Matthew Shea

NextStop Theatre Company’s kickoff to its tin anniversary is delightful, hilarious, and engaging. The joy the cast and crew infuse into the performance is palpable and compelling, creating a shared experience that truly elevates live theater.

Jobsite Theater, resident theater company at the Straz Center, is thrilled will kick off its 24th season with this hilarious comedy from the original “wild and crazy guy,” Steve Martin.

The year 1985, the setting Fair Verona where we lay our scene. Over the years Romeo & Juliet has been translated, interpreted and conceived in many different forms and fashion. Outside of literature none more so than that of film and stage. Diverting back to literature briefly, Romeo & Juliet was first translated into English in 1562 as a poem entitled The Tragic History of Romeus and Juliet by Arthur Brooke.

This is the last chance to vote for the 2021 BroadwayWorld Baltimore Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.

Time is running out to vote for for the 2021 BroadwayWorld Baltimore Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.

There can be rational decisions to end one’s own life, but when such decisions are driven by most kinds of depression, which by definition are not rational, no one else, especially no one else touched by it, can make sense of it. And no string of “Whys” will bring us closer to an explanation. But comedy can at least supply insight into the dilemma.

Single Carrot Theatre will partner with three community organizations supporting people living with mental illness when the Baltimore-based theatre company returns to live theatre September 3 with Every Briliant Thing. September is acknowledged internationally as Suicide Prevention Awareness Month.

Single Carrot Theatre will return to live theatre with Every Brilliant Thing, opening in outdoor venues September 2 and running through September 26.

Jobsite, the independent resident theater company of the Straz Center for the Performing Arts in downtown Tampa, continues their annual Shakespeare tradition with HENRY V, on stage now through Apr. 25 in the reconfigured-for-distance Jaeb Theater. The show enjoyed a SOLD OUT opening week, with all future dates all filling fast.

Jobsite the Independent In-Resident Theatre Company of the Straz Center as by annual tradition brought Shakespeare to Tampa Bay once again with the first of Shakespeare’s History offerings to be staged locally. For me, Jobsite is the “Cream of the Crop” when it comes to presenting Shakespeare’s works. No one in this region “Rocks the Bard” as hard, as relevant, and as daring as Jobsite and their players. David Jenkins and Giles Davies have outdone themselves here. To a rocking, and pulse-inducing score by Jeremy Douglass and flashes of projections making you feel like you’re in a different time frame this production has it all. Henry V normally not the most sought-after of the History offerings is a stellar and triumphant display of magnanimous proportions and this cast is in true form.

There is no question that R. Eric Thomas has serious things to say about the state of race in our country. In a Single Carrot press release, he is quoted, for instance, as saying that the play was written now to address a?oethe scourge of white supremacy,a?? and that the play is a?oeabout priorities for the future and a way out.a?? He calls his thoughts a?oecomplicated.a?? And complicated is fine, so long as the audience is given as concrete and coherent a map of the way through that complication as Thomas can fashion. But that work has not been done.

Back for its SEVENTH installment, Fells Point Corner Theatre is delighted to bring you a fantastic lineup of hilarious and compelling 10-minute plays by local playwrights in our annual 10x10x10 Play Festival! In just two short hours, audiences will see 10 brand-new, fully-produced  works presented by an ensemble of 10 of the area's finest actors. At the end of each performance, audiences vote on their favorites as the playwrights compete for cash prizes!

Disney's motto is 'Unless you're one of the most important people who ever lived, what's the point?' But there remains no point if you have no consciousness left to enjoy your importance. Hence the sight near the end of doomed Walt struggling to slow down and stretch out indefinitely the experience of his own final moments.

Single Carrot Theatre's 11th season continues with A Public Reading of an Unproduced Screenplay About the Death of Walt Disney. From Lucas Hnath, writer of The Christians and the Tony-award-winning A Doll's House Part 2, The Death of Walt Disney takes audiences deep inside the dark heart of the Disney machine. Far from the sanitized history presented by the Walt Disney Company, Hnath's portrait of the megalomaniac behind the magic is a sharp and blackly comic look at one man's quest for immortality. As the lines of fantasy and reality blur in this dramatic retelling, dramaturg Abigail Cady has worked closely with directors Genevieve de Mahy and Matthew Shea to navigate the murky waters of Walt Disney's life.

Come on babe, why don't we paint the town! The City Theatre Company is thrilled to top off its 2017 summer theatre season with the most razzle - dazzling of stage musical greats Chicago, now the longest-running American musical in Broadway history. The production runs August 18th - September 10th at City Theatre Austin.

North Carolina Theatre Conservatory, NC Theatre's flagship training program offering professional instruction in acting, voice and dance for ages three to adult, is excited to bring to the stage their production of Oklahoma!, July 7-9, 2017, at the A.J. Fletcher Opera Theater in downtown Raleigh. The show will be produced by the students of NC Theatre Conservatory's Master Summer Theatre Arts School, NC Theatre's four-week summer camp with emphasis on pre-professional training of the highest caliber culminating in a full-scale musical production. Students range in age from middle school to rising college students. This production also features a "kids chorus" of elementary school aged children.

The Vagabond Players's contemporary production of Moliere's The Misanthrope runs weekends through September 29. This high comedy, directed by Howard Berkowitz; had audiences laughing opening weekend. The production is sleek, sophisticated and riotously funny.

The Vagabond Players opens its 98th season with a contemporary production of Moliere's The Misanthrope, translated by Richard Wilbur. This high comedy is directed by Howard Berkowitz; it runs weekends tonight, September 6 through the 29th.

The Vagabond Players opens its 98th season with a contemporary production of Moliere's The Misanthrope, translated by Richard Wilbur. This high comedy is directed by Howard Berkowitz; it runs weekends September 6 through the 29th.

The Vagabond Players opens its 98th season with a contemporary production of Moliere's The Misanthrope, translated by Richard Wilbur. This high comedy is directed by Howard Berkowitz; it runs weekends September 6 through the 29th.