry, video, lighting, and other art forms. This year's program opens with a world premiere, multidisciplinary performance of selections from Glimpse of the Big Picture, conceived, scored, and authored by NWS Artistic Director/Co-Founder Michael Tilson Thomas (MTT). Divided into three parts, the performance brings music together with the spoken word, featuring MTT as speaker. The 2018 New Work program also includes two NWS commissions: composer Ted Hearne and filmmaker Jonathan David Kane's 2017 crowdsourced, multimedia symphony, Miami in Movements, in a revised version; and the world premiere of The Inherent Sadness of Low-Lying Areas, a short play by playwright Christopher Wall featuring music by a variety of composers, from Bach to Saariaho.

The Alliance Theatre announced details today of its upcoming staging of NATIVE GUARD, the Pulitzer Prize-winning collection of poetry by former U.S. Poet Laureate Natasha Trethewey. In NATIVE GUARD, Trethewey examines national memorials to the Civil War, how we remember history and who tells its story, and how that passed-on history affects our beliefs today. Directed by Alliance Artistic Director Susan V. Booth, NATIVE GUARD expands the traditional definition of theatre while exploring themes of history, identity, memory, and loss. During the Alliance's season-long renovation, NATIVE GUARD will be staged at the Atlanta History Center just steps away from its extraordinary collection of Civil War artifacts, January 13 February 4, 2018. Opening Night is Wednesday, January 17, 2018.

Opera Omaha, Nebraska's sole opera company, celebrates its 60th anniversary season with the launch of ONE Festival (derived fromOmaha, NE), running April 6-22, 2018. Expanding Opera Omaha's commitment to innovative work, the inaugural ONE Festival, led by Festival Artistic DirectorJames Darrah, includes over fifty multi-disciplinary performances, installations, conversations and explorations of the operatic form.

The Alliance Theatre announced details today of its upcoming staging of NATIVE GUARD, the Pulitzer Prize-winning collection of poetry by former U.S. Poet Laureate Natasha Trethewey. In NATIVE GUARD, Trethewey examines national memorials to the Civil War, how we remember history and who tells its story, and how that passed-on history affects our beliefs today. Directed by Alliance Artistic Director Susan V. Booth, NATIVE GUARD expands the traditional definition of theatre while exploring themes of history, identity, memory, and loss. During the Alliance's season-long renovation, NATIVE GUARD will be staged at the Atlanta History Center just steps away from its extraordinary collection of Civil War artifacts, January 13 February 4, 2018. Opening Night is Wednesday, January 17, 2018.

The Cincinnati Symphony Orchestra (CSO) and Music Director Louis Langree have announced details of the final installment of a three-year exploration of Maurice Maeterlinck's 1893 symbolist play, Pelleas et Melisande, a collaboration with director, production designer and visual artist James Darrah.

The Cincinnati Symphony Orchestra (CSO) and Music Director Louis Langree have announced details of the final installment of a three-year exploration of Maurice Maeterlinck's 1893 symbolist play, Pelleas et Melisande, a collaboration with director, production designer and visual artist James Darrah.

With the launch of its 2017-18 season this fall, the New World Symphony, America's Orchestral Academy (NWS), led by Co-Founder and Artistic Director Michael Tilson Thomas (MTT), celebrates 30 years as the nation's most innovative training ground for the next generation of classical musicians, preparing its resident Fellows for professional careers through an experiential curriculum of hands-on training, live performance, and audience interaction.

The New World Symphony, America's Orchestral Academy (NWS), will perform its sixth annual New Work program—dedicated to commissioning and premiering new pieces from high-profile and developing artists across a range of genres, intersecting music with theater, dance, poetry, video, lighting, and other art forms—on Saturday, April 29, 2017 at 7:30 p.m. at the New World Center.

The New World Symphony, America's Orchestral Academy (NWS), will perform its sixth annual New Work program-dedicated to commissioning and premiering new pieces from high-profile and developing artists across a range of genres, intersecting music with theater, dance, poetry, video, lighting, and other art forms-on Saturday, April 29, 2017 at 7:30 p.m. at the New World Center. The program will include a new Michael Tilson Thomas-led and -conceived stage production of Niccolo Castiglioni's Inverno In-Ver, the premiere performance of an orchestral version of Oscar Bettison's Lights in Ashes led by NWS Conducting Fellow Dean Whiteside, and the world premiere of a New World Symphony commission from John Supko, composed for viola and electronics.

The San Francisco Symphony (SFS) honors John Adams's 70th birthday in a special three-weekend celebration of his music, February 10-25.