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EDINBURGH 2025: Review: MAIRI CAMPBELL: PULSE (PENDULUM TRILOGY), Scottish Storytelling Centre

To the left of the Netherbow Theatre stage hangs an ancient stone from a trio of canes, to the right a chair and instrument stand – our programme tells us it was designed by Tim Vincent-Smith. This sets the scene for the first of three plays being presented by Mairi Campbell, this first chapter titled “Pulse” on its return to the festival alongside the two new works.

The Parsnip Ship Releases Six New Audio Plays Featuring Queer Voices And Genre-Defying Stories

The Parsnip Ship, the Brooklyn-based audio theater podcast celebrated by The New York Times as one of “5 Podcasts to Bring Theater Into Your Home,” has released six new audio dramas as part of its latest programming slate. The new episodes, available for free across streaming platforms, highlight the company’s commitment to accessibility, community, and fearless storytelling.

Review: SEAGULL Updates a Standard at Quantum Theatre

One of the biggest debates in the world of theatre is over the genre of Anton Chekhov's masterpiece of early modernism, The Seagull. It's been almost universally acknowledged as a tragedy... except by Chekhov himself, who intended it as a comedy.

Inside Out Dorset 2025 Set For September

For ten days this September, the urban, rural and coastal landscapes of Dorset will once again be transformed by live art and performance as the biennial Inside Out Dorset festival returns to the county.

Video: MY FAIR LADY at San Francisco Playhouse First Look

Get a first look at San Francisco Playhouse's production of Lerner and Loewe’s My Fair Lady. This Tony Award-winning musical adapted from George Bernard Shaw’s Pygmalion follows Eliza Doolittle’s transformation from cockney flower girl to the belle of elegant society under the tutelage of linguistic expert Professor Henry Higgins with aid from Colonel Pickering.

Laguna Playhouse Finishes 2024-2025 Season with HONKY TONK ANGELS

Laguna Playhouse will present the final show of its 2024/2025 season, the boot-scootin’, foot-stompin’, dancin’ in the aisles, country music party of the year, Honky Tonk Angels, written by Ted Swindley, choreography by Jill Gorrie, musical direction by John Massey and direction by David Ellenstein.

Review: MY FAIR LADY at SF Playhouse

Who doesn’t love a good transformation story? Dowdy bookkeeper Loretta Castorini morphing into Cher in Moonstruck or the streetwise prostitute becoming the elegant Julia Roberts in Pretty Woman are contemporary examples.

Review: ARTHUR BAMPOT: THE CASE OF THE DEAD SILENCE at the Ottawa Fringe Festival

Do you love a good detective story? Imagine yourself sitting by the fire, playing chess against a certain pipe smoking, violin wielding brainiac? Or perhaps dining on a Nile River cruise with a mustachioed gentleman who has a self-proclaimed abundance of little grey cells? Hopping into a psychedelic caravan full of foot long sandwiches and a cowardly Great Dane?

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